Tuesday Debut – Presenting Rebecca Kraft Rector!

Good morning, everyone, and welcome to another exciting episode of Tuesday Debut!

Today’s debut-ess and I are clearly kindred spirits! Her book is being published by Nancy Paulsen, who has one of my books due out next year, her publication date is one of my daughters’ birthday, and her name is Rebecca, which is my sister’s name! There’s a pretty good chance we are twin princesses separated at birth 😊

So I am delighted to introduce you to Rebecca Kraft Rector and her fun-looking book, Squish Squash Squished! (I don’t have my copy as of the writing of this post but I hope it will be here soon!)

Squish Squash Squished
Written by Rebecca Kraft Rector
Illustrated by Dana Wulfekotte
Published by Nancy Paulsen Books, Penguin Random House
February 16, 2021
Fiction, ages 2-6

When Max and Molly complain about being squished in the back seat of their gracious-spacious automobile, Mom invites their animal neighbors to ride along. They’d better figure out what to do before they’re truly SQUISH SQUASH SQUISHED!


SUSANNA: Welcome, Rebecca! Thank you so much for joining us today! We’re excited to hear all about how Squish Squash Squished came to be! Where did the idea for this book come from?

REBECCA: Family car rides were a big part of my childhood. But the story was not inspired by us kids being crowded in the back seat, because we were very well behaved. 😊 In fact, SQUISH SQUASH SQUISHED grew out of another story I was working on. That story was about the car itself. Gradually I started focusing on the children and adding humor and word play. My most successful stories happen when I’m making myself laugh.

SUSANNA: How long did it take you to write this book?

REBECCA: I wrote and revised the story with the help of my critique group in about three months. It didn’t sell and I put it away. That was twenty years ago!

SUSANNA: Did you go through many revisions?

REBECCA: SQUISH SQUASH SQUISHED was revised at least 15 times before it was submitted.

I revise before sharing with critique partners and then I revise again. (and again) When I think a story is finished, I do a few more passes. I use Word to turn the text into a 4 x 8 table. It’s an easy process under Insert/Table/Convert Text to Table. Each cell of the table represents a page of a 32-page book. The table lets me see where page turns will fall, if one page will have more words than another, if I’m repeating things unnecessarily, etc. A new revision tool I use is Read Mode in Word. I can see the text spread across two pages, just like a book. And if I enlarge the font to 18 (or so) it has fewer words on the page, so it reads like a picture book. I also like to change the font size and color of the text. It gives me a totally new perspective on the story.

SUSANNA: When did you know your manuscript was ready for submission?

REBECCA: After many revisions and feedback from my critique group, I felt I had a solid story. It made me laugh and the words flowed smoothly when it was read aloud.

Rebecca’s work buddies, Ollie and Opal 😊


SUSANNA: When and how did you submit?

REBECCA: My agent submitted the story three times before we parted ways. Then I submitted to publishers that took unsolicited manuscripts. I put the story away when it was rejected and only pulled it out again, almost 20 years later, when I needed a story to work on for a workshop. Cecilia Yung, Art Director at Penguin Random House, saw the story at the workshop (text only since I can’t draw), loved it, and took it to editor/publisher Nancy Paulsen. A week later, I received an email from Nancy offering to publish the story!

SUSANNA: Was the contract what you expected in terms of advance, royalty percentage, publication timeline, author copies etc.?

REBECCA: This was my first picture book contract so I only had a vague idea of what to expect. The advance was divided into two payments—half on signing the contract and half on “delivery and acceptance of the manuscript.” I believe “delivery and acceptance” referred to a revised manuscript after editorial feedback. The number of author copies was negotiated from 10 to 24. The contract’s timeline for publication was 18 months after acceptance of text and illustrations. 18 months seemed a long, but reasonable time to wait. However, the timeline was actually about three and a half years. Publishing is sloooow.

SUSANNA: Can you tell us a bit about the editorial process?

REBECCA: The editorial process was wonderful. Nancy was awesome to work with—responsive and open to discussing any questions I had. Yes, I had to make some changes. But she really did listen to my concerns. One example is that she had revised the story so that the animals exited the car in one paragraph—the dogs got out at the puppy school, the ducks got out at the duck pond, and the pigs got out at the market. I really wanted to show the car gradually emptying—the dogs got out but Molly still had two ducks on her head quack-quacking and Max still had a pig on his lap oink-oinking. (Those lines are all paraphrased.) Nancy’s changes were made so that the story would fit into a 32-page picture book. After some discussion, she decided to go with a 40-page picture book so that we could include my original text!

SUSANNA: What was your experience of the illustration process like?

REBECCA: I was included in the illustration process from the start. I had input on illustrators and I was able to give feedback on sketches. I hadn’t included any art notes but I had pictures in my head, of course. It took a little time to adjust my vision when I saw the sketches. But they quickly grew on me. I was so lucky that illustrator Dana Wulfekotte came on board to create the world for SQUISH SQUASH SQUISHED. She even made some changes based on my suggestions.

text copyright Rebecca Kraft Rector 2021, illustration copyright Dana Wulfekotte 2021, Nancy Paulsen Books

SUSANNA: Did you get to see advance reviews from Kirkus, SLJ, etc?

REBECCA: Nothing yet.

SUSANNA: How long did it take from offer to having the first copy in your hand?

REBECCA: July 2017 to January 2021. Three and a half years.


SUSANNA: What was the initial print run for your book?

REBECCA: 10,000 copies.

SUSANNA: What kind of marketing and promotion has your publisher done for this book?

REBECCA: The associate publicist is pitching widely to national and regional media, targeting trade and book-interest sites, illustrator and educator media, and parenting media.

SUSANNA: Describe any marketing/promotion you did for this book.

REBECCA: I’m doing blog interviews and I’ve joined a debut picture book group—21 for the Books. It’s been a great, supportive group. We have a blog https://oneforthebooks.wixsite.com/2021 and we create graphics and interviews to publicize each other’s books.

SUSANNA: How long was it between the time you started writing seriously and the time you sold your first picture book?

REBECCA: It was a long time—at least thirty years.

SUSANNA: What is the most important/helpful thing you learned on your way to publication? (Or what is your most helpful piece of advice for up and coming writers?)

REBECCA: The most important thing I learned was Don’t Give Up! Keep writing and keep trying. This might not be the right time for this story, but who knows? Maybe it’ll sell next year (or twenty years from now).

Author Rebecca Kraft Rector

RebeccaKraftRector.wordpress.com
RebeccaKraftRector on Facebook
RebeccaKRector on Instagram and Twitter


SUSANNA: Thank you so much for taking the time to join us today and give us a glimpse of your publication process, Rebecca! It is such a privilege to get to learn from you! I know I speak for everyone when I wish you the very best of luck with this and future titles!

Readers, if you have questions for Rebecca, please post them in the comments below and if she has time I’m sure she’ll respond!

You may purchase Rebecca’s book at:
(all links below are book-specific)

Indiebound
Amazon
Barnes&Noble

We can help our debut authors successfully launch their careers by:

– purchasing their books

– recommending their books to friends and family

– recommending their books to our children’s teachers and librarians

– recommending their books to our local libraries and bookstores

– suggesting them as visiting authors at our children’s schools and our local libraries

– sharing their books on social media

– reviewing their books on Goodreads, Amazon, Barnes&Noble, and other sites where people go to learn about books.

Thank you all for stopping by to read today!  Have a lovely, inspiration-filled Tuesday!  Maybe today is the day you’ll write your debut picture book 😊

Missed any previous Tuesday Debuts?  Check them out!

Christy Mihaly – Hey! Hey! Hay! A Tale of Bales And The Machines That Make Them

Jessie Oliveros – The Remember Balloons

Beth Anderson – An Inconvenient Alphabet: Ben Franklin And Noah Webster’s Spelling Revolution

Hannah Holt – The Diamond And The Boy

Laura Renauld – Porcupine’s Pie

Annie Romano – Before You Sleep: A Bedtime Book Of Gratitude

Melissa Stoller – Scarlet’s Magic Paintbrush

Sherry Howard – Rock And Roll Woods

Kate Narita – 100 Bugs! A Counting Book

Vivian Kirkfield – Pippa’s Passover Plate

Laura Roettiger – Aliana Reaches For The Moon

Matthew Lasley – Pedro’s Pan: A Gold Rush Story

Natalee Creech – When Day Is Done

Margaret Chiu Greanias – Maximillian Villainous

Wendy Greenley – Lola Shapes The Sky

Danielle Dufayet – You Are Your Strong

B.J. Lee – There Was An Old Gator Who Swallowed A Moth

Cathy Ballou Mealey – When A Tree Grows

Pippa Chorley – Counting Sheep

Sandra Sutter – The Real Farmer In The Dell

June Smalls – Odd Animals ABC

Jill Mangel Weisfeld – Riley The Retriever Wants A New Job (self pub)

Kathleen Cornell Berman – The Birth Of Cool: How Jazz Great Miles Davis Found His Sound

Eleanor Ann Peterson – Jurassic Rat

Sarah Hoppe – Who Will? Will You?

Marla LeSage – Pirate Year Round

Stacey Corrigan – The Pencil Eater

Shannon Stocker – Can U Save The Day?

Nadine Poper – Randall And Randall

Christine Evans – Evelyn The Adventurous Entomologist

Karen Kiefer – Drawing God (religious market)

Susan Richmond – Bird Count

Dawn Young – The Night Baafore Christmas

Heather Gale – Ho’onani: Hula Warrior

Ciara O’Neal – Flamingo Hugs Aren’t For Everyone (self pub)

Theresa Kiser – A Little Catholic’s Book Of Liturgical Colors (religious market)

Lindsey Hobson – Blossom’s Wish (self pub)

Kirsten Larson – Wood, Wire, Wings: Emma Lilian Todd Invents An Airplane

Valerie Bolling – Let’s Dance!

Janet Johnson – Help Wanted: Must Love Books

Susi Schaefer – Cat Ladies

Heather Kinser – Small Matters: The Hidden Power of the Unseen

Kelly Carey – How Long Is Forever?

Mary Wagley Copp – Wherever I Go

Nell Cross Beckerman – Down Under The Pier

Claire Noland – Evie’s Field Day: More Than One Way To Win

Sharon Giltrow – Bedtime, Daddy!

Gabi Snyder – Two Dogs On A Trike

Sarah Kurpiel – Lone Wolf

Vicky Fang – Invent-a-Pet

Lisa Katzenberger – National Regular Average Ordinary Day

Pam Webb – Someday We Will

Abi Cushman – Soaked!

Teresa Krager – Before Your Birth Day

Lindsay H. Metcalf – Beatrix Potter, Scientist

Nancy Roe Pimm – Fly, Girl, Fly! Shaesta Waiz Soars Around The World

Jolene Gutiérrez – Mac And Cheese And The Personal Space Invader

Julie Rowan-Zoch – Louis (picture book illustration debut!)

Janie Emaus – Latkes For Santa

Amy Mucha – A Girl’s Bill Of Rights

Hope Lim – I Am A Bird

Melanie Ellsworth – Hip,Hip…Beret!

Tuesday Debut – Presenting Jessie Oliveros!

TOO TOOTLE TOOT-TOOT TOOT TOOOOOOOT!

(Try to imagine that was royal trumpets! 🙂 )

(It’s pretty lucky we are all creative types who are good at imagining things 🙂 )

But trumpets!!!

Because it’s time for another Tuesday Debut – the thrilling new series where you get the inside scoop on how pre-published picture book writers became Published Picture Book AUTHORS!

What could be better?!

After dipping our toe into the Tuesday Debut experience a month ago with Christy Mihaly, we are now going full steam ahead with a new debut every Tuesday for the next 9 weeks (minus a week or two while Halloweensie is running and pre-empting all regular programming on this blog)!

And let me take this opportunity to say that if YOU have a debut picture book coming out and you’d like to be center stage here, sing out!  If the date’s free it’s yours!

Alrighty!

Let’s have a round of applause for today’s lovely debutee (is that a word? n. one who debuts? Let’s make it a word!  Pronounce it day-bew-tay – it sounds more accomplished and French that way 🙂 )

ANYway! Queen of the Day – Jessie Oliveros!!!  (clapclapclapclapclap!!!!!)

THE REMEMBER BALLOONS
Written by Jessie Oliveros
Illustrated by Dana Wulfekotte
Simon and Schuster Books for Young Readers
August 28, 2018
Fiction
Ages 5-9

Jessie1
James and Grandpa keep their memories in balloons, and James loves to hear all of Grandpa’s stories. When Grandpa’s balloons begin to float away, James tries to catch them—but he can’t. He must discover another way to reclaim Grandpa’s balloons.

SUSANNA: Where did the idea for this book come from?

JESSIE: THE REMEMBER BALLOONS was inspired by my paternal grandfather who has Alzheimer’s.

Jessie2

James this summer, age 92

 

A few summers ago, while visiting my grandparents in Kansas with my children, my thoughts turned to writing a picture book. I only knew that it would be about a boy and his grandfather suffering from Alzheimer’s. I started out writing a straight forward story. I can’t say exactly when the metaphorical angle came to me. I knew balloons would be an accessible idea for children. And, when I was visiting my grandparents, I had recorded some of their histories on a voice recorder. This made their memories more of a tangible thing for me, I think. Plus, there was that act of capturing their memories before they were no longer with us. All of these things came together, and the THE REMEMBER BALLOONS was born.

 

(Also, one of my favorite methods of idea-seeking is to mash two unlikely ideas together, which I think my brain did out of habit when I thought of balloons while also contemplating memories.)

SUSANNA: How long did it take you to write this book?

JESSIE: Once the idea of the memory balloons came to me, this story flowed fairly quickly. I had a cohesive draft in an afternoon. I definitely cannot say that about all of my picture book manuscripts! When I get an idea, I typically let it form in my mind for awhile before writing anything down. Sometimes it takes a ridiculous amount of drafts to make it a cohesive story. And that’s before any real revisions!

 

SUSANNA: Did you go through many revisions?

JESSIE: THE REMEMBER BALLOONS went through my own revisions before I felt it was ready for other eyes. I sent it to a trusted critique partner and implemented her feedback. It may have been about ten revisions before my agent saw it. Once he had his hands on it, the revision process had just begun!

I advise letting a manuscript sit for awhile and coming back to it. You see things a little differently with the passage of time.

SUSANNA: When did you know your manuscript was ready for submission?

JESSIE: Well, when I send a child off to kindergarten, I know she’s ready. She’s been at home for five years and is itching to get out (even if there are some tears). I’ve dressed her in nice clothes, brushed her hair, & packed her bag and lunch. She’s ready for the world.

I guess it’s that way with your manuscript. You know you’ve done your best. It’s itching to get out. You feel it’s ready for the world. (There I go speaking in metaphors again.)

SUSANNA: When and how did you submit?

JESSIE: I submitted to about 12 agents before I found my agent. I had just finished querying a middle grade very widely, and I was a little burnt out. So, I went much slower this time. Plus, there was a bit of a personal stamp on this one which I think made me more careful with my “baby.”

I entered a Twitter Pitch contest the Friday before Christmas (#pitchmas). I pitched THE REMEMBER BALLOONS. My agent, Mike Hoogland of Dystel, Goderich, & Bourret, “liked” my pitch. I sent him my manuscript the next day. Monday, Mike contacted me via email. Tuesday we were on the phone talking representation. (BEST CHRISTMAS PRESENT EVER.) This all happened fast, but the process leading up to it was several years!

SUSANNA: When did you get “the call”?  (Best moment ever! 🙂 )
JESSIE: The manuscript was picked up about a month after we started subbing. This is quick—but I truly believe it’s all about landing on the right desk at the right time. I’ve subbed out more manuscripts since then, and it’s usually a months-long process! Fun story: I received the offer for THE REMEMBER BALLOONS the day after I brought my fourth baby home from the hospital (and we’d just closed on a house—ha!). It was a very full few days. I knew Simon and Schuster had been considering it, but I still had the surreal, heart-dropping moment when I read the email from Mike.

 

SUSANNA: How did you celebrate signing your contract?
JESSIE: I actually received my contract on my birthday! Ha! I didn’t do any special signing pictures or anything, but it was a bit of a dual celebration. Interesting fact: there is a delay between offer and contract signing. Mine was about two months. Offer in March. Contract in May.

 

SUSANNA: Was the contract what you expected in terms of advance, royalty percentage, publication timeline, author copies etc.?
JESSIE: I didn’t know what to expect! I did a lot of internet research on the terms, and I had a good agent to answer all of the questions. I would say that the terms were better than I could have hoped for for a debut author.

 

SUSANNA: Tell us about the editorial process…

JESSIE: I edited the manuscript with my acquiring editor, Christian, before he switched houses. He helped me hone the manuscript into what it is today. The structure of it remains close to the original. But Christian helped me dig deeper into the manuscript—most notably, he encouraged me to find James’ voice and to re-examine the silver balloon. He helped give it breath!

After that, Justin took on THE REMEMBER BALLOONS. He helped me pare it down some. We cut unnecessary phrasing as well as parts that were redundant with the illustrations.

I feel so lucky to have worked with both these editors—both great, visionary people and positive forces in children’s publishing.

SUSANNA: Can you share your experience of the illustration process?
JESSIE: When I first saw the sketches, I was very happy with the look and style. The people that Dana drew were actually very similar to how I had envisioned them as I drafted—sweet, sketchy, dreamy. I saw the sketches and art at several stages along the way. The combined visions of Lucy, the art director for THE REMEMBER BALLOONS, and Dana really superseded anything I could have ever dreamed of myself. There were a few things I suggested, tweaks really. I asked that a berry basket be added to the yellow balloon memory, for instance. I felt my input was listened to and taken seriously. But I mean, just look at the art.

 

Jessie3

SUSANNA: Did you get to see advance reviews from Kirkus, SLJ, etc?  What was that like?

JESSIE: The trade reviews for THE REMEMBER BALLOONS was sent to Dana and me in advance. That means we had to hold in the news of our Kirkus star before sharing it on social media! One thing I didn’t know before that I know now—your editor may send all the trade reviewers your book, but that doesn’t mean they are all going to review it.

SUSANNA: How long did it take from offer to having the first copy in your hand?

JESSIE: As I mentioned earlier, my baby was only a few days old when I received an offer. She’s 2 ½ now! I didn’t expect it to take that long, but those 2 ½ years were full. There is a lot of behind-the-scenes work going on to design and promote the book. It takes a lot of time, and I think it was worth it!

 

Jessie 4

SUSANNA: If your book has been out for at least one statement cycle, has it earned out yet?

JESSIE: My book just released a few weeks ago so I’m a longways off from that!
SUSANNA: Describe any marketing/promotion you did for this book.

JESSIE: I’ve used social media quite a bit to promote my book. I’ve done a few interviews like this. I’m about to have launch events in two different cities. Honestly, I think the best thing for your book is word of mouth! I had a friend tell me the other day that her friend had seen someone talking about my book on Instagram. Being that many degrees removed from it felt pretty awesome!

SUSANNA: How long was it between the time you started writing seriously and the time you sold your first picture book?

JESSIE: I started writing seriously when my son was two. 7 ½ years later I sold my picture book! That’s ten years from outset of journey to actual book.

SUSANNA: Anything else you’d like to share about your book’s journey from inspiration to publication?

JESSIE: This journey, like life, is unpredictable. It’s filled with mountains and cliffs and valleys. One thing I’ve learned (and am still learning!) is to step outside of it. Don’t let the rejections and the bad reviews cast a shadow over the things and people that give you joy.

Jessie5

My “book offer” baby today at 2 ½ years old.

Jessie6

www.jessieoliveros.com
Twitter: @JessieOliveros
Instagram: @jessieoliveros
Facebook: https://www.facebook.com/jessie.oliveros.5

That is wonderful advice, Jessie!  Many thanks for joining us today and sharing your knowledge with us.  You are the second author in a row to point out that your first sale was many years in the making.  I hope everyone feels buoyed up by the knowledge that, if you’re feeling discouraged because it’s taking you awhile to get published, this is a marathon, not a sprint for ALL of us in the picture book world.  And though it may be taking more time than we’d like to cross the finish line, at least we’re surrounded by friends all the way ❤

If you have questions for Jessie, you may ask them in the comment section and if she has time she may be able to answer 🙂

Thank you all for joining today’s debut!  And maybe there’s someone in your life who would enjoy a copy of THE REMEMBER BALLOONS… 🙂