Hey, Hey, Hay!  Welcome to Tuesday Debuts!

In this new series, we’re going to get all the juicy details from first-time picture book authors about how they went from pre-published to published.  I hope it will be interesting, informative, and inspirational for all of us – published and yet-to-be-published alike.  It’s always fun to hear the story behind the story, and there is always so much we can learn from each other!  I hope you’ll get a sense of the hands-on publishing process and that the information shared here might help you in your own journey by giving you tips or even giving you inspiration from another author’s process to spark new work of your own!

So!  Without further ado…

Introducing Christy’s first picture book:

Hey, Hey, Hay! (A Tale of Bales and the Machines That Make Them)
By Christy Mihaly, illustrated by Joe Cepeda
Holiday House, August 14, 2018
Informational picture book
4-8 years

In this joyful rhyming story, a farm girl brings the reader along as she and her mother make hay. She introduces each of the machines they use to cut, dry, and bale the grass, as they “store summer in a bale.”

And now, introducing Christy!

 

SLH: Welcome, Christy!  Thank you so much for joining us today, and for being the guinea pig for this new series – so brave of you!  There will be extra chocolate in your Christmas stocking 🙂  Let’s start from the beginning.  Where did the idea for this book come from?

CM: The idea for this book showed up right under my nose, in the summer of 2014. I was working on a couple of picture book biographies (which are still unpublished) when my family moved to a new home surrounded by hayfields. The process of turning grass into hay was beautiful and fascinating. The scent of new-mown grass filled the air and the rhythm of the machines (mower, tedder, baler, hay!) got into my head. Then these lines started running around in my mind: “Listen and I’ll tell the tale of storing summer in a bale.”

SLH: How long did it take you to write this book?

CM: I wrote the first draft—which was basically a poem—over several weeks of on-and-off writing. It was short, sweet, and rhyming. But it wasn’t very good. Revising and polishing (with some sitting and stewing) took about seven months more.

SLH: Did you go through many revisions?

CM: Yes. I began with a poem called “Haying Time.” At first it didn’t occur to me that this could constitute a book. Then, when I realized that haymaking had picture book potential, I put on my nonfiction-writer hat. I could not find another book for kids about how hay is made. I researched all about hay and hayfields and haying technology and the history of hay. I wrote a manuscript with layered text and all kinds of sidebars (Monet painted famous pictures of haystacks! In the old days, people used scythes!) and footnotes. Eventually my critique partners convinced me to simplify (thank goodness) back down to a straightforward rhyming story.

I made many changes in the words of the text. How’s this for a sample stanza of the original poem: “The baler forms it into bales/While I keep watch, in case it fails.”

Um?

There’s one revision I’m particularly happy that I made: in the original version, the child narrator helped Dad with the haying; I changed it to helping Mom. Because many farmers are women.

 

SLH: When did you know your manuscript was ready for submission?

CM: I had been submitting other manuscripts, so I should have known, but I was so excited to send this one out that I made the mistake of submitting it too soon. And it was rejected.

After that, I took a break from it. Then I signed up for an online writing course and brought the HAY manuscript to the class for a critique. My classmates and instructor confirmed that it had potential, and they suggested ways to make it snappier. After about 5 months of revisions, I knew it was really ready to submit.

SLH: When and how did you submit?

CM: I give credit to my writing buddies for what finally happened with HAY. At the urging of several critique partners, I applied to the Falling Leaves writing conference, which was new to me. For the editor’s one-on-one critique, I submitted a different nonfiction manuscript, which I’d been working on forever. I was accepted to the conference, and my assigned editor loved that manuscript (though it’s unpublished still). She didn’t like HAY at all—she doesn’t do rhyming books.

But! Another editor at Falling Leaves that year was Grace Maccarone, executive editor at Holiday House. I was impressed with her; she seemed calm and wise and funny. Based on what she said she was seeking (and that she liked rhyme), I thought HAY might be a good fit for her. However, (see #4 above), I needed to revise first.

I reviewed other Holiday House books and saw that many were related to farming and food. That seemed like a good sign. So about four months after meeting Grace, I emailed my revised manuscript, now called “Mower, Tedder, Baler—Hay!” to her. I mentioned that we’d met at Falling Leaves, I cited other farm-related books from Holiday House, and I crossed my fingers.

SLH: When did you get “the call”?  (Best moment ever! 🙂 )

CM: So … I have learned that this part is unusual (though remember HAY had been through prior rejections and revisions). I emailed the manuscript to Grace on a Friday. The following Monday, she emailed back. She said she thought HAY was “adorable” and that she’d share it with her colleagues at their next editorial meeting! [We interrupt this program to say how awesome is THAT?!  We all dream of a response like that, and speaking for myself, I’ve never gotten a positive reply in 3 days!  WOW! 🙂 ]

Of course, I didn’t know when that was going to be, and I was too nervous to ask, so I just waited. And waited. And waited. Two weeks later, Grace emailed again with an offer to publish the book.

SLH: How did you celebrate signing your contract?  (If you care to share 🙂 )

CM: I believe it was a quiet celebration at home. I may have been in shock.

SLH: Was the contract what you expected in terms of advance, royalty percentage, publication timeline, author copies etc.?

CM: I had no idea what to expect. I remember mostly the excitement of an offer. One thing that sticks in my mind is that it took much longer than I’d anticipated to receive the contract. The document didn’t arrive until several months after the offer (and negotiation), which I hadn’t realized was normal.

I didn’t have an agent, so I found a knowledgeable lawyer (referred by another writer I met at Falling Leaves) to help review the offer and contract—I think the cost was about $250 and it was well worth it. It was reassuring to have an experienced person evaluate the offer. She said the basics (advance, royalties, etc.) were good, and we just negotiated to improve little things like getting more author copies of the book.

Aside from SLH: for the curious, I usually get 10-20 author copies of my books, and 5% is a pretty standard royalty percentage for authors (may be different for illustrators or author/illustrators) on hard covers from traditional trade publishers although there is variation on both those things.

SLH: Tell us about the editorial process?

CM: I generally enjoy working with editors. With HAY, it was great. It was clear that Grace cared about the book as much as I did.

One editorial discussion we had was about switchel, the traditional haymakers’ drink. In the initial offer, Grace indicated that her colleagues had an issue with my use of the term switchel. They thought it was too obscure – kids wouldn’t know it. (Of course they wouldn’t! That was the point.) I argued that kids would enjoy learning this fun new word.

Eventually, in the final edits, switchel stayed. It helped that there’s a company in Brooklyn, NY, that makes and bottles switchel. We included “switchel” as a term in the book’s glossary of haymaking terms, and also added a recipe so families could make their own switchel. Win-win!

SLH: Tell us about your experience of the illustration process?

CM: About six months after we signed the contract, I went to the SCBWI conference in New York, and Grace invited me to meet her in her office on Madison Avenue. (Squeee!) She took me to lunch, where she told me she’d signed Joe Cepeda to illustrate HAY. I was excited because I knew his work – he is very well established, a great artist, and in fact had illustrated a friend’s picture book years before.

After that, there was more than a year of waiting for Joe to complete the art. When she received his illustrations, Grace worked on the layout of the book. She sent me a pdf of the first pass: scans of Joe’s paintings, with the text laid out page by page, and post-its and mark-ups with questions and notes. Woo! It was a thrill to see that. I loved the vision that Joe brought to the book. He took this little Vermont story and made it universal, painting a beautiful farm that could be in the Midwest or the west as easily as in the east. I’m especially thrilled that he portrayed my first-person narrator as a girl.

With the layout, Grace sent a mark-up of my text, with suggested revisions. After that, we had several phone conversations to go over questions. We adjusted a few lines to make the words consistent with the illustrations. Because it’s a rhyming book, those small revisions can be tricky. I provided Grace with alternatives for substitute couplets that might work, and she selected her favorite.

Then, Grace and the designers adjusted the page breaks, the end papers, the design and location of the glossary and the recipe, the dedication – all those little things that are so important in the book’s look and feel. Grace sent me updated pdf’s showing these steps. We made sure the illustrations accurately portrayed the haying process. Finally it was out of my hands and I could (try to) relax in the knowledge that our book was going to be gorgeous.

SLH: Did you get to see advance reviews from Kirkus, SLJ, etc? What was that like?

CM: Yes! Grace (and the publicity folks at Holiday House, who are also lovely) forwarded me advance copies of the Kirkus and SLJ reviews. I was really nervous about reviews, and very relieved when the reviewers “got” my book and wrote about it positively. Whew.

SLH: How long did it take from offer to having the first copy in your hand?

CM: Two years and 10 months.

Aside from SLH: I’ve had picture books come together in as short as just over a year to as long as one that’s been in process for 6 years and isn’t out yet, but I think 2 – 2.5 years is pretty average… in so far as anything in this business is average 🙂

SLH: If your book has been out for at least one statement cycle, has it earned out yet?

CM: Oh, now you are making me nervous.

SLH: That was a trick question for you because your book just came out today!  I just wanted to see if you were paying attention 🙂  Get back to us in 6-12 months 🙂

SLH: Describe any marketing/promotion you did for this book.

CM: As a committed introvert, I find all of this outside my comfort zone. But because this is my first trade book I resolved to learn what I needed to learn, and do what I needed to do, to promote it. I joined the “Epic Eighteen” gang, a group of debut picture book writers and illustrators whose first books are scheduled for 2018 release (many thanks to Hannah Holt and friends). This has been an incredibly helpful source of information-sharing and support through a shared Facebook page, a mutual blog, and some in-person meetings.

Leading up to the book’s release, I sent many emails to the very helpful publicity folks at Holiday House. They answered my clueless questions and explained how this stressful process works. They sent out hundreds of advance copies to reviewers, and submitted my book to book festivals, etc. They also explained that the writer is generally responsible for the rest of the promotional tasks.

I set up a pre-order campaign with my local indie bookstore, Bear Pond Books. Folks who place advance orders online from Bear Pond receive a discount and special gift, and once the book is out I sign the books, with a personalization if requested, and Bear Pond ships them out.

I also ordered postcards, bookmarks, and bookplates (to personalize books for people that buy their own elsewhere) using art from the book. (The author pays for these.) Preparing for readings at bookstores and libraries, I developed book-specific crafts and hay-related activities to engage the kids. To practice reading my book to kids, I read an advance copy to a local first grade class (and got some helpful feedback). And I read it to my 2-year-old grandson, who is too young for the book but who loved the tractor pictures and thereafter greeted me by saying “Nana! Book! Hey, Hey, Hay!!!”

I arranged with some fabulous kidlit bloggers to do interviews and posts for a blog around the release. And I scheduled a bunch of HAY events: a reading and hay activities at a farm, library story times, bookstore readings, an appearance at university book festival, another at an arts festival in a small town . . . and we’ll see how all that goes!

Things I didn’t do (because you can’t do everything): a book trailer, stickers, and tattoos. Oh, and a huge launch party. I decided a small celebration is more my speed.

SLH: How long was it between the time you started writing seriously and the time you sold your first picture book?

CM: Short answer: almost four years.

More info: I started putting serious energy into writing for kids in the fall of 2011. I focused on magazine submissions, and was thrilled to see my first story published in an (unpaid) online magazine in 2012. As I learned more about the magazine market, I sent out queries and more submissions and started selling articles.

And it turned out that HAY was not my first published book, although it is my first trade book. In 2015 I began writing books for the educational market on a work-for-hire basis, and I’ve now published 7 in that market.

SLH: Anything else you’d like to share about your book’s journey from inspiration to publication?

CM: I think of myself as a nonfiction writer, so it’s ironic that HAY, a book featuring a fictional narrator, is my first published picture book. It’s informational of course (back matter!), but fiction. I’m glad that when this unexpected idea came wafting over the hayfields to find me, even though was so unlike the historical stories I thought I was meant to tell, I ran with it.

SLH:  Christy, thank you so much for kicking off our new series so fabulously!  I know I speak for all of us when I wish you the very best with your book!  For those who would like to support Christy, please shop for her book at your favorite bookseller, make sure your local library has a copy (you can request they get one if they don’t already have it), read her book and post reviews on GoodReads and any online bookstore you frequent, or share a nice review on your blog or FB page, donate a copy to your child’s school library, consider as a gift to a young reader in your life, stand on a street corner and wave flyers, or anything else you can think of! 🙂

If you’d like to know more about Christy or be in touch with her online, you can find her here:

Website: www.christymihaly.com.

Twitter: @CMwriter4kids

Instagram: @Christy Mihaly

Facebook author page: https://www.facebook.com/christymihaly/

Blogging at GROG: https://groggorg.blogspot.com/

Thanks again to Christy for participating, and to all of you for reading!  If you have any questions for Christy, please use the comment section below!

P.S. We started Tuesday Debuts today even though many of us (myself included) are technically on Summer Blogcation because today is the day of Christy’s book release.  The series will continue with regularity in September.  We’re just whetting your appetite 🙂