Self-Publishing Mini-Series – Meet Vivian Kirkfield

Whether you’re a parent or grandparent, a teacher, a writer, or any combination of the above, you guys are in for a treat today!

Our guest has a lot of knowledge, information, and advice to share, so make sure you’ve got a snack (I’m offering homemade blueberry muffins today if anyone would like one… or two… :))

and your cup of coffee/tea and get comfy!

And now please join me in giving a warm welcome to the lovely Vivian Kirkfield!

First, a few words about Vivian for those of you who haven’t yet had the pleasure of meeting her.

Vivian Kirkfield is a mother of three and an educator and author who lives in the Colorado Rockies. She’s passionate about picture books, enjoys hiking and fly-fishing with her husband, loves reading, crafting and cooking with kids during school and library programs and shares tips and tactics for building self-esteem and literacy in her parenting workshops. To learn more about her mission to help every child become a reader and a lover of books, please visit herPositive Parental Participation blog or contact her at vivian@positiveparentalparticipation.com.

Vivian adds: for almost 50 years, I’ve been involved with the care and education of young children…teaching kindergarten and Head Start and operating a successful home daycare while raising three amazing children.   Throughout my life, I’ve had a passion for picture books…I’ve always loved to listen to them, look at them and read them…and I’ve always wanted to write them.  When my childen were young, I entertained them with stories I made up in my head…often scribbling little stick figures and pictures to accompany the tales.  Several years ago, my daughter-in-law drew illustrations for one of those stories.  Perhaps, one day, The Balloon Man, will be published.  Thanks to Julie Hedlund’s 12 x 12 Challenge and Susanna Leonard Hill’s Perfect Picture Book Friday, I’ve had one of the most joyous years of my life, giving free rein to the picture book ideas that tumble around in my head and connecting with an amazing kidlit community.

Now, on to the educational, informational, inspirational, so-sensational interview 🙂  (I almost said the Muppet Show – where did that come from? :))

SLH:  Good Morning, Vivian!  Thank you so much for joining us today.  Let’s jump right in with the first question, shall we? Did you try the traditional publishing route?  What was your experience?

VK:  I started writing Show Me How! in 2005 and sent out several dozen one page letter and email queries to literary agents who, from looking at various lists (in books and online), seemed to be involved in parenting/activity books.  I got back many nice no’s…and five or six positive responses.  Each wanted to see a book proposal.  I picked a husband and wife team with a small literary agency in Massachusetts…she said that was the type of book she specialized in.  I won’t say our relationship was of no benefit to me…however, she did nothing by computer and so everything was a slow, snail-mail process.  She had a specific book proposal format in mind and I spent 3 years, honing the proposal until it was “perfect” in her eyes. My husband wanted me to go elsewhere with the proposal…but I was so timid, I was unable to push myself to change…even though I was not happy with how the process was going.  When the proposal was “perfect” she began “shopping it around”…again all communication was through the mail, although she was always available to me for phone calls…but because of my shyness, I wasn’t really comfortable talking to her on the phone.  After a year of submitting the proposal to many publishers with no success, I decided to self-publish, a route my husband had pursued to do a second edition in 1999 of his book that had been published by Stackpole Press in 1986.  In 2003, he also self-published a small paperback on a different topic, so we felt we had, at least, a little experience and some good contacts.  When I sent the agent a letter, informing her of my decision, she replied that she thought that would be a great path for me to take.  A WORD OF ADVICE: If you opt to have a literary agent represent you, make sure you feel very comfortable with the way he or she goes through the process and ask questions of anything you are unsure of.
SLH:   What made you decide to pursue self-publishing?
VK:  Well, part of that answer can be found in #1.  In addition, traditional publishing these days is different from the way it used to be…now the author is expected to do his or her own marketing and promotion…unless of course your name is Sarah Palin or Barack Obama or Madonna.  Also, there is the financial side to consider…when a traditional house publishes your book, you might get a small advance (unless you are Sarah Palin, Barack Obama or Madonna) and then a tiny piece of each book sold…after the advance amount is deducted from the first profits.  When you self-publish, the book is yours and the profits are yours…after deducting your expenses to publish…and these can vary quite a bit, depending on whether you publish electronically or by print…and that can vary depending on who prints it and how many copies you have printed and the type of paper, whether color or black and white, binding, etc. A WORD OF ADVICE: Before making the decision to self-publish, find out how much it might cost and think about how much time you have to devote to the marketing and promoting of your book and also how you will market and promote it.
SLH:   How did you go about self-publishing?
VK:  As I mentioned in #1, my husband had already self-published two books, so we felt we had a relationship with the printer he had used. We had already set up a company (MoneyPenny Press, Ltd.) as an LLC (for that we had to get a lawyer to draw up papers…but a person could do it more easily and cheaply by being a sole proprietor…but that gets into legal issues which I am not qualified to say anything about) and so all we basically needed was the company that would print the books.  I did go online to check out some of the ones that were available at that time and we felt that Jostens (the company that had done his books) offered the best prices…and we already trusted them.  They are a nationwide company that does the class rings and class yearbooks…but they also have a small press business printing section.  I called and they assigned me an account rep and she fielded the questions and concerns and would email me the answers.  They were also very easy to speak with on the phone and were great to work with.
In addition, I got copies of John Kremer’s 1001 Ways to Market Your Books and Dan Poynter’s Self-Publishing Manual, as well as several other self-publishing books from the library…and read them cover to cover.  There is also a wealth of knowledge and info available on the Internet now.  A WORD OF ADVICE: Do your research and then ask others who have self-published before you make the final decisions about who will print your book or where you will electronically publish it…the choices are overwhelming…advice and info from someone who’s been there is priceless.
SLH:   Did you hire an editor?
VK:  I did not. 🙂  My husband, son and sister all read the manuscript several times…my husband for technical corrections, my son for technical and word usage and word flow corrections (looking at it from the point of view of the age group of parents I was targeting) and my sister for technical, word usage, word flow and functionality corrections (looking at it from a mom’s point of view…she, by the way, suggested having pictures of the completed crafts and/or recipes…but it was too late for that…the next book in the series will definitely be much shorter and will include pictures, even if they are black and white photos for cost reasons).  Then my daughter took on the job of formatting the manuscript with some input and advice from a friend who is VP and website guru at a small publishing company. His help was amazing…I should have taken him up on his offer to help me with my book website.  A WORD OF ADVICE: Decide what you can do on your own…and what you can’t…and find the dollars to pay for what you can’t because it is so very important to put out a professional piece of work…especially something that is self-published.
SLH:  How did you choose your illustrator?  If you hired an illustrator did you have a contract?  Did you have a lot of back and forth discussions?
VK:  I was very lucky…my daughter-in-law is a fashion designer and she is very artistic.  Andrea had already done some charming illustrations for a picture book I had written many years ago. (We never went ahead with publishing it…although I did send it to Random House…my niece had worked there years before but still knew someone who walked it over to one of the editors…I received a lovely personal letter that said it was a sweet book and encouraged me to pursue other publishing houses…however, I was involved with Show Me How at that time, so it sits in a drawer…maybe it’s time to dust it off. 🙂)  My daughter-in-law drew the cover and also the images that appear on every page…so I didn’t have to worry about image rights.
SLH:  Did you hire a cover designer?
VK:  No, as I explained in #5, my daughter-in-law did the cover.  The book recommends three activities that can help build self-esteem…reading, crafting and cooking.  She borrowed photos of my own children when they were in the two to five-year old age range and she drew them in the cover picture…so Jason, the oldest who was always book-crazy, is the one reading the book, Peter (her husband), who loves to cook and is an amazing amateur chef, is stirring up the bowl of veggies and Caroline, my youngest who loves to craft and makes beautiful framed scrapbook-like pictures to give as gifts, is sitting with a bouquet of construction paper flowers.  So for me, the cover is extremely meaningful.  Because of Andrea’s artistic eye, it is also balanced and eye-catching.  A WORD OF ADVICE: They say the cover is one of the most important elements of your book…and I believe it.  If you have your book traditionally published, you have nothing to say about it.  But, if you self-publish, your input should be important to whomever you hire…make sure it is a cover that would compel you to take the book off the shelf.
SLH:  What formats is your book available in?  Hardcover?  Paperback?  E-book?  Print-on-demand?  How did you get it into each format (e.g. if it’s available on Kindle and Smashwords did you need different formats and were you able to get the book into those formats yourself or did you hire someone?)
VK:  Show Me How is available in paperback.  We did not do print-on-demand…Jostens is a traditional off-set printer…so the printing quality is great and their staff have quite a lot of experience.   That said, even though I specified early on that I wanted the pages of the book to stay open when someone opened it and put it on the table, they used the wrong type of paper (short as opposed to long…or the other way around) and so the book snaps shut.  They sent the first copy of the book in advance of the delivery of the order…and when I saw the problem, I called and they were amenable to giving me a discount…and free shipping.  There is also a Kindle edition of the book which was converted from the word/pdf file into the Kindle format by the publishing friend of my daughter…for a reasonable fee…that was an area I was not willing to try myself.  A WORD OF ADVICE: Do your research and know what you want and make it clear and put it in writing when contracting with anyone concerning your book.
SLH:  How have you gone about marketing your book?  What has been most successful?
VK:  If only I had known…how often do we hear that?  I took a “Build Book Buzz” course with Sandra Beckwith in the summer of 2010 and learned about the whole new world of book marketing and promotion.  That course was one of the smartest things I did in this book journey…it helped me focus on what I needed to do and gave me many of the tools I would need to do it.  But it couldn’t do it for me.
My book was published in September of 2010…I started my website and blog and Twitter and Facebook (personal page…still have not completed the page for Show Me How..why the resistance, I don’t know…I guess I’m not sure I am doing it correctly) in August of 2010. The internet can be an extremely valuable marketing tool…but you need to be established and have a following.  If only I had known…I would have started years before.  In addition, I believe it would have been better had I hired a professional web designer who understood the complexities of SEO optimization, keywords and the other elements that are important in having a successful website.  Again, I opted for my daughter and daughter-in-law…both did a fantastic job…but neither was an expert in that…and both have full-time jobs…so after they set everything up, I took over and maintain everything myself.  Although I’ve learned a great deal, I still have a long way to go.
As soon as my books were delivered:
·       I put out a press release through PRWeb…this did get some buzz going…but I know that a press release program consists of multiple releases…at least one a month if one wants to get good publicity results and I was not able to fund a program like that.
·       I began sending out copies to everyone who had done an endorsement.  (I got quite a few wonderful endorsements by contacting authors and illustrators of the picture books recommended in Show Me How…they read the book and loved it…never be shy about asking for a testimonial if you are proud of what you wrote). 
·       I also began to connect with mom bloggers and others who I thought might be willing to read the book and review it.  Over the last year and a half, there have been over three dozen reviews and guest posts.
·       My attempt to connect with the media (local reporters, parenting section of the local newspaper) has had limited success.
·       I contacted the volunteer department of our local school district and arranged to do a Show-Me-How Story-time with Miss Vivian program of reading and crafting in the kindergartens and Pre-K’s on a bi-weekly basis. 
·       I also contacted the local children’s librarian and have done several library story and craft programs.
·       I walked into a few local bookstores (really hard for me because of my shyness) and was able to place my book in them.  I also connected with a children’s boutique in Chicago (where my son lives) and was able to place the book there (and have done an event there as well).
·       I contacted the Juvenile Diabetes Research Foundation and was lucky enough to have them endorse the book and recommend it to their chapters as a great resource for families who have children with diabetes (one of the chapters bought 15 copies…but I never heard from any of the other chapters). 
·       I took part in several local events, paying for a booth in two of them (Fun Fest where I partnered with PBS and Festival of Trees where I partnered with the Ecumenical Social Ministries) where I crafted with children…at the PBS Kids Fun Fest last summer, over 200 children did crafts at the Show Me How table.
·       I was interviewed on two blog radio programs.
·       I entered Show Me How in the Indie Awards for Excellence in Books…and was a finalist in the Parenting/Family category.
·       I respond to HARO queries (Help A Reporter Out) and Reporter Connection queries.  These are free services (of course, their parent companies are each selling publicity packages) that send you an email every day or several times a day.  In each email you will find queries from journalists, reporters, authors and others who are looking for experts in different fields.  If you see a query that speaks to your expertise, you can answer it and hopefully, the journalist will want to use something you said.  This, I have found, is great free publicity, especially for a non-fiction book like mine.  Last December, I answered a query from a writer for Parenting Magazine.  I was quoted in the lead article of the February issue and my book was mentioned. Before February, I had only sold a few copies of my book on Amazon.  During the month of February, 65 copies sold on Amazon. I’ll be quoted again in an article in the September issue and also in Parents Magazine…not sure which month yet.  This avenue of marketing does take a lot of time…and you have to be willing to write something of value to people who may not want it or need it…however, I’ve seen that it can work really well.
·       I connected with Lexie Lane who runs www.Wikimommy.com, a site like Wikipedia, but specifically for moms.  I’m the Portal Mom for the Children’s Portal and have contributed a dozen or more articles. Again, it’s a lot of writing…but hopefully, the exposure will pay off.  At the very least, I know I am contributing articles that will be of value to parents who can easily access the website.
I’ve definitely tried a bunch of marketing avenues…probably too many!  For me, the school/library programs, event booths, blog reviews and giveaways, books in bookstores, bookstore events and media coverage (a few articles in a small local paper) have provided a very poor sales result.  The article in Parenting Magazine was by far the leading sales getter.  A WORD OF ADVICE: Each of us has a particular comfort zone…some people love speaking in front of groups…others love social media.  Check out the various ways you can market your book and pick the ones that you enjoy…and make sure you leave time in your day for your family and yourself…the blogging/social networking/school visits/etc. can wear you down…and the whole idea of it all is, after all, to enjoy what you are doing!
SLH:  Do you do school/library visits or library/bookstore readings/signings?  How have sales been in relation to those visits?
VK:  As I mentioned in #8, I have done school visits (21 classroom presentations this school year and 24 last year and 3 PTA programs this year) plus 3 library programs and 6 bookstore events (and I work four days a week…now you know why I sometimes miss commenting on some of the PPBF posts).  At every presentation and event, all the children and/or parents receive a printed flyer that has a short bio and contact info along with a sample book summary, craft project and recipe from the book and a bookmark that has a picture of my book cover, two endorsements from famous picture book authors (Clifford the Big Red Dog and Angelina Ballerina) and my contact info.  I’m sorry to say that all those school presentations only resulted in less than half a dozen books sold…at one PTA meeting I sold 4 books, none at the library programs and only a few at the bookstore events, which are usually poorly attended.  They say it is not the book…but the hook…that gets people to buy a copy.  To be fair, I think when parents come to a library, school or kid’s event, they are not coming with the thought of buying a book…they are coming with the intention of enjoying a story or craft with their children.   And I think that if the bookstore does not do a good job of getting the word out, the author needs to…the question is how?  Before a story and craft event in August (geared to kids who would be starting school for the first time) at a local Family Christian Bookstore, I put up posters at the local Vitamin Cottage, Whole Foods and Sunflower Market (after obtaining permission from the managers of each store…another difficult hill to summit for a shy person) and tweeted about it and posted it in the online parenting calendar of the local newspaper…one person showed up from a town 40 miles away because she had seen it in that online calendar and had a daughter who was hesitant about going to kindergarten.  I was thrilled to do the program for this child…and there were a few other kids who wandered over and took part…their parents were shopping in the store and made their way over when they were ready to leave…but I have to be honest and say the turnout was disappointing.  If someone has the secret of how to publicize this type of event, I hope they will share it. 🙂  A WORD OF ADVICE: They say it is important to plant the seed.  If you want to get your book out there, you have to get out there with your book.
SLH:  What advice would you give other authors who are thinking about self-publishing?
VK:  Self-publishing takes effort…and patience…and determination…and motivation…you need to do your homework…it takes some outlay of money…but the rewards can be wonderful.  A WORD OF ADVICE: A support group is a necessary resource…whether it is family, friends and/or an online community.
SLH:  Any particular pitfalls to avoid?
VK:  As I said in the answers above, know what you want as far as type of book format…get recommendations for printers, PR companies, etc. from people who have done it already…put everything in writing (if you are paying out your money, you want to make sure you get what you pay for)…make sure your manuscript is word perfect (because there will only be a few mistakes instead of many when it has been checked over and over and over again and is word perfect).  A WORD OF ADVICE: Before you sign anything, read it several times…and have someone you trust read it also.  Don’t rush into anything…but don’t procrastinate either…your book won’t get out there unless you take a leap of faith!
SLH:  Anything else you’d like to add?
VK:  Authors who self-publish need to think about how they will price their book…you need to be competitive…but you need to make a profit.  There are various formulas and templates you can find online and in printed material to guide you.  From experience, I would say it is important not to overprice your book…the potential buyer who takes it off the shelf may experience sticker-shock.  Unfortunately, I did that…but lowered the price as time went on and I got a better sense of what people were willing to pay.  That said, it’s also important not to underprice the book, as when you place the book in bookstores or other venues, they will want between 30% and 50% of the final sales price.  When you list your book on Amazon, they also take a cut (I think it is 20%)…if you have your book listed on Amazon through their Fulfillment Program (they keep copies in their warehouse and they ship it out), their take is 55%.  If you sell your book on your own website, using PayPal to enable purchasers to easily buy it, PayPal takes a small cut…a little more than 5%, I think.

Thank you so much for that wealth of information, Vivian!  I’m sure I can speak for everyone when I say we have all learned so much!

If you’d like to find, visit, follow, like Vivian, you can find her here:

And now, you all have the opportunity to be the lucky person who wins a signed copy of Show Me How, a book that any teacher or parent will find invaluable, and that writers can use as a resource for great picture books!  Just leave a comment telling why you’d like the book!

Thank you all for joining us for today’s interview.  I know it was long, but I hope you all found it as enlightening as I did

Self-Publishing Mini-Series – Meet Suzanne McGovern (And A Giveaway!)

I’m sure we’re all in a little bit of withdrawal on our first Friday without PPBF, so to lessen the sting a little – well, a LOT really! – I have a fantastic and educational post to share with you, the first in our 4 part mini-series on self-publishing!

(Also, a large plate of assorted danish… help yourselves :))

Also, there will be an awesome giveaway at the end of this post!

So without further ado, let’s welcome Suzanne McGovern.  Thank you so much for joining us, Suzanne!

Suzanne McGovern
SLH:  When did you first become interested in writing?  Was it something you always did, or something you came to later in life?

SM:  I’ve been an avid reader since I was a young child, and writing assignments were always my favorite in school, but I wouldn’t say that writing stories was something I always did. What has been clear for as long as anyone can remember, however, is that I am horse crazy.
Suzanne with Gator (dk. bay) and Milo (gray)

SLH:  If you began as a child, were you encouraged by family/teachers?

SM:  I was encouraged by my parents to pursue all of my interests and got positive feedback on my writing from family and friends (though, again, writing wasn’t a spoken passion at the time). In high school, for me, writing became part of my self-identity.

SLH:  If you began later, what drew you to it?

SM:  The opportunity to express myself – to talk about a particular topic or situation through my own lens. As a Communications and English/Journalism double major at the University of Delaware, I always enjoyed writing features and “column” type stories more than reporting news.

SLH:  Is there an author who has been especially inspirational or instrumental in your own development as a writer?

SM:  So many writers have impacted me as a reader – it’s much too hard to choose just one or two. I can say that when it came to writing my Gator books, the gold standard I had in mind was a poem written by Jimmy Cagney about his deceased dog – “A Dog Named Beau.” It was so simple, so illustrative, so poignant and so pure.  That’s what I wanted my stories to be.

SLH:  You are self-published.  How and why did you decide to go that route?

SM:  Though I had crafted my Gator idea and written several scripts, I had virtually no access to publishers. I’d heard the endless stories of manuscripts sitting in piles on publishers’ desks with little chance of ever being read and considered. And I heard horror stories about writers who lost all input and access to their stories once they signed a deal. I had one friend of a friend in publishing who told me that my stories were nice, but that rhyme doesn’t sell – that, at minimum, I needed to rewrite them as prose. To me, this was sacrilege, as I believe the rhyme in my stories is a critical part of what I have to offer as a writer. I like the rhyme. And moms who read the stories said they liked reading it aloud. Long story short, I decided to focus my efforts on publishing the series as I envisioned it, end to end, vs. trying to please publishers (if and when I actually connected with one!). This required a tremendous investment of time, energy and dollars on my part, but it enabled me to maintain control of the entire process. This was important to me, as I only had one idea (I’m not prolific like some writers I know!)  and that idea was based on personal experience, so I wanted to keep it pure.  I realized in making this choice that I would be severely limiting my ability to publish and market my work, but it was a choice I made regardless.

SLH:  Can you describe the process?  How did you get your illustrator?  How did you manage paying the illustrator (flat fee, royalties?) Did you have a contract with your illustrator?  How did you decide where to have your book printed?  Did you hire an editor at any stage?

SM:  I didn’t have an editor at any time, but an advertising copy writer friend did proof the stories and offer a few suggestions in terms of word choice and punctuation.
I found my illustrator Donna in an unusual way… I started with an extensive online search, which yielded a few illustrators of interest; however, all had agents and I’d been told by a few friends to avoid illustrators with an agent if at all possible, as the agent’s fee drives the total cost of hiring an illustrator up quite a bit.
At the same time, at the suggestion of a friend, I phoned SCBWI to ask for guidance on negotiating Illustrators’ fees. (I had zero experience at any of this!) The woman at SCBWI offered to post my job on the SCBWI online bulletin board, for members to consider. So, I submitted a short classified ad and, within days, started receiving emails and links to portfolios – 20+ in all. One or two even took the initiative to draw a spec illustration based on the requirements I’d outlined in my ad. I considered each one carefully, made a short list of two, interviewed both by phone and requested additional spec work. In the process, it became clear to me that Donna Bizjak was the one and only illustrator for Gator and me.
Donna and I sign a contract for each Gator book (three so far). I believe doing is is critical — it is both professional and practical; it protects us both. We negotiated a flat fee, which was my preference, given that I had no idea where this project was headed and I wanted to be sure Donna felt she was being fairly compensated for her amazing work.
For printing, I again conducted an in-depth online exploratory around domestic, digital, on demand and printing abroad. For my purposes and given several key considerations, printing abroad proved to be the best option.

SLH:  As a self-published author, how do you handle marketing and distribution?  What has worked best for you?

SM:  By day, I work a career in advertising, so I have a solid foundation in marketing. At the same time, the time I have to focus on marketing my Gator series is limited to nights and a few hours on the weekend. I got the three books I’ve published so far on amazon.com and barnesandnoble.com. I built a web site. I did some readings and book fairs. And, I sold the books to local shops door to door. Unfortunately, I haven’t had the time or wherewithal to pursue the type of marketing efforts I know have the best potential to build awareness and drive sales. This is frustrating, but I console myself by believing that the books are timeless – they will still be relevant whenever I have the opportunity to make them a priority.

SLH:  Have you tried digital publishing in any format?  Can you share your experience?

SM:  No, I have not tried digital publishing. My exploratory indicated that digital publishing options are inhibitive for a classic children’s storybook – no hard covers, no sewn binding, sometimes no color, limited page sizes. As with publishing, I had a very specific vision of what I wanted the books to be and digital printing wasn’t able to meet my needs. Important to note — this was about seven years ago and things may have changed by now. I do recall that digital printing was the most economical option for modest quantities, a major pro for that route!

SLH:  Have you done apps for any device?  Can you share your experience?

SM:  No, but it’s a great idea. I’d love to pursue the Gator series as both e-books and apps. For me, there’s nothing like books printed on paper, but digital is an absolutely critical path to pursue today.

SLH:  Where/when/how do you get your ideas?

SM:  Horses have always been my passion. I’d wanted a horse of my own since I was about eight years old but, given realities, it took me until my mid-30’s to make it happen. Until that time, as much as I loved a good book, and as much as I wanted to write, I never felt I had anything of interest to say…no story to tell, no ideas. That all changed when my first horse, Gator (aka Montana) came into my life – then the Gator stories just started popping out of me. My childhood dream come true was also the lens through which I realized what I wanted to say and how to say it.

SLH:  What has been the most challenging thing you have faced as an author and/or as a self-published author?

SM:  Too little time to make it happen. If I had the time, I’d probably be most challenged by the financial investment required. When you self publish, you’re on your own for everything – figuring out how who to sell to, how to sell, marketing, distribution, franchise development, finding a partner/investor, etc. As best I can tell, traditional distribution points (i.e., retail chains and larger independent booksellers, as well as smaller independents beyond driving distance) are not accessible to those without a publisher. Non-traditional marketing is the way to go for the self publisher – I believe there’s major success to be had via clever efforts online.

SLH:  What has been the most wonderful thing that has happened to you as an author?

SM:  I’ve created something I’m proud of, so I’d say the most wonderful thing is the sense of accomplishment at having actually become the writer I’ve aspired to be since college (albeit in my own small way). There’s nothing like a child telling me how much he or she loves Gator, or calling out a favorite detail from the books. Or, a parent telling me that my Gator books are bedtime favorites on the night stand, alongside famous classics handled by major publishers.

SLH:  Do you do school visits?  Would you be kind enough to briefly describe your program/presentation?  What is your preferred age range and group size?  Do you have materials available for parents/teachers to go along with your books(s)?

SM:  I’ve done a few, but not enough to intelligently comment here.

SLH:  What advice do you have for authors just starting out?

SM:  Frankly, I think I’m the wrong person to ask, as I consciously chose not to follow the traditional rules of writing for or pursuing publishers. In doing so, I understood that I was not setting myself up to create a writing career, but it was more important to me to bring my personal project to life exactly as I’d envisioned. All I can suggest is to be honest with yourself about your objective, do the necessary homework to understand how to pursue that objective (unbelievable how much information and how many resources are available online), and keep the energy flowing as you go. The process can be both exciting and gratifying (as well as scary and frustrating) – whether you win or lose, it’s a great life adventure and fantastic learning experience.

SLH:  Can you give us any hints about what you’re working on now?

SM:  As previously mentioned, my “day job” has absorbed all of my time over the past couple of years. (After all, it is the day job that funds the self publishing!). So, I’m not working anything new. Just looking forward to a time when I can really dig into all the ideas I have for Gator.

SLH:  Do you attend writer’s conferences?  Enter contests?

SM:  No, not since I entered a few contests with the first book.

SLH:  What has been your best selling book so far?  Which book’s sales (if any) did not do as well as expected?  Why do you think that might have been?  Were you surprised by one book’s success over another’s?

SM:  As previously noted, all of my sales have come through local door-to-door distribution and personal sales. I’ve sold the most of the first book in the series, Gator and Pete – More Alike Than It Seems. But I think that’s because I was able to focus the most time and energy on that one. Less for Blue Ribbon Gator . And, less still for Gator to the Rescue.
One interesting learning for me – Moms seem to like Gator and Pete best, because they love the sweet story and the moral. They say they love to read it to their little ones. At the same, kids seem to like Blue Ribbon Gator best, because it shows lots of horses, has lots of movement and has lots of bright, primary colors. They also say they like winning – go figure!
My personal favorite is Gator and Pete, so I published it first to ensure it made it to print if I was only able to do one.

Where can we find you?
gatorsgang.com; suzanne@gatorsgang.com


Books can be ordered direct from Suzanne’s website, or from Amazon!

Just for fun quick questions:
Agented or not?  Not
Traditionally or self-published?  Self
Hard copy or digital? Hard copy
Apps or not? Unfortunately, not (yet!)
Plotter or pantser? Not sure what this meansJ
Laptop or desktop?  Laptop
Mac or PC?  PC
Day or night worker?  Night
Coffee or tea?  Hot chocolate
Snack or not?  Absolutely
Salty or sweet?  Sweet
Quiet or music?  Depends on the day but, generally, quiet if I’m creating.
Cat or dog?  Horse!
Currently reading?  The Art of Happiness by the Dalai Lama and A Respectable Wife by Robert Goolrick.

Thank you so much for sharing all your knowledge and expertise with us, Suzanne!  We all really appreciate it!


Now then, Suzanne has graciously offered to answer any questions y’all might have, but she is traveling, so please be patient for your answers 🙂


In addition, we are offering a fantastic giveaway – a complete set of the Gator and Pete books – that’s 3 hardcover picture books, folks! – signed by the author!  All you have to do to qualify is leave a comment saying who you would like the books for (it’s okay to say yourself :))

I hope you will all be back Monday for our visit with Vivian (and just so you know, I know this was a long interview and post – Vivian’s is long too – she was incredibly generous with her knowledge and advice – but the other two are not this long! :))

Have a great weekend everyone! 🙂

Guest Joanna Marple Demystifies The uTales Process

Today I have such a treat for you!  Please join me in welcoming talented new author Joanna Marple whose book Snow Games was released last month from uTales.

If you have not had a chance to view other posts in Joanna’s blog tour, you can see the schedule and links at the end of this post.  Other topics have included reviews of the book, an interview with Joanna, and where she got her inspiration, but today she’s going to explain how uTales works.

Take it away, Joanna! 🙂

I think many of my generation struggle to embrace picture books in electronic format. We know the intimacy of reading a physical book to/with a young child. The sensorial experience it gives to the child in turning the pages, smelling, chewing etc is an important part of their early reading experience (and ours too as caregivers – holding a book and reading to a child is incredibly bonding). I came to PB eBooks with my preconceptions, and have become convinced that this is not an either/or question, but rather that they offer yet another opportunity to keep the reading doors open for our children. I believe e-Picture Books can add to our children’s reading experiences. More books, more easily accessible, in a variety of formats… this is a good thing. This is a lengthy introduction, but I believe to be involved in any eBook platform you should be convinced of their value in our children’s reading lives.
Whatever the publishing platform, the most important thing will always remain the quality of the story. I would not have considered submitting to uTales if I were not convinced of an appropriate level of quality editorial control. Two things convinced me of this. Firstly, an illustrator friend, Hazel Mitchell, whose work I much admire, submitted her beautiful retelling of The Ugly Duckling, and won an iPad for the official launch of uTales last year. Secondly, publishing veteran, Emma D Dryden, whose independent editorial services I use through her company, drydenbks, heads up the uTales editorial quality control panel. I think with any new eBook platform expanding its collection, there will be a great range of storytelling, but I am very happy with the editing and selection that is happening and we have been seeing a real flow of great quality stories being submitted as we grow in numbers of collaborators.
When you first sign up with uTales, you receive two weeks free access to every book in the library; thereafter you always have access to an 8-page preview of every book for free. That first fortnight, I think I read all the books they had, discovering the focus was more for the 2-5 year olds, though not exclusively, and the variety was enormous. I love the fact that we are a thoroughly international group and working towards publishing in several languages (so far English and Swedish, with Spanish soon to be added). Once I had researched the platform and felt convinced about its goals and authenticity, I set out purposely to write a story for uTales.  How I came up with my story you can read about here.
SNOW GAMES went through exactly the same amount of rigorous revision that I would give any manuscript that I wish to submit to an agent or publisher (or self publish). Typically, I sent it off to my crit. partner first. Then it went through my normal online PB crit. group and a rhyming online PB crit. group, which formed out of PiBoIdMo. I sent the revisions back several more times to my crit. partner and my freelance editor also gave me valuable input. I want to underline that one should not seek an illustrator until one is confident about one’s story. Emma Dryden has written an excellent article for uTales about the importance of presentation, punctuation, and precision when it comes to creating successful picture books. – http://blog.utales.com/2011/11/10/to-keep-in-mind-when-creating-utales-picture-books/.
I took a little time finding the right illustrator – I think, in part, due to the complexity of having the four characters, requiring an illustrator who had the time to invest, not a small request for these freelancers. There is an active Facebook group, called uTales Collaborations, where illustrators and authors can find one another. Prior to writing SNOW GAMES, I had been involved in a collaboration project of 30 uTalers, who together produced THE FRIENDSHIP ALPHABET book. Maja Sereda had done an enchanting double-paged spread of “ogling owls” for the “O” page and seemed the perfect fit for my story – happily for me, she agreed. I sent her my paginated manuscript and Maja then took over. We had some fun communication back and forth, between France and South Africa for 2.5 months, as she worked on the illustrations; we have become firm friends. I am enchanted with her artwork for this book. One of the pleasures of working with uTales is the opportunity few have, for such collaboration.
Both illustrator and author are co-creators and have access to the uTales website “create tool” when they finally upload: images, text, sound, animation, caption, dedication pages etc. The uTales website has simple videos explaining each aspect if this process, and there is a technical team happy to respond to any questions. Once complete, you submit online via the uTales website to their Quality Editorial Panel (UQEP). If you count the fact that we live in different time zones to the panel (Maja and I are on the same longitude!), the response was immediate to our submission. For SNOW GAMES, the feedback was to increase the font size for better visibility on iPhones and to remove one preposition for better rhyming flow. I followed up on these suggestions and made the corrections. Our book was published shortly afterwards, with a five star rating.
To summarize:
1.     Write a darn good story, thoroughly revised (nothing new here!)
2.     Familiarize yourself with uTales and join the FB collaboration page.
3.     Find just the right illustrator for your story and enjoy the collaboration process.
4.     Look at the how-to videos on the uTales site.
5.     Upload your images and text, and decide whether it is appropriate to then add any animation and sound.
6.     Submit the complete story to the UQEP and be ready to respond to their helpful feedback. If a lot of editing is required, you may need to submit a couple more times (3 times maximum).
7.     Start planning your promotion before the book is published.
8.     Enjoy – it is a wonderful experience.
Susanna, thank you so much for shooting off an invitation to me to share on your blog, I think within minutes of you seeing SNOW GAMES had been published.

Thank you so much for visiting with us, Joanna!

You can visit Joanna’s Website/Blog and “Like” her on Face Book.

And you can see the other stops on her blog tour at these fabulous blogs:

Wednesday, Mat 16th, Darshana’s Blog, Flowering Minds – Interview
Wednesday, May 23rd – Krista Rausin’s blog, Parenting with a Dash of Inspiration – Multiple Characters in Picture Books
Tuesday, May 29th – Sharon Stanley’s blog, Sharon Stanley Writes – Interview
Tuesday, June 5th – Clarike Bo Jahn, Clarbojahn’s Blog – The Story Behind the Story
Wednesday, June 6th – Diane Tulloch’s blog, The Patient Dreamer – Book Review
Wednesday,  June,13th – Julie Hedlund’s Blog, Why uTales?
Monday, June 18th – Susanna Leonard Hill’s Blog – The Process of Submitting a Story to uTales
Wednesday June 27th – Patricia Hilton’s blog, Children’s Books Heal, Book Review

Before we go, I have a surprise for you!  Remember that mini-series on self-publishing I told you about?  Well, it has expanded to 4 posts!  And all four will include giveaways!  And although Suzanne’s schedule does not allow, the others have graciously and generously offered to be available to answer any questions you may have after reading their posts – a truly priceless opportunity!  Can it possibly get any better? 🙂

Friday June 22 we will learn from Suzanne McGovern, author of a delightful self-published picture book series about Gator And Pete.  Monday June 25 Vivian Kirkfield will share the creation of her wonderful self-published picture book resource Show Me How – a book every parent and teacher should have a copy of!  The following Friday (June 29) we’ll be visited by Patrick Milne, author of the e-book The Adventures of Lucy Snigglefritz (also available in paperback.)  And finally on Monday July 2 we’ll wind up with Rita Borg, author of Meg The Egg.  All of these authors have a wealth of information to share on the process of self-publishing and I hope you will find what they have to say as interesting and enlightening as I do!

Meet Lisa Thiesing Author/Illustrator!… And A Giveaway!

I know.  It’s Monday.  It’s raining.  And if you’re like me you’ve eaten all of your black jelly beans.  Also the red and orange ones.  Also the yellow ones.  And you’re down to the reject colors like white and pink.  Seriously, does anyone like white jelly beans?  Why do they even make them?

But cheer up!  You’re here, among friends, in our happy little corner of the blogosphere!  And I have someone awesome for you to meet, AND you could get a present!

So tell me, doesn’t the day seem brighter already? 🙂

(Oh, but just one tiny thing before we get started.  Tina put up an awesome post on Phyllis’s visit to South Korea!  If you haven’t had a chance, please check it out!  And I heard a rumor that her visit to Corey in New Jersey might be up today… fingers crossed 🙂  Also, fabulous news, she will be visiting St. Lucia and maybe, hopefully Africa!!!  Okay!  Enough digression… :))

Today I am so excited to be introducing a fabulous author/illustrator to you all.  Please give a warm welcome to the wonderful and talented Lisa Thiesing!
Author/illustrator Lisa Thiesing

Hi Lisa!  Thanks so much for joining us today!!
Hi Susanna!  Thanks so much for inviting me!  I’m excited to be here!
SLH:  When did you first become interested in writing and/or illustrating?  Was it something you always did, or something you came to later in life?
LT:  I first became interested in children’s books when I was very little.  My mother always read to me and she was very excited about all the new books that were coming out at the time.  Things like the Little Bear books and Eloise were brand new!  Can you believe it?  Eloise was a character I particularly related to since I grew up in Manhattan, just a few blocks away from you!   We even had a mail chute by the elevator.  It was tempting but I never did pour water down it! Oh! and Harriet the Spy…. I often ran around the park pretending to be her. These characters seemed so real and were my friends.  My mother would also point out interesting things in the drawings, like how a certain expression on a character was just so perfect for the story.  She made books seem important and fun.  Also, this is probably bad, but she would let me stay home “sick” from school so that I could work on my tremendously original novel about Old Boy, a dog that was constantly saving his boy from falling down wells and other disasters.
SLH:  Were you encouraged by family/teachers?
     
      LT:  I was definitely encouraged by my mother.  I was VERY shy as a girl and I think she saw writing and drawing as my way of communicating.
SLH:  You are both an author and an illustrator.  Which comes first for you, the story or the art?
LT:  The story comes first.  When I write a story, what usually happens is that a certain phrase will keep repeating in my head.  Sometimes it’s the beginning of the story, sometimes it’s the ending.  When I wrote my first picture book, Me &You, my daughter was very little and she kept doing things that I used to do when I was that age.  So I kept saying to her that I used to do whatever it was, just like you!  That would be my beginning.  And I knew I wanted to end it with And when I grew up, I wanted to have a little girl…just like you!  I had a beginning and I had an ending.  I just needed to fill in the middle.  I had lots of photos of me and Katherine doing the same things but completely differently.  So that took care of the middle.  And with the photos for reference, I was able to tell the other part of the story – the differences in time, place, personality, attitude – through the illustrations.
                        
SLH:  Is there an author/illustrator who has been especially inspirational or instrumental in your own development as a writer/illustrator?
      LT:  I really like the early reader genre.  So people like Arnold Lobel, Syd Hoff and James Marshall are particularly inspirational.
      SLH:  What was your first published children’s book?  Tell us about the moment when you got your first offer!
      LT:  My first book assignment was The Ghosts of Hungryhouse Lane by Sam McBratney.  I had been taking my portfolio around to all the various publishing houses for a couple of years, with no luck.  I did keep working on my portfolio, showing it again and again, and kept sending out postcards to editors.  I was close to giving up when the phone rang and it was Brenda Bowen, then at Henry Holt!  She asked if I might be interested in illustrating a middle grade novel!  I nearly fell on the floor!  I thought to myself, “Are you kidding me?!?!”  But I was cool and instead shouted, “YES!!!!”  I got to go to her office, but now as an actual illustrator because I had a real book to do and we’d talk about our project!  It felt wonderful.
      SLH:  Where/when/how do you get your ideas?
      LT:  It seems I often get ideas for stories while driving.  I don’t know why that is.  Or doing the dishes.  My Peggy the Pig books were adaptations of stories I already knew.  The Viper is based on the old campfire scary joke.  The Aliens Are Coming!  is a variation on War of the Worlds.  A Dark and Noisy Night is a combination of The Tell Tale Heart and my cousin’s daughter’s fear that the tree branches scratching at her window were witches’ fingers!  And The Scarecrow’s New Clothes is from an old story a friend’s mother used to tell. 
      If I’m illustrating someone else’s story, then the ideas, of course, stem from the story.  Except that I do get to make the characters look how I want and set the scenes where I want.  It’s like being a movie director.  You get the story and then you can interpret it visually as you like.
SLH:  What has been the most challenging thing you have faced as an author/illustrator?
      LT:  The most challenging thing I have faced is the current climate of publishing in general.  It used to be that even if you were not a super star, bestselling author/illustrator you could still work and still publish books.  It seems that now you are given a small window of opportunity and if in that time you don’t produce a best seller, that’s it.  As Heidi Klum would say, “One day you’re in and the next day you’re out.”
SLH:  What has been the most wonderful thing that has happened to you as an author/illustrator?
      LT:  That’s a difficult question.  A couple of things come to mind.  A few parents have told me that their children actually learned to read with my All Better book. That is really gratifying.  There is a lot of repetition in that book and it was my goal to help kids learn to read and to enjoy it.  And they did!
      Also, the first time I saw my Two Silly Trolls in the front of the I Can Read display at Barnes & Noble.  I took a picture of that and then the sales person said I wasn’t allowed to do that.  And I said, “But that’s my book!”  And he said, “Well, it’s our policy, blah, blah, blah…”
      It’s also really wonderful at school visits when kids say, “I LOVE you!  You are the best writer and illustrator ever!  Don’t ever leave!!!”
SLH:  Do you do school visits?  Would you be kind enough to briefly describe your program/presentation?  What is your preferred age range and group size?  Do you have materials available for parents/teachers to go along with your books(s)?
kid’s drawing of Peggy 🙂
      LT:  So, yes, I do school visits.  I have a PowerPoint presentation of one of my books, complete with sound effects!  Currently I’m doing The Viper.  There’s also a little bit about printing and binding because I have found that kids really want to know how a book is actually made.  My books are geared toward K-4 and I prefer smaller groups.  After we do questions and answers, I also give a short drawing lesson.  I’ve been using basic shapes and have the kids follow me step by step. We draw Peggy and also do other animals or a scene.  All of them, even the youngest, have made beautiful, wonderful pictures which they are really excited about.  
SLH:  Can you give us any hints about what you’re working on now?
      LT:  This seems an unlikely turn of events.  But recently I was contacted by someone from The Guggenheim to work on a project with them!  I will be writing a narrative for children that will be performed at the end of the month for the museum’s Family Day.  It is part of the “still spotting” project, which finds different places in the city that inspire peace, quietness, “home”, transformation. This will be in Jackson Heights, Queens. http://stillspotting.guggenheim.org/about/
SLH:  Do you attend writer’s conferences?
      LT:  I have attended conferences.  I think they are valuable when you are starting out because they do provide a lot of information.  Sometimes there is a really great keynote speaker and that can be inspiring.
SLH:  What has been your best-selling book so far?  Which book’s sales (if any) did not do as well as expected?  Why do you think that might have been?  Have all your titles earned out?  Are they all still in print?  Have sales affected publishers’ willingness to do further projects in a good or bad way?
      LT:  My best-selling books so far have been the Two Silly Trolls books.  They were part of the HarperCollins I Can Read program, which is one of the best, most trusted and well-loved group of books ever.  So there is a built-in safety umbrella.  Both retail customers and educational outlets are going to buy books that are published by them.  That doesn’t happen with most books.
Lisa’s studio (nice, isn’t it?:))
      Most of my books have earned out and I’ve received royalties.  But ALL of my books should have sold better than they did and they are now out of print.  And that, of course, does affect publishers’ willingness to publish more.
SLH:  Where can we find you?

Website:           
Facebook:
Info on School Visits:
I’ve started giving art lessons to kids in my studio!  It’s been really fun!
Info on Art Lessons:
Also, I’ll be participating in the Hudson Children’s Book Festival on May 5th.  I would love to see everyone there!  It’s a great opportunity for people who love children’s books to come out and meet some of their favorite authors and illustrators.  Bring the kids!
Reader question:  how important is it to have a story?  Can you just entertain and make people think, or do you have to have a story to make a picture book?
LT:  A story is very important.  But I’m not sure what you mean by story.  Even a concept book about color, for example, is a story.  And I think it is tremendously important that a book be entertaining.  Reading is fun!  A silly book can also be thought provoking and that’s a challenge as a writer for children.
  
Just for fun quick questions:
Agented or not?  Not.
Traditionally or self-published?   Traditionally.
Hard copy or digital?   Hard Copy.
Apps or not?   Not.
Plotter or pantser?   Don’t even know what that means!
Laptop or desktop?   Desktop.
Mac or PC?   PC.
Day or night worker?   Day worker.
Coffee or tea?   Coffee!
Snack or not?   Not.
Salty or sweet?   Both.
Quiet or music?   Quiet for writing.  Music for drawing.
Cat or dog?   Dog.  (But I have 3 cats, too.)

Thanks for visiting everyone!  And now you have a chance to win a personalized signed copy of Lisa’s fun and popular book A Dark And Noisy Night!  (And I just want to say that I’m trying out Rafflecoptor for the very first time and pretty much just hoping it works!!! 🙂 – If you don’t’ see the Rafflecoptor widget, try hitting the comments button and see if it shows up!)


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Perfect Picture Book Friday – The Bear Went Over The Mountain

Today I am thrilled to be showcasing a truly perfect picture book by one of my favorite author/illustrators!  It’s brand new, and if you haven’t had a chance to read it yet, rush right out because it’s wonderful and you’re going to love it 🙂

The Bear Went Over The Mountain
Written & Illustrated By:  Iza Trapani
Sky Pony Press, April 2012, Fiction

Suitable For:  ages 3-7

Themes/Topics: Animals, Language Fun, Nature, Seasons, 5 Senses

Opening:  “The bear went over the mountain,
The bear went over the mountain,
The bear went over the mountain
To see what he could see.
He saw a dragonfly,
A bluebird flitting by,
Three fuzzy rabbits skipping,
Five happy ducklings dipping…”

Brief Synopsis:  The bear goes over the mountain to see what he can see, hear, smell, touch, and taste, and he gets a few surprises while he’s at it! 🙂

Links To Resources:  Classroom Activities, Coloring Page, Maze, Connect-The-Dots, Word Search, Bookmarks.

Why I Like This Book:  This book, like all of Iza Trapani’s books, has impeccable, fun-to-read/sing aloud rhyme, a delightful child-friendly story, and gorgeous art that makes you want to crawl right into the pages and live there 🙂  The bear goes over the mountain and experiences nature through all five of his senses, some in rather unexpected ways.  Children will learn the song quickly because it’s a familiar tune, and they will delight in singing along to the bear’s adventures.  Perfect for bedtime, story time, preschoolers learning about the 5 senses, rides in the car – another winner from Iza!

Iza was kind enough to visit us here recently, and if you didn’t get to see her interview you can read it HERE.

For the complete list of books with resources, please visit Perfect Picture Books.

Now, before we all rush off to read the other PPBs and enjoy our weekends, I have two three other things to tell you:

First, in case you haven’t had a chance to check it out, Phyllis visited Clar in Virginia, and Melissa in Australia.  She is currently flying home from England (I wonder if she’ll have an accent :)) and arrived in South Korea yesterday which was tomorrow over there at the time 🙂  She should be arriving at Saba’s in Washington today.  And this just in, she has been to see Alison in Georgia!

Second, by overwhelmingly popular demand, editor Erin Molta’s visit to our little corner of the blogosphere will be a Q&A, possibly divided into more than one post, so please check the comments from Wednesday’s post to see the questions currently on the table, and add any additional questions here when you think of them (or email me :))  There is not yet a set date for this extravaganza, but you can be sure I’ll let you know! 🙂

Finally, on Monday we will have a visit from the fabulous author/illustrator Lisa Thiesing!  Because I know people in high places (that would be me) I have already read her interview, and I can assure you it is really good!!!  So I hope you’ll all flock over here first thing Monday morning and show her some much-deserved love! 🙂

Now then.  PPB bloggers, please add your post-specific link below, and everyone have a super-fantastic fun-filled weekend!!!

Meet Iza Trapani, Author/Illustrator – And A Giveaway!

Happy Monday Everyone!  I hope you all had a lovely weekend!

You know, I struggle a little with this blog schedule.  On the one hand, I don’t want to post more than three days a week.  On the other hand, I don’t want to cram so much into a post that you the one look at all that text and skip on to the next blog (I know – I haven’t quite mastered that one :)).  On the other hand, I don’t want to post twice in a day because that’s as bad as adding a day –  I know how busy everyone is, how many great blogs there are to read out there, and how limited your time is.  On the other hand (I believe we’re up to four hands now… so you see the struggle!) there’s is so much to share!!!  I had thought I could solve one problem by posting the monthly interviews on Saturday or Sunday, but I didn’t like that and neither, I think, did you.  We all need a break.  So I’m booting Oh Susanna this week and putting the interview in here.

And oh I have such a treat for you today!  Please join me in welcoming the incomparable Iza Trapani!

SLH:  When did you first become interested in writing and/or illustrating?  Was it something you always did, or something you came to later in life?
Author/Illustrator Iza Trapani
IT:  I have been an artist since I could hold a pencil in my hand (or lipstick for that matter; as a toddler, I used my mom‘s lipstick to paint a masterpiece on our wall.) I have also always enjoyed writing, especially poetry. In high school and college, while art was my main focus, I took as many creative writing courses as I could.
SLH:  Were you encouraged by family/teachers?
IT:  Yes, as long as I stayed away from the lipstick, my family encouraged me. They read and sang to me and instilled in me a lifelong love of art, language and music. Friends and teachers did as well, throughout my whole life. Their belief in me has always been and continues to be empowering.
SLH:  You are both an author and an illustrator.  Which comes first for you, the story or the art?
        
IT:  The story comes first, but I  envision the pictures as I write it. I want to be sure that the story suggests wonderful imagery and that scenes vary from page to page.
SLH:  Where/when/how do you get your ideas?
At the most inopportune times- in the middle of the night, in the shower, when I am driving…The idea for my first children‘s book, What am I? An Animal Guessing Game came to me  when I was on  a long mountain bike ride twenty-two years ago. When a turtle crosed the trail in front of me, I made up a little rhyming riddle about him. By the time I returned home an hour or so later, I had the book roughed out and some of the verses composed.  I  never really thought of myself as a writer until that point.  I had a portfolio packed with children‘s book art but not one story. And then one day (thank you turtle), I tapped into that part of my brain, and after that ideas kept pouring out.
SLH:  What has been the most challenging thing you have faced as an author/illustrator?
IT:  Maybe two things: The waiting- hearing back from editors and art directors, waiting for the book to be printed, waiting for reviews, waiting for royalty statements…The other challenge is  having my illustrations in progress (especially covers) reviewed by, not just the art director and editor, but the marketing team, the sales team, the editorial departments etc. I am very easy to work with and totally open to viable suggestions, but after a while it becomes art by committee.Have you ever heard the expression that a camel is a horse that was designed by a committee?Well, it‘s something like that!
SLH:  What has been the most wonderful thing that has happened to you as an author/illustrator?
IT:  I can‘t put my finger on one thing. There have been so many exciting and gratifying moments. What warms my heart the most is the love and loyalty from my generous fan base – the parents, the early educators, the children, the supportive fellow authors, like you, Susanna. I have met so many wonderful people on this great journey!
SLH:  What has been your best selling book so far?
IT:  The Itsy Bitsy Spider. I am proud (and amazed) to say it has sold over a million copies  and is still going strong.
SLH:  Why do you think that might have been?
IT:  Timing might have had something to do with it. There weren‘t many retellings of nursery rhymes at the time (that I know of ) and so I found a niche in the market. The book became instantly popular with teachers, especially Pre-K to K. I had very positive feedback from early educators telling me how useful the book was in teaching young children to read – that the kids recognized the title so they were eager to look inside the book, that they already knew the first verse so that gave them confidence to learn the other verses. Plus the book could be sung for even easier learning.

SLH:  Were you surprised by one book’s success over another’s?
IT:  With over twenty years of practice, both my writing and illustration have improved, so it surprises me that my fifteenth book, Froggie Went A-Courtin’, which has some of my best artwork, is not doing anywhere near as well as my second book,  The Itsy Bitsy Spider.
SLH:  Have all your titles earned out?
IT:  Fifteen of the seventeen books that I haveboth written and illustrated have earned out. I have also illustrated four books for other authors and two of those have earned out.
SLH:  Are they all still in print?
IT:  All but one of my titles, a non-nursery rhyme book, My Jack are still in print. Of the four books I illustrated for other authors, only one, The Wedding by Eve Bunting, is still in print.  I have worked with small presses, who keep books in print longer than some of the big houses. My books have had a long run. I have been very lucky.

SLH:  Have sales affected publishers’ willingness to do further projects in a good or bad way?
IT:  The publishing world is in such a sea of change right now and publishers are wary and much more discriminating. It’s a very tough market right now- even for those of us with good track records.
SLH:  Can you give us any hints about what you’re working on now?

IT:  I have a new book coming out Apri11, 2012- The Bear Went Over the Mountain. As for works in progress, I have a few children’s stories brewing and am  also working on the last chapter of an adult(maybe YA) memoir.

SLH:  What advice do you have for authors/illustrators just starting out?

IT:  Spend A LOT of time reading and studying childrens books. Read adult books on writing and/or illustrating. Practice and work hard on your stories and art. Take classes, workshops, join a critique group. Look honestly at your work and polish it to the best of your ability before submitting. There is a wealth of information on the internet. Check out writing/illustrating blogs.  Join the SCBWI  (society for childrens book writers and illustrators)who offer great advice and opportunities for those hoping to become published.

SLH:  Where can we find you?
IT:  My website: www.izatrapani.com
Twitter: @IzaTrapani

And now the quick, fun questions for the end! 🙂

Agented or not? agented
Traditionally or self-published? traditionally
Hard copy or digital? hard copy
Apps or not? no
Left-handed or right?  I”m a rightie (hands only :-), though I have suspicions I was born leftie and my parents raised me to use my right hand. I lead with my left hand in so many things…Long answer!
Plotter or pantser? plonster
Laptop or desktop? laptop
Mac or PC? Mac
Day or night worker? day
Coffee or tea? Both
Snack or not? Snack
Salty or sweet? Yes!
Quiet or music? quiet when writing/music when illustrating
Cat or dog? One of each (although – SLH here – I’ve seen her dog and he’s more like a pony :))
Currently reading? Besides blogs? 🙂 Smoke and Mirrors by Neil Gaiman

Thank you so much for joining us, Iza!

And now, as if that very informative interview wasn’t enough, you all have a chance to win a signed, hardcover copy of Iza’s brand new book which isn’t even officially out until April 1!!!  To qualify, leave a comment below in which (in addition to whatever else you might or might not say) you include 4 rhyming lines about a bear 🙂  Qualified comments will be loaded into random.org and one lucky winner will receive The Bear Went Over The Mountain before the rest of the world 🙂

Now, very quickly before we go:
1.  Look for Phyllis’s visit to Saskatchewan on Beth’s blog tomorrow (Tuesday, March 20) – it promises to be quite something!
2.  I will be featured on Children’s Literature Network’s new feature – Bookscope: The Story Behind The Story – with the story behind Not Yet, Rose tomorrow also! (link will be added when I have it!)
3.  Phyllis had an AMAZING visit to Missouri which you won’t want to miss (especially if you’re a CARS fan :)) so please visit Andi 🙂  And be sure to check in with Phyllis’s World Tour page for updates between blog posts here!

Thank you all for visiting with Iza!  Now write those 4 rhyming lines about a bear 🙂 – you could WIN!!!  (Oh, and please get your rhyming lines in by 5 PM EDT Tuesday March 20 – the winner will be announced Wednesday!)


Oh Susanna – Where To Go For Swag?

Wow!  How did it get to be Monday so fast?  The weekend just FLEW by!

Yesterday seems to have been an unusually quiet day on the internet (by which I mean I was so busy doing laundry that I was barely on my computer and hence missed whatever might have been going on :))  But seriously, I dragged Donna out for an interview and I’m not sure anyone besides Catherine, Alison and Vivian even saw it!  (Ouch for Donna! 😦 )  The extreme quietness has caused me to doubt my new policy of posting interviews on the third Sunday of the month… Perhaps it is a bad plan.  I shall have to re-examine it….  Or maybe Disqus was having issues… or maybe y’all weren’t interested in the topic under discussion…  Feel free to share below.  In any case, if you didn’t get to see Donna’s interview, please go HERE.  I think you might find some useful information, and if you have any questions, please post them to the comments of her interview post and we’ll see what we can do about getting you answers 🙂

In other news, I’m pretty excited because April Fool, Phyllis! will be available in the Scholastic SeeSaw Book Club for March!  It is titled The April Fool Treasure Hunt and has a blue cover instead of pink, but the story inside is the same.  And for real fun, it comes on CD!!!  I haven’t gotten to hear it yet – I hope it’s good 🙂

Since I haven’t gotten my copies yet, I had to swipe this cover picture off the Scholastic site 🙂

Oh, and apropos of nothing, I’m being featured on Kimberly Dana’s blog – The Blog Zone – today if anyone is interested…

Now onto today’s real business: the Oh Susanna question!  This is a good one, and I will be very interested to hear what all of you have to contribute on the topic!

Saba asks, “I’m looking to have some swag made for my blog and website.  Do you know of any companies that make stickers and bookmarks?”

Well, Saba, as a matter of fact I do!  And I’m sure our readers have experience with many more and will hopefully share what has worked well for them!

The main sites I have used are VistaPrint, GotPrint, and Zazzle.  I have made magnets, bookmarks, stickers, mugs, and pencils.  (The pencils were from another site…  Oriental Trading Company.)  What’s really great about all these sites is that you can google coupons for them and usually find a way to get a discount.

I am not artistically inclined and I have no knowledge whatsoever of how to use PhotoShopElements or Adobe Illustrator or any of those design-oriented programs.  For this reason, I have found Zazzle to be the easiest site to work with for anything involving art.  You can upload photos or scans straight out of your iPhoto file or wherever you keep your photos (as long as you have the rights or permission) and plop them right onto whatever you’re making – magnets, stickers, t-shirts, mugs, keychains, etc.  Zazzle has a lot of choices of things to make.

VistaPrint I have used for business cards and magnets.  They are pretty user-friendly too.

GotPrint is what I used for bookmarks, but I had to have help.  My daughter created the bookmark image I wanted on PhotoShopElements and uploaded it to GotPrint.  I could not have done that myself because all I know how to do is open PhotoShop Elements – I have no idea what to do next 🙂  This does not make for interesting bookmarks 🙂  Bookmarks are the thing I’ve struggled most with.  I have not found a really easy-to-work-with site that allows you to design your own without themed templates you don’t want.  Anyone with advice on this topic, please share!!!!!

The pencils are a little tricky because you can only go to 30 characters usually, and usually only one line of print.  So you have to choose your book title or your website or your name – you can’t fit them all.

I am always looking for easy-to-use sites for this kind of thing.  Also for good ideas of what to make.  Like I said, I personally have found Zazzle the easiest to work with, and they have a lot of product choices.  I might try tote bags soon 🙂

Now, all you faithful and helpful readers, what kinds of swag have you made?  What sites do you use?  What do you recommend for Saba?  Please share!

Meet Donna Farrell – Interview With Children’s Author/Illustrator Website And Blog Designer

It’s time for our monthly interview, and today I’m delighted to introduce Donna Farrell!

As you know, these interviews are usually of authors, illustrators, or author/illustrators, but I’m making an exception today because Donna has some uniquely applicable expertise that I think you’ll find interesting and helpful.

As the world (of publishing and in general) has changed, we as authors and illustrators have been encouraged to have a presence on the web.  We’re supposed to have websites, blogs, Face Book pages, twitter accounts etc, and yet many of us have no real knowledge of how to go about these things.  How do we design a site that will draw readers?  What should it look like?  What should it offer?  And how can we fit design and maintenance into our already busy schedules?

Enter Donna!  (Who, in case you didn’t know, designed my website and blog! :))

Donna Farrell

SLH:  Thank you so much for visiting with us today, Donna!  I’d like to start by asking, what exactly do you do?

DF:  My creative umbrella covers- illustration, web design and graphic design.

Although they may all seem different, it really is all visual story telling. 
As a designer, I take information and present it in a logical way. I understand the need for whitespace and a balanced composition. 

The majority of my web designs have been for children’s authors (20+).  I didn’t start out targeting this niche.  My involvement in the field of children’s publishing and my own pursuit of publication came first. Along the way a business has been born.  I bring a unique perspective to the table.  An understanding of what is needed on an authors site.  What visitors are expecting to find and how to present that information.   I also act as a consultant, giving advice about content.  Visitors often visit the site to get “extras”. Information that isn’t in the book itself or available elsewhere.   I can help make suggestions about those things, design activity sheets that tie in to the authors books etc.

Screen shot of site designed
by Donna

SLH:  Do you think it’s absolutely necessary to hire a designer?

DF:  No.  But when attempting to develop a site on your own, please ask yourself the following:

1. Can I create a professional looking site?
Be sure your site reflects you as a professional.  Publishing is a business, you want to be taken seriously.  
2. Do I know what needs to be on my author site?
Design is important but content is essential.  Have a good understanding of what visitors are looking  for dictates content.  
3. Do I have the technical knowledge needed?
You can purchase a program to develop a website, but if you don’t have the know how, you have just wasted your money. The site will not design itself.
4. Do I know who my site is for?
Knowing your audience is very important. Pre-publication your site might focused on editors, agents and other writers but, publication will mean that your focus will shift to your “fans”.  Those who are investing in you as an author and your books.  You need to be prepared to give them something.
5. Do I have the the time?
Creating and maintaining a site takes time, time that will cut into your writing time.  
Screen shot of site
designed by Donna

If you answered YES to all the above, you are probably a good candidate to try it yourself.  But, just like a manuscript that needs critiquing before submissions, I strongly recommend having a set or several sets of eyes look at the site your going to publish to be sure it is easy to navigate and doesn’t have any major design flaws that send visitors screaming from your site before you launch it into cyberspace for literally all the world to see.  

If you answered NO to some or most of these, it might be a good idea to have someone with experience help you out, that’s where I would come in.

Looking at the same questions above, here is what I can offer:
1. Can I create a professional looking site?
Yes.  I create professional, yet personal sites.  Each site I create is unique to the client.  It is important that it reflects them and their writing.  
2. Do I know what needs to be on an author site?
Yes.  Because of my experience and research I have a good understanding of what is expected.
3. Do I have the technical knowledge needed?
Yes.  I don’t sell myself as a techie.  Foremost, I’m a designer, but I do have the knowledge required to create and publish a site.  At this moment technologies are changing so quickly that I would never say I’m an expert, but I do my best to stay current.
4. Do I know who your site is for?
Yes.  I can look at the site from a visitor perspective and make recommendations.
5. Do I have the time?
Yes.  Let me free up more writing time by taking the worry out of some of this for you!

SLH:  What are some tips for authors to think about as they design their site?

DF:  CONTENT!

Screen shot of site
designed by Donna

My Top 5 Suggestions to authors regarding content:
1. Have at least one good photo of yourself.
2. Have links to purchase your titles.
3. Have a strong “About” page. (Statistics show this is the most visited page on an author site.)
4. Have contact information available.
5. Have exclusive content, freebies, downloads, extras.

SLH:  Thank you again for joining us today, Donna.  We really appreciate you sharing your expertise!  If readers have questions, I’m hoping you won’t mind answering 🙂

For anyone interested in learning more about Donna’s work, please visit her website!   You can also follow her on Twitter and Pinterest.

Would You Read It Wednesday – The 27th Pitch

Those of you who have been around the blog for a while know that I live in the wilderness.  You may have seen my posts on Mexican stand-offs with deer, and our run-ins with the bear #1 and #2.

So it will come as no surprise to you that I am being stalked by a masked marauder.  Apparently our unseasonably warm winter has confused it into thinking our garage is a raccoon hotel and he is entitled to stay as long as he likes and order room service.  Do I look like I’m offering room service?

google images

Now, I don’t know how much time you guys spend around raccoons, but they are not small.  They have sharp claws and pointy teeth, and they don’t dress like bandits for nothing!  On Disney they look really cute, but in real life they’re a little too much like the R.O.U.S.s in The Princess Bride.

So the raccoon and I are locked in epic battle over the fact that I want my car and he’s not leaving.

My current approach works like this:

Walk out front door of house singing “Love Shack” by the B-52s at the top of my lungs thinking that ought to scare the bejeesus out of anyone, human or raccoon!

It doesn’t.

But I have back-up: a flashlight, in case I need to stun him into submission with blinding light (assuming the batteries aren’t dead, which they probably might be because I haven’t checked them in, oh, a decade), and my daughter’s ice-hockey stick because it makes me feel brave.  (I have no intention of getting close enough to that wily critter to actually poke him or anything!!!)  I would love to have my trusty companions, Dog 1 and Dog 2, but I’m afraid it might hurt them – it shows no signs of compassion!

I dance forward, hockey stick out in front, in much the way a swordsman might approach an opponent (only I’m guessing I look a lot less elegant…)

The raccoon thumps around near the garbage can (which is empty, but he’s an optimist, apparently.)

“I’m coming in there!” I warn.

This fails to induce the element of fear I was hoping for.  I’m pretty sure he’s laughing at me.

The crafty little critter scuttles up into the rafters.  Now I KNOW he’s laughing at me. “I see you up there!” I call to the oversized rodent.  “You think you’re so clever, but your tail is hanging right down in plain sight!”  He doesn’t care apparently.  It’s way too much fun getting a rise out of me every time I need my car.

Fine!  I guess we don’t have to get groceries until tomorrow.  But this battle is not over!

Honestly!  The things I put up with on Blueberry Hill!

So, now that you’re laughing yourselves silly over my raccoon predicament, it’s about that time 🙂

Today’s Would You Read It contestant is Sharron, who loves reading, writing, sharing with friends, and learning new things.  Here is her pitch:

Working Title: Sorrysorrysorry
Age/Genre: Early PB (ages 2-5)
The Pitch:  Three frolicking baby giraffes try to find a place to play on a hot and crowded savannah. They find it isn’t an easy task. They run into a troop of baboons, a dazzle of zebras, and a pride of lions. At last, they turn to the river, only to be confronted by hippopotami. Our giraffes find fun and friendship at the end of a long a grueling day.

So what do you think?  Would You Read It?  YES, MAYBE or NO?

If your answer is YES, please feel free to tell us what you particularly liked and why the pitch piqued your interest.  If your answer is MAYBE or NO, please feel free to tell us what you think could be better in the spirit of helping Sharron improve her pitch.  Helpful examples of possible alternate wordings are welcome.  (However, I must ask that comments be constructive and respectful.  I reserve the right not to publish comments that are mean because that is not what this is about.)
Please send YOUR pitches for the coming weeks!  For rules and where to submit, click on this link Would You Read It or on the Would You Read It tab in the bar above.  Go ahead and send your pitch for a chance for it to be read by editor Erin Molta!
Sharron is looking forward to your thoughts on her pitch!
Just a little heads up – this month’s Author/Illustrator Interview will take place on Sunday February 19 (that’s this weekend folks) and our guest will be none other that Donna Farrell.  Donna is an illustrator, but what she will really be talking about is her work as a website and blog designer for authors and illustrators. Yes!  That means you!  She is absolutely terrific (she did my website and blog, need I say more? :))  So I hope you’ll all find a few minutes in your weekends to come see what she has to say!
Also, anyone who hasn’t had a chance to vote for a Valentines Contest winner yet, please go HERE.  We really need everyone’s votes – it’s a tight race! 🙂
Now.
Back to my battle with the raccoon! 🙂

Author/Illustrator Interview: Meet Michael Garland (And There’s A Giveaway!)

Happy Monday Everyone 🙂

I’m delighted to be reinstating this feature as a monthly special on my blog.  I love having the opportunity to talk with talented, creative people who are making a go of it in this very competitive field.  It’s a wonderful opportunity to learn – about what works and what doesn’t, what the particular challenges and rewards are, what is hard and what comes easy, and how different people go about accomplishing their work.

These interviews will usually take place on either the third Saturday or the third Sunday of the month (I haven’t decided yet :)), but since January started on a Sunday and there’s so much going on as the new year kicks off, I bent the rules by a week.  Then, due to the squirrelly internet out here in the boondocks, the art for the post didn’t come through in time, so I couldn’t post yesterday.  So here it is today instead, bumping Oh, Susanna into next week.  Such is the way of things sometimes 🙂  But well worth it for today’s interview!

It is my very great pleasure to present this month’s Author/Illustrator, Michael Garland!

Michael Garland

SLH:  Michael, thank you so much for joining us today.  We’re thrilled to have you!  Let’s start with some just-for-fun quick warm-up questions 🙂

Agented or Not?  Not
Traditionally or Self-Published? Traditionally
Traditional or Digital Format? All books so far started in traditional format, but some have been converted to digital.
Apps or Not?  3 apps: Icarus SwinebuckleHenry’s Parade, and Angel Cat.
Plotter or Pantser? Plontser 🙂
Laptop or Desk top?  Desk top
Mac or PC?  Mac
Day, Afternoon or Night Worker?  Writing – brain freshest in AM; drawing – second nature and can do any time.
Coffee or Tea?  Coffee
Quiet or Music?  Writing – complete silence; painting/drawing – any noise is fine but usually choose CNN, the Golf Channel or the History Channel.
Currently Reading?  In The Garden Of The Beasts by Eric Larson

SLH:  Now for the more involved stuff!  When did you first become interested in writing/illustrating?

MG:  I began drawing as a very young child.  I drew to entertain myself.  I even made little books, although I didn’t really think of them that way at the time.  My parents were lavish with their praise and encouraged me.  When I reached Kindergarten, the teacher was equally enthusiastic about my work.  It was quickly and readily apparent that I could draw better than the other kids.  My teachers would hold up everything I drew to show the other students… which was never true of my math tests 🙂  I went to a Catholic boys high school where there was no real art curriculum.  But afterwards I attended the Pratt Institute.

(Here are a few samples of Michael’s recent book covers to give you a sense of his talent!)

SLH:  So illustrating really came first for you.  When did you begin writing as well?

MG:  It was a leap for me to finally write a story myself.  I had always thought of myself as an illustrator, not a writer.  But after I had illustrated a number of books for other people, I began to think how much fun it would be to tell my own stories.  The first book that I both wrote and illustrated was called My Cousin Katie and was based on my own daughter.  Having written about one child, I wanted to wrote about the others, so My Cousin Katie was followed by Circus Girl and Dinner At Magritte’s for my other children.  These three titles remain among my favorites, along with Leah’s Pony, the house for which was modeled on a house near me even though it takes place in Texas; The Legend Of Sleepy Hollow, which has remained in print for a long time; Santa Kid, which I illustrated for James Patterson; and The Magically Mysterious Adventures of Noelle The Bulldog and Noelle’s Treaure Tale which I illustrated for Gloria Estefan.

SLH:  How many books have you published?

MG:  I have published about 40 books that I illustrated but didn’t write, and about 30 where I did both.

SLH:  Wow!  That is impressive!  Have you ever written anything that didn’t sell?

MG:  Oh, sure!  I have about 5 or 6 projects that don’t sell for every one that does.

SLH:  You’re ahead of the curve, then 🙂  Most people say they have 10 unsold mss for every one that sells!  Do you consider yourself an author or an illustrator first, or are the two inseparable?

MG:  As I mentioned, I originally thought of myself as an illustrator.  But now the two are really inseparable.

SLH:  You were really a pioneer in digital art – one of the first to use that medium.  Can you tell us a little about that?

MG:  The first time I used digital art was for The Mouse Before Christmas which was published in 1997.  It was hard to get folks to accept back then, but interestingly enough, it was an older editor – in her seventies – who was willing to give it a try.  Editors quickly saw how much easier it was to work with digital art.  Changes that were time-consuming and difficult to pull off with traditional painting could often be fixed in matter of minutes in the digital format.  The equipment was expensive, and the disks were huge, cost about $60 each, and could only hold about 2 paintings each, so I would hand over a stack of disks for a single book, which I then, usually didn’t get back to reuse.  But it turned out to be worth it!

SLH:  This leads into your new book – Fish Had A Wish – due out from Holiday House in February 2012 – just a couple weeks away.  You have pioneered another new art form with this.  Can you tell us about the book and the new art?

MG:  Fish Had A Wish (originally titled Fish Wishing, then Fish Wish, and finally Fish Had A Wish) was inspired because I love nature books and I wanted to write one.  So I started out with a fish.  He is bored of being a fish and imagines what it would be like if he could be something else.  It is intended for earliest readers and as such has a very short and simple text.  It was short and simple to begin with, and the editor cut it by about 1/3 again.  The new art you’re referring to is what I like to call digi-woodcut.  It’s a form of digital art that mimics woodcut.  I scan in all kinds of wood textures and then layer them in the painting.

SLH:  It’s really beautiful.  Here is the cover of Fish Had A Wish (as well as a couple interior illustrations because they are so incredible I just have to share them!):

illustration copyright Michael Garland 2012

illustration copyright Michael Garland 2012

illustration copyright Michael Garland 2012

Aren’t they gorgeous?!  Which brings me to the importance of art in picture books…  As both an author and an illustrator, what are your thoughts on the importance of writing vs. the importance of art?

MG:  A picture book is supposed to be 50/50.  The author, or the writing, tells half the story and the illustrations tell the other half.  It should be equal.  A good picture book is.  But in terms of how it’s perceived, in my experience, in the publishing equation authors get a disproportionate amount of the credit.

SLH:  A few of your books have become apps – Icarus Swinebuckle, Henry’s Parade, and Angel Cat.  What has your experience been like in this venue?

MG:  It’s been fun to see the books developed into apps.  When Icarus Swinebuckle came out, it was on the itunes bestseller list for 2 weeks and was #1 in Jamaica!  But then you get into the problem of the infinite bookshelf.  New apps are coming in all the time.  When books are available in a library, they’re right there on the shelf.  You can see everything there is to choose from.  It might not be the most extensive choice, and you might not notice everything that’s there, but it’s finite.  When apps go out, they become part of the infinite bookshelf.  Publishers are taking all their backlisted books and digitizing them.  EVERYthing is available.  So how do you even know what’s out there?  How do you find things?  As an author or illustrator, how do you get people’s attention?  This is one of the challenges facing us as we move forward.

SLH:  Do you have any advice for aspiring authors and/or illustrators?

MG:  Don’t allow one rejection to discourage you.  Or even a bunch.  And it has to be enjoyable.  If you’re not having fun, you shouldn’t be doing it.  I have been 38 years in the business.  I’ve made the New York Times bestseller list 4 times – with Miss Smith And The Haunted Library, Santa Kid, The Magically Mysterious Adventures Of Noelle The Bulldog, and Noelle’s Treasure Tale.  But what I consider to be one of my real successes is that I get to do something I love.  I have never had to go to a job I hated.

SLH:  Finally, Michael, I’d like to finish up with a question from one of our readers.  She asks, is it totally important to have a story, or can you just entertain and make people think?  She gives as an example a current idea which is an adventure with a lot of imaginative things, but no story per se.

MG:  In my opinion, story is the most important thing.  The writing tells half and the pictures tell half, but if you don’t have a story, you have nothing.  You need a beginning, a middle and an end; a provocative opening, something has to happen, and then it has to resolve.  Story is everything.

SLH:  Michael, thank you so much for joining us!  It’s been wonderful hearing all you have to say!

And now, my friends, just because I like you :), anyone who comments on this post by Wednesday January 25 at 11:59 PM EST will be eligible to win their choice of Icarus Swinebuckle or Miss Smith’s Incredible Storybook by Michael Garland.

Michael’s book are available wherever books are sold.  Fish Had A Wish will be out in a couple of weeks, so go ahead and pre-order 🙂  And please visit Michael at his website where you can see the breadth of his work as well as learn about his availability for school visits.


For another great interview with Michael which focuses on his 2011 holiday book Oh, What A Christmas!, please visit Pat’s blog at Children’s Books Heal.