It’s another beautiful (I’m ignoring the mid-April snow!) Perfect Picture Book Friday, and I have a wonderful book to share with you today!
I was lucky enough to get to “talk” briefly with the author, Nicholas Solis, and he kindly shared his inspiration for the book which I think you’ll all be interested in hearing. I have added his thoughts below in the “Links To Resources” section.
But let’s start by having a look at this gorgeous book!
Title: The Color Collector
Written By: Nicholas Solis
Illustrated By: Renia Metallinou
Publisher: Sleeping Bear Press, fiction, April 15, 2021
Suitable For Ages: 6-9 years
Themes/Topics: friendship, kindness, empathy
text copyright Nicholas Solis 2021, illustration copyright Renia Metallinou 2021, Sleeping Bear Press
Opening: “She was new. She was quiet. I think she was lonely.
That was the day I met Violet.
I was new once. I said hello.
She smiled a little, I think. But she was quiet.”
Brief Synopsis: A boy offers a kind word to a lonely new girl, and as the days pass and they walk home together, he notices all the colorful things she picks up and wonders why. She shares a little of her life with him, and their friendship blossoms, a wonderful thing for both of them.
Links To Resources: activities provided by author Nick Solis:
I asked Nick about his inspiration for writing this beautiful book and this was his reply:
“I was inspired by a piece of art by Graham Franciouse. The painting is of a little girl collecting leaves, and she had the saddest eyes I had ever seen.
This story speaks to me in so many ways, but the main impact is that idea that even a kind word from one person can change another person’s entire life. My parents divorced when I was young and we moved around a lot. In the middle of 7th grade, I had to start a new school. Middle school is tough for anyone, but an overweight, shy kid starting in the middle of the year didn’t have a chance. The rest of that year was tough for me, and I was determined to go live with my father after 8th grade. But at the beginning of the school year one kid said hi to me. He invited me into his conversation with him and his friends and it changed my life. I became more open, funny, and creative. I made a ton of friends that year and stayed with my mom throughout middle school and high school. Most of the kids I met in high school are still my closest friends 25 years later. So all it takes is just one person to show a little kindness and their world can change. That’s what I hope to share with this book.”
Why I Like This Book: This poignant story of friendship, beautifully told with an economy of words but with a real depth of emotion, shows just how much power we all have to make a difference in someone’s life with nothing more than a kind word or gesture. You can never know how much a kindness might mean to someone. The story is simple and lovely, and the art is gorgeous and complements it perfectly. I love how the opening spread is all shades of gray (please see above) and the last spread with both children in it (which is the second to last in the book) has come to life with color.
text copyright Nicholas Solis 2021, illustration copyright Renia Metallinou 2021, Sleeping Bear Press
In between, at the moment when their friendship really begins to take shape, Violet shows the boy the color and beauty of the life she left behind, which is how he begins to understand her.
text copyright Nicholas Solis 2021, illustration copyright Renia Metallinou 2021, Sleeping Bear Press
And the very last page shows how he has taken her words and experience to heart and begun to see how he can find the colors in his own world.
text copyright Nicholas Solis 2021, illustration copyright Renia Metallinou 2021, Sleeping Bear Press
It is a touching story of kindness and friendship that all young readers will relate to, an absolutely lovely book, and I hope you enjoy it as much as I do 😊
PPBF folks, please add your titles and post-specific blog links (and any other info you feel like filling out 😊) to the form below so we can all come see what fabulous picture books you’ve chosen to share this week!
It’s a perfect Perfect Picture Book Friday, and I hope everyone has been enjoying the kind of perfect beautiful spring weather we’ve been having on Blueberry Hill this week! It makes the heart sing! 😊
Before we get to today’s Perfect Picture Book, I’d like to announce that the lucky winner of the giveaway copy of last week’s Perfect Picture Book, LISTENING TO THE STARS, is Carole Calladine! Congratulations, Carole! I know you’ll love Jodie’s wonderful book! Please contact me and let me know your snail mail address so the publisher can send you your book!
Spring has sprung, so today I have a delightful rhyming picture book about nature and gardening, just perfect for picture book aged gardeners and their families at this time of year!
Title: In A Garden
Written By: Tim McCanna
Illustrated By: Aimee Sicuro
Publisher: Simon & Schuster/Paula Wiseman Books, February 2020, fact-based fiction
Suitable For Ages: 4-8
Themes/Topics: gardening, nature, community garden, seasonal cycle
text copyright Tim McCanna 2020, illustration copyright Aimee Sicura 2020, Paula Wiseman Books
Opening: “In a garden on a hill sparrows chirp and crickets trill.”
Brief Synopsis: In a community garden surrounded by apartment buildings, life is busy as seeds sprout, plants and flowers grow, and a wide variety of insect and animal life flourish.
text copyright Tim McCanna 2020, illustration copyright Aimee Sicura 2020, Paula Wiseman Books
Links To Resources: the book itself is a resource, detailing the wonder of life and growth in a garden; the end of the book includes back matter about how a garden grows, cool facts about ecosystems and the mutually beneficial interaction between plants and insects; grow a seed in a cup on your windowsill, or plant a little garden of your own and watch nature in action!
text copyright Tim McCanna 2020, illustration copyright Aimee Sicura 2020, Paula Wiseman Books
Why I Like This Book: written in Tim McCanna’s spot-on, lively, such fun to read-aloud rhyme, this delightful book will make anyone want to try growing something 😊 I love that it is set in a community garden in the city, encouraging all kids to experiment with gardening, not just those who live in the country. The garden cycles through the seasons – a robin digging for worms in spring, summer fireflies, cool autumn breezes, and a blanket of snow – showing how life goes around and around. The illustrations are colorful and appealing and show a wide variety of insects, animals, plants, and children. All in all a lovely book!
text copyright Tim McCanna 2020, illustration copyright Aimee Sicura 2020, Paula Wiseman Books
PPBF folks, please add your titles and post-specific blog links (and any other info you feel like filling out 😊) to the form below so we can all come see what fabulous picture books you’ve chosen to share this week!
It’s time for another exciting episode of Tuesday Debut!!!
Today we have a lovely book with an important and heartwarming message from debut author Sita Singh. I hope you’ll love it and enjoy hearing about her journey to publication!
Birds of a Feather Written by Sita Singh Illustrated by Stephanie Fizer Coleman Published by Philomel Books March 2, 2021 Fiction Picture Book (ages 4-8)
A story of the colorless peacock who learns to love himself in a jungle full of color, Birds of a Feather is about finding strength in the things that make us different, and beauty in all its forms.
SUSANNA: Welcome, Sita! So thrilled that you could join us today! Where did the idea for this book come from?
SITA: This book came about from a fusion of ideas. I was working on a story with peacocks at the front and center of it, and at the same time, I was working on another story about a little girl feeling different because of her ethnicity. Neither of the two were coming together until one day, it just clicked. What if I combined the two ideas? And that’s how BIRDS OF A FEATHER came to be.
SUSANNA: How long did it take you to write this book?
SITA: It took me less than six months from the idea to the first draft that I was somewhat happy with. But then, there was revising, and more revising for almost two years before I signed the contract.
SUSANNA: Did you go through many revisions?
SITA: I did go through a lot of revisions. Since I make a new draft with even slightest of a change, there are hundreds of drafts sitting in my folder. I also start out with writing long sentences and paragraphs, without any inhibitions of word count. It’s more like a story I’m telling myself and/or figuring out for myself. So, my revision process ends up being quite long. Although recently, I’ve become faster and the last manuscript I wrote, which is out on submission right now, was in less than a year.
Sita’s writing buddy, Solo 😊
SUSANNA: When did you know your manuscript was ready for submission?
SITA: First, when my critique partners felt just as strongly about the story, and second, after it won the Rising Kite Award at Florida SCBWI.
SUSANNA: When and how did you submit?
SITA: After the award, I started to look for representation. I already had a long list of agents, whom I was following on twitter, and also from the vast search I had been doing over many months. I sent the manuscript to most of them along with a query letter, properly drafted according to the industry standards.
SUSANNA: How long after you submitted were you told it was a “yes”? When did you get “the call”, which these days is more likely to be “the email”?
SITA: As soon as the agent came on board, we submitted the story to various publishing houses. Over the period of twelve months, we got so many rejections that at one point my agent and I decided it’ll be best for me to not get regular updates from her. Thankfully, none of those rejections mentioned any loopholes in the story and my agent too felt strongly about it, so I didn’t revise the manuscript at all. Every now and then, she would also give me a pep-talk which I think helped keep up the hope.
Since I had no idea it was submitted to Philomel Books, “the call” actually was a shock! I remember being in the Indian grocery store and screaming so loudly that the owners had to run to check on me! 😊
SUSANNA: How long was it between getting your offer and getting your contract to sign?
SITA: We signed the contract after three months of accepting the offer. Within that time, I made a few changes to the story as suggested by my amazing editor, Liza Kaplan.
SUSANNA: How did you celebrate signing your contract?
SITA: We celebrated by having wine and going out to eat! It seems so weird to think about eating out in these times as we haven’t been to a restaurant in over a year. I also celebrated with my critique partners, and called my parents, brother, and close friends.
SUSANNA: Was the contract what you expected in terms of advance, royalty percentage, publication timeline, author copies etc.?
SITA: This being my debut, I had no idea about the numbers/royalties/fees and what to expect. I followed my agent’s advice, and she did negotiate the advance and author copies. Rest, everything was standard as in most picture book contracts.
SUSANNA: Can you tell us a little about the editorial process?
SITA: After the very first call with my editor, I knew she had a wonderful vision for my story which was extremely important to me. We went through some minor revisions and one major revision, but at no point was I worried that the story was going off track. Our visions were very much in sync and the editorial process was very smooth.
SUSANNA: What was your experience of the illustration process like?
SITA: Again, as a debut author, I had no idea what to expect once Stephanie came on board. I was surprised when I got to see the first set of illustrations—the rough pencil sketches. Thereafter, every stage of the illustration process was shared with me and it was such a thrill to see the artwork evolve. From the rough sketches to the final artwork, there were about four stages that I got to see and also give inputs. Although, I didn’t have many suggestions to make, since Stephanie just nailed the illustrations. Her vision not only matched mine, but she took the story to a visual level that was beyond my imagination.
text copyright Sita Singh 2021, illustration copyright Stephanie Fizer Coleman 2021, Philomel Books
I did have a few art notes where the text was to go either on a banner or on a sign post. As you can see in the spread below, art notes were necessary to convey my vision for this particular scene.
text copyright Sita Singh 2021, illustration copyright Stephanie Fizer Coleman 2021, Philomel Books
SUSANNA: How long did it take from offer to having the first copy in your hand?
SITA: It took two years from the offer to having the copy in my hands. When I signed the contract, two years seemed a lot, but having gone through the process, I now understand why it can take that long to publish a picture book.
SUSANNA: Describe any marketing/promotion you did for this book.
SITA: The first best step I took was to join the promotion group The Picture Book Scribblers! We’re like a family of debut and experienced authors, and everyone’s suggestions and experiences really helped me navigate through the marketing stage. I got a book trailer made by Cynthia Nugent, and teacher’s guide made by Marcie Colleen. I also created bookmarks, stickers, and a handful of coloring activities. Last but not the least, I did a blog tour with some wonderful KidLit bloggers!
SUSANNA: (A side note – Marcie Colleen has done a number of teachers guides for me as well – not all of them up on my website yet – and she does terrific work!) How long was it between the time you started writing seriously and the time you sold your first picture book?
SITA: I started to write seriously in 2014, and five years later, I sold my first book.
SUSANNA: What is your most helpful piece of advice for up and coming writers?
SITA: I’d say, write what comes from your heart, and revise, revise, revise! There’s always room for revision. Although my debut picture book just published, there’re places I feel could’ve used more revision. Also, believe in your stories! It helps with being patient and persistent, the two important things needed to stay on course of this turbulent journey to publication.
SUSANNA: Thank you so much for taking the time to participate in this series and paying it forward to other writers, Sita! We so appreciate the opportunity to learn from your experience! And I know I speak for everyone when I wish you the best with this and future titles!
SITA: Thank you, Susanna, for having me on your wonderful blog! Making Picture Book Magic was one of first courses I took (thanks to author Darshana Khiani, who suggested it way back in 2015 when I had just begun to write 😊) I still go back to those lessons and I’m so grateful to you, Susanna, for this opportunity to give back to the writing community.
I’m going to share the book first, so you can see what we’re talking about, and then I have a little Q&A with the author that I think writers, teachers, parents, and all readers will find very interesting as well as some activities that she prepared especially for us to do with our children and students! So please see below in the “Links to Resources” section for all that bonus material! (It includes a recipe for Disappearing Crunch Cookies and I know you won’t want to miss that! 😊)
As if all that weren’t enough, the publisher, Albert Whitman, is offering a copy! So if you leave a comment on this post between now and Thursday April 8, you will be eligible for the random drawing that could make you a winner!
Title: Listening To The Stars: Jocelyn Bell Burnell Discovers Pulsars
Written By: Jodie Parachini
Illustrated By: Alexandra Badiu
Publisher: Albert Whitman & Company, April 1, 2021, Nonfiction
Suitable For Ages: 4-8
Themes/Topics: biography, astrophysics, astronomy, girl power
text copyright Jodie Parachini 2021, illustration copyright Alexandra Badiu 2021, Albert Whitman
Opening: “Does the galaxy have a sound?
Is it loud and full of thunderous booms? Soft murmurings, whooshing whispers? Blips and bloops, like laughter and hiccups?
Silent?
When Jocelyn Bell was young, she never dreamed that she would spend her life listening to the stars.
But sometimes, if you open your mind, you can hear the universe.”
text copyright Jodie Parachini 2021, illustration copyright Alexandra Badiu 2021, Albert Whitman
Brief Synopsis: A biography of astrophysicist Jocelyn Bell Burnell, who helped build a radio telescope that contributed to her discovery of pulsars, which some scientists consider to be the greatest astronomical discovery of the twentieth century.
Links To Resources: the back of the book includes a glossary and an author’s note; and I have a special treat for you – some activities from author Jodie Parachini!
Welcome, Jodie! Thank you for joining us!
What drew you to this subject?
The first question people ask when I tell them I wrote a book about Jocelyn Bell Burnell, is
“who’s that?”
When I explain that she’s an astrophysicist who discovered an astronomical marvel called pulsars, they ask,
“Why haven’t I heard of her?”
Exactly. Then when I mention that she wasn’t awarded a Nobel Prize for it (it went to her male colleagues), they stare in wonder and say,
“Haven’t I heard this story before?”
Yes, sadly. Women such as Rosalind Franklin (who worked on the structure of DNA with Watson and Crick), Chien-Shiung Wu (who worked on the Manhattan Project), and Lise Meitner (who helped discover nuclear fission), were rarely acknowledged for the incredible contributions they made to science. But one of the reasons I love writing picture books is to get these stories out there. Jocelyn Bell Burnell’s story, like those of so many women who work in the STEM fields, should be read, discussed, treasured, and celebrated.
Which do you prefer writing, fiction or nonfiction?
Great question! But I can’t answer it—it’s like choosing which child is my favorite.
I’m drawn to telling stories and I tend to pounce on whatever idea strikes me at the moment. Which means I usually have a few picture book ideas in progress at once. Sometimes I can’t get a rhyme out of my head and other times I hear a story on the news and think I MUST research it further. I let my haphazard brain lead the way!
The nonfiction appeals to my inquisitive and curious nature, the fiction to my creative side. I’m sure there’s a right brain/left brain comment that could be made about this! Hmmm, Righty wants to go to the Library while Lefty wants to pick daisies… I sense a new picture book idea percolating!
I have four more nonfiction and three fiction books coming out in the next two years, so luckily I don’t have to choose between Righty and Lefty!
Do you have any advice for other writers on getting published?
I do not have a traditional publishing story. Like many writers, I spent years getting rejections (I still do). I’ve never had an agent (ahem, see what I mean about rejections?) but I’ve been persistent about following up every opportunity possible when it comes to my manuscripts. Sometimes that means:
1. Pursuing every lead with editors or publishers you meet (for example, I met an art director at a conference. He didn’t think the first story I pitched was right for his publishing house, but I followed up with another in an email, and that one will be published in 2022. I could have just licked my wounds and retreated after the first rejection but sometimes perseverance is key.)
2. Believe in your work, but be flexible enough to alter it. Editors often know the market better than writers. Sometimes it takes (what feels like) hundreds of rewrites to get to the final product. Why start out with a fixed, single-minded vision when collaboration (with awesome editors and amazing illustrators!) is so much fun!?
3. Most writers jump into querying agents/publishers too quickly. The dream of being published is powerful, but I have found that taking classes or joining writing groups and listening to the advice of teachers and peers when it comes to how to improve my work is invaluable. Learn to tell the difference between a first draft and a polished draft by getting the manuscript in front of readers. Their opinions or critiques can open up a whole world of ideas, and, eventually, make you a better writer.
Thanks for listening, kidlit folks, and I wish all of you success of your own writing journeys!
And now for the activities!!!
I have two artsy-fartsy (my mom’s term) crafts for today—the first is a spinning star…perfect to represent the pulsars that Jocelyn Bell Burnell discovered (pulsars are neutron stars that spin and send off radiation, but luckily these ones are just made out of paper). I have to admit, origami and I have never gotten along. I’m more of a modernist, throw-paint-at-the-canvas type of artist so I find folding paper in a structured, precise way quite difficult. That’s why I added the second paper star video, which is much easier and although it’s supposedly a Christmas star, I see no reason why it can’t be made for Easter too! Just grab some pastel paper, scissors, and glue!
Double plus, I have to leave you with an amazing recipe for Disappearing Crunch Bars. (So named because as soon as you make them, they disappear completely. Trust me.)
Only 4 Ingredients:
Saltines (a column or two) Butter (2 sticks) Light Brown Sugar (1 cup) Chocolate chips (12 oz semi-sweet, milk/dark/white, whatever you like)
Method:
Preheat the over to 400 degrees F.
Line a baking pan with foil. Place 1 layer of saltines on the foil. Boil the butter and sugar for 3 minutes, stirring constantly, then pour the caramelly mixture directly over the saltines and use a baking brush to cover the saltines in the caramel. Place in oven for 7 minutes, then remove and immediately pour the chocolate chips over the pan. Spread the chocolate with a brush as it melts, to coat. Cool in the fridge or preferably freezer. Peel from the foil and break into bite size (or larger J ) bits and keep in the freezer. YUM.
THANK YOU SO MUCH, JODIE!!!
text copyright Jodie Parachini 2021, illustration copyright Alexandra Badiu 2021, Albert Whitman
Why I Like This Book: I love learning about interesting people I previously knew nothing about! Jocelyn Bell Burnell has been a groundbreaker in astrophysics as well as a voice for gender equality in science. When I read about how what should have been her Nobel Prize (at least partly if not completely!) went to two male colleagues I was incensed on her behalf! Jocelyn’s dedication to her research is amazing. She worked her way through 3 miles of paper printout from the radio telescope to discover patterns that would lead her to neutron stars and pulsars. At age 77 she is still contributing to the field of astrophysics and leading the way for girls and women to achieve their scientific goals. She has truly been a pioneer. An inspirational read for all young readers!
PPBF folks, please add your titles and post-specific blog links (and any other info you feel like filling out 😊) to the form below so we can all come see what fabulous picture books you’ve chosen to share this week!
Have a wonderful weekend, everyone! Go out and look at the stars! 😊
Today I am thrilled to introduce debut author Moni Ritchie Hadley and show off her gorgeous book about the Japanese Star Festival which releases Thursday (April 1st) (no fooling 😊). Just look at that cover!
Title, THE STAR FESTIVAL Author Moni Ritchie Hadley Illustrator Mizuho Fujisawa Publishing House – Albert Whitman & Co. Date of Publication 4-1-21 Fiction, age range 4-7
When Keiko, Mama, and Oba attend the Japanese Festival of Tanabata Matsuri, Keiko saves the day by reliving the events of the folktale it celebrates.
SUSANNA: Welcome, Moni! Thank you so much for joining us today. We are looking forward to hearing all about how The Star Festival was born. Where did the idea for this book come from?
MONI:THE STAR FESTIVAL began as a multigenerational concept book about the similarities between caring for toddlers and caring for my mom. It remained in that state for a few months. Letting go of that first idea took some time. Eventually, I changed the perspective and the setting to the Japanese Tanabata Festival (The Star Festival). I celebrated many festivals in Japan as a child, but it wasn’t until I wrote this story that I discovered the origins and distinctions between each celebration. The research opened up a whole new world of ideas, and that is when the story blossomed.
SUSANNA: How long did it take you to write this book?
MONI: The initial draft to submission took about five months, but I continued to revise until the signing of the contract, which put it at nine months. I edited for another month after the signing.
Moni’s (extremely tidy!) writing area (Although she also has workstations in the dining room, bedroom, and outside! A girl needs choices, right? 😊)
SUSANNA: Did you go through many revisions?
MONI: Yes! It amazes me that other writers can count them. I’m continually fiddling and reworking manuscripts, and I forget to create new documents. So, I’ll give a ballpark figure, 20-30, including rewrites with the editor.
For a long while, I couldn’t let go of what I wanted the story to be. When I allowed it the freedom to go where it needed to go, the story turned a corner. The bond between the main character and her grandmother, remained, but the details changed completely.
One technique that I used was to put the story on a plot hill diagram on my wall. I assigned three stickies to each scene, one color for the setting, another color for the plot, and another for the emotion. I then went through and asked myself questions about the stakes and reactions of my character. This visual strategy was very effective. Sometimes when I’m stuck in the mucky middle, I cut apart my story and tape it sideways to my wall, and like magic, I see the areas that aren’t working. Changing the perspective and moving the pieces around helped me see the story’s flow more clearly. I’ve recently started to create dummies for some of my stories. Putting my ideas into a visual format, no matter how rough the drawings are, helps me address issues. Another strategy that works for me is to deformat the text. I find that I play more with structure when I do this. I hesitate to change blocks of text if I leave it in its original structure.
Moni’s writing buddies: Dogs in order – Patti, Rusy, Smiley; Cat – Numnums
SUSANNA: When did you know your manuscript was ready for submission?
MONI: There was an energy I felt when I finally grasped the story, I was meant to tell. I banged it out in the last couple of weeks of the class I was taking. The deadline really motivated me to get it submission-ready. And all my critique partners rallied and helped me get it into shape.
SUSANNA: When and how did you submit?
MONI: In the fall of 2019, I took an online class with Mira Reisberg at the Children’s Book Academy, The Craft and Business of Writing Picture Books. In the end, I was able to submit a pitch for the participating editors and agents. Editor, Christina Pulles, liked my pitch and invited me to submit the manuscript.
SUSANNA: When did you get “the call”? (Best moment ever! ☺)
MONI: I didn’t get a call!😆 My email submission was answered with a request for changes, which I agreed to. The editor liked the changes, and it quickly escalated from there, all through email! It was a month from the time I submitted to the time I heard back from the editor, late November to late December, around the holidays. We passed the manuscript back and forth for about another month. From there, I continued to make changes with the editor. It was intense, but it was a pleasure working with Christina. She had a gentle communication style and always considered my opinion and what was best for the book.
SUSANNA: Can you tell us about your experience of the illustration process?
MONI: I had read that authors rarely get to see the sketches in progress. So it came as a surprise that Christina involved me at every major step. She sent me initial sketches and near-finished art for review. Since she asked, I gave honest opinions.
She considered everything I said and then let me know which changes she agreed with and which she didn’t. It was nice to know that she valued my opinion. And if she felt strongly about something, I trusted her.
I was fortunate to be paired with illustrator Mizuho Fujisawa. She is Japanese as well and gave such nuanced details to every spread. I was blown away when I saw the cover for the first time. The colors on the cover were bold and vibrant. She brought the setting and character to life. Mizuho exceeded my expectations, and the illustration process proceeded very quickly.
Up until writing this story, I rarely used art notes. Some editors do not like them. But for this manuscript, I decided to include them. Japanese words and customs needed notes, and I wanted my story to be understood in the way that I intended. Here some examples of notes that I thought were necessary and would make the reading clearer.
Keiko slips on her summer kimono. [incorrectly] [image below]
text copyright Moni Ritchie Hadley 2021, illustration copyright Mizuho Fujisawa 2021, Albert Whitman
The skies explode. [fireworks] [image below]
text copyright Moni Ritchie Hadley 2021, illustration copyright Mizuho Fujisawa 2021, Albert Whitman
“And look who helped me, the Emperor of the Heavens.” [security guard] [no image supplied]
SUSANNA: Did you get to see advance reviews from Kirkus, SLJ, etc? What was that like?
MONI: Christina shared a positive review from Kirkus privately about a week before it was available online. I was thrilled. I floated through that day! And the very next day, she shared a starred review from the School Library Journal! In all the time that lead up to that moment, I hadn’t thought about professional reviews, so it was a pleasant surprise to get those!
SUSANNA: Congratulations! How wonderful to get such great reviews! How long did it take from offer to having the first copy in your hand?
MONI: 14 months.
SUSANNA: Describe any marketing/promotion you did for this book.
MONI: I sent letters to schools, held giveaways, and made stickers and bookmarks. I have done many blog interviews and activities for the story. I also made a short gif and had a book trailer made for the book.
SUSANNA: How long was it between the time you started writing seriously and the time you sold your first picture book?
MONI: That’s a difficult question to answer. Define seriously? I feel like every story, revision, critique, submission is an effort to be a serious writer.
When I was working full time, I struggled to balance writing with work and my home life. I think that the time I spent working on stories, critiquing, and learning in those thirteen years attributed to getting published.
When I retired from teaching, it took me less than a year to get a contract. I feel strongly that it would not have been offered if I waited to start writing when I “had the time.”
All the minutes here-and-there add up. All the failures, stories that went nowhere, and writing practice add up. It gets you ready for the right moment. It prepares you to get “lucky.”
SUSANNA: What is the most important/helpful thing you learned on your way to publication? (Or what is your most helpful piece of advice for up-and-coming writers?)
MONI: Don’t get stuck on your early manuscripts. They will always hold a special place in your writer’s heart, but continue to evolve, discover other stories, and challenge yourself.
SUSANNA: Anything else you’d like to share about your book’s journey from inspiration to publication?
MONI: I tried not to make getting published my everyday goal. I changed my mindset and was grateful to be writing every day. Whether I was published or not, I figured I’d be doing the same thing anyway, working on my craft.
SUSANNA: So much wonderful advice, and so much helpful information! Thank you so much for taking the time to participate in this series and paying it forward to other writers, Moni! We all really appreciate it. And I know I speak for everyone when I wish you the very best with this and future titles!
Readers, if you have questions for Moni, please post them in the comments below and if she has time I’m sure she’ll respond!
You may purchase Moni’s book at: (all links below are book-specific)
So what if it’s snowing again! It’s time for Tuesday Debut, and it always makes the day wonderful to celebrate one of our own achieving publication – that pinnacle of success we all strive for whether it’s our first book or (I presume) our 50th – I’ll let you know if I get there! 😊
I am so thrilled to introduce today’s debutess, Julie Rowan-Zoch! You had the opportunity to meet her last fall when she made her illustration debut, but this time she is debuting her writing and art together!
And today is her book’s actual birthday, so feel free to have some cake 😊
Nice and Spring-y to help us ignore the snow! 😊
I’M A HARE, SO THERE! story and pictures: Julie Rowan-Zoch Houghton Mifflin Harcourt Books for Young Readers (HMHKids) rel. date: March 16, 2021 (Informational) Fiction Pre-K – 3 (4-7yrs)
Exasperated hare puts a plucky squirrel in his place as they stroll through the desert comparing similar-not-same animals – while oblivious to predators! This hare may call the squirrel Chippie, or a tortoise a turtle, but Jack is NOT a rabbit!
SUSANNA:Thank you so much for coming to visit with us today, Julie! We are all so thrilled to have you here (again!)! I may be wrong, but I think you’re the first author/illustrator debutess we’ve had, and I know you’re the first person we’ve had who had an illustrator debut and then also an author/illustrator debut! We can’t wait to hear your unique perspective! Where did the idea for this book come from?
JULIE:I have your illustration contest to thank for the character, Susanna! That was the first drawing I made, but a few more followed and my agent soon asked, “What is his story?” Having a character with a bit of attitude helped “walk” the story, at least especially after researching where one would even find jackrabbits! It has gone through a number of revisions, including rhyme, but I recall the process as being easy (or Corona really has done a number on my brain!)
SUSANNA: Haha 😊 I think Corona has done a number on all our brains! But I have to say, I have loved that jackrabbit from the first moment I saw him, and I’m glad you were encouraged to tell his story! How long did it take you to write this book?
JULIE:According to the files I could find, about 3-4 weeks – NOT my norm!
SUSANNA:Did you go through many revisions?
JULIE:I (used to) re-number every draft, no matter how small the revision, and I believe it was about 15. I don’t have a real process for revision. I’m a pantser through and through!
Julie’s work space -contents: book ARCs, tiny bits of paper to help with beats while writing in rhyme, junkmail, dish of spicy -lime cashews, bills, critique notes, more beat charts for rhyme, prune juice, filthy old mouse, colored pencil leftover from my kids in elementary school!
SUSANNA:When did you know your manuscript was ready for submission?
JULIE:It felt good after running it by my critique groups numerous times. Then I showed it to my agent and we made one major change to the ending (let the main character live!). But we didn’t submit it for some time. I had some personal issues which brought life to a long halt! We finally offered it as an exclusive to the editor I worked with illustrating Tom Lichtenheld’s book, LOUIS.
SUSANNA:When and how did you submit?
JULIE:We submitted exclusively shortly after work on LOUIS had begun in 2018. After a week the editor asked for another week (!) then asked if I would be willing to add back matter. I agreed, though I was completely unsure about it – I had not expected that request!
SUSANNA: When did you get “the call”? (Best moment ever! ☺)
JULIE:My agent informed me via phone call after a deal was made, and yes, it felt great to sell my own writing!
SUSANNA: How did you celebrate signing your contract?
JULIE:I was lucky to celebrate with my dear friend and fellow writer, Julie Hedlund at our favorite hangout, about halfway between our homes in Colorado. There was champagne!
SUSANNA: Was the contract what you expected in terms of advance, royalty percentage, publication timeline, author copies etc.?
JULIE:I was very pleased with the offer, which my agent managed to bump up from the original a bit! It’s embarrassing, but I have no head for contract details – but I did get 20 author copies!
SUSANNA: What can you tell us about the editorial process?
JULIE:The editor and art director asked if I would be open to including a few more similar-but-not-the-same animals in the illustrations, which really made the book better! There was one revision request in the text but it was minor. There were a lot more requests after the initial sketches, lots of revision work on continuity and composition, even after the final artwork was submitted and color proofs came through! My experience was completely positive. I have to say, coming from graphic design, I find the collaboration in publishing with people who want to support you and produce really good books out of passion, well, you can guess – it’s much more satisfying!
Text & Illustration copyright Julie Rowan-Zoch 2021, HMH
SUSANNA: Did you get to see advance reviews from Kirkus, SLJ, etc?
JULIE:Actually, I found the (very nice!) reviews myself and shared them with my agent and the team. Maybe because we were knee deep in Corona-time? I was also the one to notice when HARE was chosen as an Editor’s Pick for best books in March for the 3-5yr age bracket. I feel very lucky to receive that kind of exposure for the book!
SUSANNA: I think it is very well deserved! 😊 How long did it take from offer to having the first copy in your hand?
JULIE:About 2yrs. Print run is 30K.
SUSANNA: What kind of marketing and promotion has your publisher done for this book?
JULIE:My publicist helped me with adding images to the book’s Amazon page, and facilitated an interview with Mr. Schu, but the rest has been up to me.
created by Julie and her publicist
SUSANNA: Describe any marketing/promotion you did for this book.
JULIE:I am very fortunate to belong to the Soaring20’s promotional group, as well as Picture Book Playground. Even if I were not debuting (twice!) in a pandemic, I would highly recommend finding such a group for the camaraderie and emotional support. And for the help with marketing, but honestly, that feels like less of a priority considering COVID. As you well know, it is the community which makes our little world go ‘round!
SUSANNA: How long was it between the time you started writing seriously and the time you sold your first picture book?
JULIE:For writing: 8.5yrs. I mentioned personal struggles along the way earlier, which slowed me down, but somehow I still feel lucky to be debuting right now. More likely I am just so happy to have this particular joy during these trying times!
SUSANNA:It certainly is a welcome bright spot – for you as creator and for us who get to enjoy your book! What is your most helpful piece of advice for up and coming writers?
JULIE:Everyone knows how important it is to engage with newer books on the market. But the current market shows you the current market, not necessarily great books. Yes, it’s very important to know what is selling, but I have found so many gems beyond the familiar classics over the last few years which feel as fresh today as when they were written in the 70’s, 80’s 90’s. For a book to have that kind of longevity they HAVE to have the rock-hard quality to stand the test of time. It may not be everyone’s goal, but I want to be reading my own books to kids for many, many years – and still enjoy it! Read the gems, write them out, read them again! Oh, and once you feel like you’ve got the basics down, don’t be afraid to break some rules! (For anyone interested in some of those old gems I heartily invite you to scroll around on my blog!)
SUSANNA: Anything else you’d like to share about your book’s journey from inspiration to publication?
JULIE:Maybe it’s the pandemic, and maybe it’s the kind of books released over the last few years (and I read A LOT as a bookseller), but I am starving for more humor in picture books and value a good find now more than ever before!
*Also, I have become extremely choosy in books for adults and I attribute it all to the concise writing and reading of picture books!
SUSANNA: Thank you so much for taking the time to participate in this series and paying it forward to other writers, Julie! We are so grateful to have gotten the opportunity to learn from you today, and wish you all the best with LOUIS, I’M A HARE, and all future titles!!!
I have a such a sweet and lovely book to share today – one that feels just right for the coming of Spring! AND a special treat – an activity from the author herself!
One look at this cover, and you’ll be hard-pressed not to pick this book right up for a peek inside! And you won’t be disappointed! 😊
Opening: “One shepherd opens up the gate. “It’s time to eat.” The sheep can’t wait!”
Brief Synopsis: When Shepherd calls his sheep in for dinner, Little Ewe is too busy to listen. Before long, she finds herself lost! What’s a little lamb to do?
text copyright Laura Sassi 2021, illustration copyright Tommy Doyle 2021, Beaming Books
Links To Resources: Today we have a special resource from author Laura Sassi!
A LITTLE EWE BOOK-THEMED GAME: “Where are you, Little Ewe?” “I am here, Shepherd, dear.”
Did you know that sheep recognize the sound of their shepherd’s voice? Likewise, shepherds know their flocks well and recognize their sheep’s “baa-ahs”? In fact, that’s how Little Ewe and Shepherd find each other at the end of the story! Inspired by this caring connection, here’s a fun variation of the traditional “hot potato” game you can play as part of a LITTLE EWE storytime. To play, you will need music that you can turn on and off, a little toy lamb that can be passed around a circle (like the hot potato) and at least six children.
Select one child to be Shepherd. The rest will be the sheep. Have the sheep sit in a circle around the Shepherd, who will sit in the middle.
Show them the little sheep toy. Explain that when the music plays, the Shepherd will close his/her eyes and the sheep will quietly pass “Little Ewe” around the circle.
When the music stops, the Shepherd (eyes still closed) will see if he/she recognizes the the voice of Little Ewe by asking: “Where are you, Little Ewe?”
The child holding Little Ewe will answer: “I am here, Shepherd, dear.”
Allow the Shepherd a few guesses, if needed, to identify the sheep’s voice. Then celebrate as a flock with a chorus of baahs.
6. Rotate who gets to be Shepherd until every one has a chance. 7. At the end of the game marvel together just how wonderful it is that just as sheep have loving shepherds who care for them, we too have shepherds (brainstorm who those might be) who care for us.
Why I Like This Book: Written in trademark perfect rhyme, this sweet story with its charming illustrations shows a busy youngster caught up in the wonder of the world. Exploring one interesting thing after another, chasing three lizards and watching four spiders, bouncing on five floating logs and splashing with six frogs (note there is also a delightful counting element to this book!) it’s no surprise Little Ewe is too distracted to heed the shepherd’s call. What preschooler hasn’t found her/himself in that predicament!? 😊 When the sky begins to darken, Little Ewe suddenly realizes she’s lost, and oh! what a scary feeling that is! But the shepherd, kind and caring, has of course noticed one of his flock is missing. He goes right back out into the gathering shadows and finds his little lost lamb. Such a comforting resolution that will make every child feel safe and snug. Another gem from Laura 😊
text copyright Laura Sassi 2021, illustration copyright Tommy Doyle 2021, Beaming Books
PPBF folks, please add your titles and post-specific blog links (and any other info you feel like filling out 😊) to the form below so we can all come see what fabulous picture books you’ve chosen to share this week!
Welcome to this week’s scintillating edition of Tuesday Debut!
Sue Heavenrich has been a long-time follower of this blog, and a devoted participant in Perfect Picture Book Fridays for years, and today I’m thrilled to be welcoming her as the author of her own perfect picture book! What could be more perfect than 13 Ways To Eat A Fly? 😊
13 Ways to Eat a Fly By Sue Heavenrich Illustrated by David Clark Charlesbridge, February 2021 Nonfiction picture book, ages 4-8
Math meets science as a swarm of flies meet their demise. Whether they are zapped, wrapped, liquefied, or zombified, the science is real – and hilariously gross. Includes a (non-human) guide to fine dining, complete with nutritional information for a single serving of flies.
SUSANNA:Welcome, Sue! Thank you so much for joining us today! I don’t think any of us can wait to hear about where the idea for this book came from! Please tell us!
SUE:I was reading something and jotted down “how to eat a fly.” I figured a book about animals and their fly food might be fun… and a good way to highlight the diversity of the order Diptera. Most people think flies are just pests, but they are amazing. Some pollinate the flowers in my garden, and some even eat crop pests!
Cool flower flies from Sue’s garden, and Sue with her fly-catching net and instructions for what to do with them 😊
SUSANNA: How long did it take you to write this book?
SUE: Counting the research and revisions – five or more years. I started with the basic idea: pair up predators with specific flies they eat. That took more time than I expected, and I even emailed a few experts. I created a spreadsheet of predators and flies, then looked for 13 different fly families to highlight.
SUSANNA: Did you go through many revisions?
SUE:Oh yes! In its first version it was pretty “listy”. I imagined each spread presenting a fly and its consumer. I think it went through about a dozen revisions. It needed more context, so I added an introduction, and some back matter. I sent it out, got a bit of interest, though the comments were usually along the lines of “this is interesting but…” it needed a hook. I put it aside for a few months and then one day while smacking cluster flies with a swatter I found myself saying “one down, twelve to go”. I’m pretty sure a lightbulb went off over my head and I restructured the entire manuscript. It became a reverse counting book. At the same time, I was working on a middle grade book about eating insects with Chris Mihaly, and I began thinking – from a predator’s point of view – what would make flies a good food source? I goofed around, creating a nutrition label (flies are full of protein) and a dining guide for insect-eaters concerned about whether the flies they order in a restaurant are “locally sourced”. After another handful of revisions, and feedback from critique partners, I felt this new, improved manuscript was ready for submission.
SUSANNA: When and how did you submit?
SUE: I took my original story to the 2012 Falling Leaves nonfiction retreat where I met my editor, Alyssa Pusey (Charlesbridge). I got great feedback and submitted it to her. But, in fly terms, my book was still a larva and needed to mature – and Alyssa suggested that I revise and resubmit. After a couple years of agent rejections and feedback, I realized that I needed to let go of what I had and find a completely different structure. So appropriate – this is exactly what happens when a fly larva undergoes metamorphosis: it totally dissolves and rebuilds something completely different. So four years later I finally resubmitted the (17th? 29th?) revision.
SUSANNA: When did you get “the call”? (Best moment ever! 😊)
SUE: I didn’t so much get “the call” as an email from Alyssa saying – hey, this has potential, and are you willing to revise? After a couple of months of back and forth with revisions, she emailed that she was taking it to acquisitions, and could I answer two quick questions. Then a couple weeks later it was “good news, we’d like to make an offer”.
SUSANNA: How did you celebrate signing your contract?
SUE: I thought I would be jumping up and down and popping the cork from a champagne bottle, but the truth is… I just jumped up and down a few times. I’m pretty sure chocolate was involved.
SUSANNA: Ah! A kindred spirit! 😊 Was the contract what you expected in terms of advance, royalty percentage, publication timeline, author copies etc.?
SUE: I knew, when I submitted to Charlesbridge, that the advance would be smaller than other houses, but the quality of their books is so high that I wanted them to publish my book. I did negotiate for more author copies.
SUSANNA: Can you tell us a little about the editorial process?
SUE: Given the revisions I’d made prior to signing the contract, I thought everything was pretty much finished. But over the next two years we continued with occasional revisions. Overall, though, Alyssa enthusiastically supported my initial vision for the story and I felt like we were working as a team.
SUSANNA:What was your experience of the illustration process like?
SUE: I was included to some extent in the whole process. It started with an email from Alyssa: what style of illustration did I see for my book? Did I have any suggestions for illustrators? I sent her a short list. Some weeks later, she asked what I thought about David Clark. I am a big fan of his work and was so thrilled that he would be part of the team – even though it meant waiting longer for publication.
Because 13 Ways to Eat a Fly is, at its core, nonfiction, I created a file of reference photos of fly-eaters and their flies. I had also included art notes in the manuscript (listing the specific flies). Through the process I got to see sketches, and was asked for comments. And I got a package of proofs in the mail. It was so cool to see how David had interpreted the story! He’s a genius.
text copyright Sue Heavenrich 2021, illustration copyright David Clark 2021, Charlesbridge
SUSANNA: Did you get to see advance reviews from Kirkus, SLJ, etc?
SUE: The publicists sent me a preview of BookList review – it got a starred review! And I found the Kirkus review online.
SUSANNA: Starred review first time out – that is amazing! Congratulations! How long was it between the time you started writing seriously and the time you sold your first picture book?
SUE:At least ten years.
SUSANNA: What is the most important/helpful thing you learned on your way to publication?
SUE: It is easy to be discouraged. I had faith in this book, and I kept telling myself that it was worthy of a book jacket. But I also set projects aside when I need a break. And truthfully, this business is so subjective that you can’t let rejection mean anything more than “it’s not right for me at this time in the universe.”
SUSANNA: Sue, thank you so much for joining us today and sharing your journey to publication! I know I speak for everyone when I wish you the best with this and future titles!
Readers, if you have questions for Sue, please post them in the comments below and if she has time I’m sure she’ll respond!
You may purchase Sue’s book at: (all links below are book-specific)
Welcome to the first Perfect Picture Book Friday in March!
Here on Blueberry Hill, no one seems to have gotten the memo that it IS March and therefore enough with the snow! It still seems to be snowing every day, at least for a while, even if only flurries. Pretty much not a day goes by when some amount of snow shoveling isn’t required!
So this Picture Book seems Perfect for today – an adorable story of a little snow plow doing his job!
Title: Small Walt Spots Dot
Written By: Elizabeth Verdick
Illustrated By: Marc Rosenthal
Publisher: Paula Wiseman Books, September 2020, fiction
Suitable For Ages: 4-8
Themes/Topics: jobs (plowing, keeping public spaces clear), teamwork, animal rescue, kindness
text copyright Elizabeth Verdick 2020, illustration copyright Marc Rosenthal 2020, Paula Wiseman Books
Opening: “Whoosh! Wind’s howling. Swoosh! Snow’s flying. Small Walt and Gus are on the road – and on the job. They’ve got lots of parking lots to plow.”
text copyright Elizabeth Verdick 2020, illustration copyright Marc Rosenthal 2020, Paula Wiseman Books
Brief Synopsis: Walt and his driver Gus are plowing a parking lot when a blur of fur catches Walt’s eye. It’s cold and snowy. Will Walt and Gus be able to help the stray?
text copyright Elizabeth Verdick 2020, illustration copyright Marc Rosenthal 2020, Paula Wiseman Books
text copyright Elizabeth Verdick 2020, illustration copyright Marc Rosenthal 2020, Paula Wiseman Books
Why I Like This Book: I love this book because it instantly reminds me of Katy And The Big Snow by Virginia Lee Burton, one of the classics from my childhood, I think because of the style of the art as much as the fact that it’s about a snow plow. 😊 Small Walt is such an earnest, careful, and responsible little plow, able to get into those smaller spaces where the big plows can’t. He and his driver, Gus, take their job seriously. It is important and they do it well. But Walt also has his eye out for the community, and when he spots a stray dog, he knows he has to help. Together with the policewoman, Walt and Gus manage to catch the shivering stray and take her to the animal shelter. I like that the police person is a woman, and that she is not white (as well as that there is diversity in several of the illustrations.) And (spoiler alert!) I always like books that show animals being adopted from shelters. With its sweet story and engaging illustrations, this book will please the truck lovers and the dog lovers in your house or classroom!
PPBF folks, please add your titles and post-specific blog links (and any other info you feel like filling out 😊) to the form below so we can all come see what fabulous picture books you’ve chosen to share this week!
It’s another Perfect Picture Book Friday, and not only do I have a wonderful book to share, I also have a giveaway thanks to Sterling Children’s Books!
Leave a comment on this post to be entered in the random drawing and you could be the lucky winner of a hot-off-the-presses copy of Bindu’s Bindis when it releases March 16!
Let’s have a look at this wonderful book! 😊
Title: Bindu’s Bindis
Written By: Supriya Kelkar
Illustrated By: Parvati Pillai
Publisher: Sterling Children’s Books, March 16, 2021
Opening: “Every month Bindu’s nani sent her a new set of bindis from India. Bindu adored her bindis. She wore them to the temple. She wore them on holidays. She wore them at home.”
Brief Synopsis: Bindu loves her family, especially her nani, and she loves the bindis that nani sends her. But sometimes, she feels different in a way that doesn’t feel good. But with her nani beside her and a lightning bolt bindi for courage, she finds she’s able to embrace who she is even if others sometimes find her differences strange.
Links To Resources: an author’s note at the end offers wonderful information and details about bindis; we are all unique – what are some things about you that others might find different, strange, or hard to understand about you even though they seem completely normal in your family?; we all have things in common – what are some things you share with people who seem different in some ways?; Bindu chooses certain bindis to match her mood/emotional state – a lightning bolt for feeling brave, an oval for pride, squiggly lines for feeling unique. Would you choose as Bindi does? What shapes would you choose to match feeling shy? Fierce? Uncertain?
Why I Like This Book: Bindu is a delightful and charming main character who bounces believably between exuberant self-confidence and sudden worrying uncertainty, but no matter what she faces she feels surrounded by and grounded in the love of her family, especially her beloved nani. I love the warm feeling of family, Bindu’s deep connection to nani, and the way culture and tradition come through as a natural part of the story without feeling forced or contrived. The bright, colorful art is a perfect complement to the brighter moments of the story, dimming to more subdued colors on the pages where Bindu’s confidence and security are challenged, and rising to a swirl of bright pink dress in the purple background of the stage when Bindu finds the courage to join nani. A lovely book that will introduce young readers to the meaning and importance of bindis.
PPBF folks, please add your titles and post-specific blog links (and any other info you feel like filling out 😊) to the form below so we can all come see what fabulous picture books you’ve chosen to share this week!
Don’t forget to leave a comment to get entered in the random drawing to win a copy of this lovely book!
