Tuesday Debut – Presenting Michelle Vattula!

Welcome to Tuesday Debut, Everyone!

Today our debut-ess is sharing her road to publication with a book that is perfect for summer!

If you’ve ever spent time at the beach, you’ve undoubtedly had a face-off with a seagull over some item in your picnic! We once had a seagull carry off a whole bag of peanut butter and jelly sandwiches on Nantucket 😊

Please join me in welcoming Michelle Vattula as we find out all about how she got published!

The Stalking Seagulls
written by Michelle Vattula
Illustrated by T.L. Derby
MacLaren-Cochrane Publishing
Release date April 20, 2021
Fiction, ages 3-10

A battle between boy and bird with an outcome neither one anticipates.

SUSANNA: Where did the idea for this book come from?

MICHELLE: When writing, I pull my inspiration primarily from what I know and feel. The Stalking Seagulls was inspired while we were visiting my parents in Florida. We arrived at the beach and when lunch time approached, so did the seagulls. They were quite relentless, but they never got our sandwich. After that experience, the initial idea of a battle between boy and bird came to me. I will tell anyone who wants to be an author, write what you know.

SUSANNA: What makes your book different from other published picture books?

MICHELLE: One very special aspect of my book is that my publisher, MacLaren-Cochrane, publishes them in dyslexie (dyslexic font) which is a typeface that helps enhance the ease of reading for individuals with dyslexia, but can be read by anyone. There is certainly a gap in literacy for children with dyslexia and printing picture books in dyslexie is a step in the right direction.

SUSANNA: That is fascinating! As someone who used to work with dyslexic students, I know how important it is to make reading as accessible as possible, so it’s wonderful to see publishers making this effort. How long did it take you to write this book?

MICHELLE: One of the best things I did for my writing career was to join the SCBWI (Society of Children’s Book Writers and Illustrators). This organization gave me the want and desire to write. I went to my first SCBWI conference in Pittsburgh and was hooked from that moment on. I began writing The Stalking Seagulls soon after that conference in late 2015, early 2016. The manuscript itself flowed easily. I think my biggest hurdle was that I wanted to β€œtell” everything. As an inexperienced writer, at the time, I was very wordy and was not allowing for the illustrations to help the story along. That is where my fabulous critique groups, who I met at the SCBWI conference, really helped me. It was completed and out on submission in a year and a half.Β I have to give a lot of credit to my husband, Sami, who allowed me to sit in front of my computer undisturbed or watched the boys when I would go out for my critique groups. By the time I arrived home the kids would already be in bed. I would then continue writing from the critiques I received that night. Having someone so supportive was truly a game changer for me.

SUSANNA: Did you go through many revisions?

MICHELLE: Wow, this is a great question. As I stated earlier, I utilize my critique groups, even for the simplest of questions. I had and still have 3 active critique groups, and have had individual CP’s in the past. This particular story went through no less than 50 revisions. Some revisions were small and easy, while others changed the tone and direction of the manuscript.Β  I would often read it to my kids friends to see where they laughed and what they didn’t understand. If I ever got stuck, I put the manuscript away for a while so I can look at it with fresh eyes down the road.

Michelle’s writing buddies 😊

SUSANNA: When did you know your manuscript was ready for submission?

MICHELLE: When I realized that the ending was β€œperfect” (in my opinion, lol), the rest of the story truly fell into place. Ultimately, I find, when I can find a satisfying ending, the writing becomes easier since I already know where the story is going.

SUSANNA: When and how did you submit?

MICHELLE: At the point of initial submissions, I was querying agents. This process can be so daunting because I researched each agent effectively. I needed to know what they wanted, what they didn’t and the best way to query them. Each agent is different, which certainly makes querying harder. I received a lot of rejections, but I was also receiving some genuine interest as well. Knowing that the interest was there, I decided to submit to publishing companies that would accept unsolicited and/or unagented manuscripts. This too was a long process, mostly due to the research needed to be done on each publishing company. I found MacLaren-Cochrane Publishing, queried my manuscript and received a response after 6 weeks. We set up a phone β€œinterview” and the editor offered me a contract.

During this past year I was lucky enough to connect and sign with a great agent T.J. Kirsch @ JCHLiterary. 

SUSANNA: How long after you found out about your book going to acquisitions (if you did) or after you submitted were you told it was a β€œyes”?Β 

MICHELLE: Because I went directly through the publisher, I did not have to wait for yes, they told me right away.

SUSANNA: When did you get “the call”, which these days is more likely to be β€œthe email”?Β  (Best moment ever! ☺)

MICHELLE: I queried the manuscript in late July and received a contact in early September, so it was about 6 weeks. When I received the email that MCP was interested in the story, I read the email, shut my computer screen, smiled a big goofy smile and ran to tell my husband. It was like I won the lottery.

Michelle’s support and inspiration!

SUSANNA: How long was it between getting your offer and getting your contract to sign?Β 

MICHELLE: I signed the contract within a week or so of receiving the contract.

SUSANNA: How did you celebrate signing your contract?  (If you care to share ☺)

MICHELLE: I believe, after lots of hugs and phone calls/texts to loved ones, we went out to dinner.

SUSANNA: Was the contract what you expected in terms of advance, royalty percentage, publication timeline, author copies etc.?

MICHELLE: MCP is a small independent publisher which changes some of the process that is usually discussed regarding larger publishing houses. I did not receive an advance on this book, but my royalties are higher than the standard 5%. I get a significant discount when I purchase my book, but do not receive free copies. Overall, the contract was pretty standard and not many changes needed to be made before signing it.

SUSANNA: Can you tell us a little about the editorial process?

MICHELLE: The Stalking Seagulls had gone through so many rounds of revisions prior to receiving a contract, that there was not too much that needed to be changed. I did go back and add more alliteration and some wording changes, but they did not expect much to be changed.Β 

SUSANNA: What was your experience of the illustration process like?

MICHELLE: I was very fortunate to be involved in the illustration process.Β  My editor provided me with various styles of sketches from different illustrators and I was able to choose the style I felt fit the story the best.Β  My editor definitely valued my thoughts and opinions regarding the style and continued to send me examples until I found the perfect one. After the initial sketches were done, I did get to see the proofs, via attachments, and I was allowed to give my thoughts regarding the page layouts and details when the book was in its final stages. I am so thankful that I was allowed to be partΒ  of this process since most writers do not see or know the vision the illustrator has taken until the very end.

text copyright Michelle Vattula 2021, illustration copyright T.L. Derby 2021, MacLaran-Cochrane

As for art notes, I did include them in my initial manuscript. I believe that they helped the illustrator see my vision throughout the story. Certain pages/spreads needed a hint as to what I wanted to see. I am an advocate for art notes. Here is an example of one I used.

Β β€œIncoming!” [Art note-Alec feigns throwing this sandwich, then hides his sandwich behind his back.]
(Spread below is the resulting illustration)

text copyright Michelle Vattula 2021, illustration copyright T.L. Derby 2021, MacLaran-Cochrane

SUSANNA: How long did it take from offer to having the first copy in your hand?

MICHELLE: The Stalking Seagulls was released on April 20th 2021. I received my first in hand copy April 25th.Β  MCP is a POD(print on demand), thus when the orders come in, the book is printed.Β 

SUSANNA: What kind of marketing and promotion has your publisher done for this book?

MICHELLE: My publisher has made sure that my book is accessible on Amazon, Barnes and Noble,
Waterstone and every book retailer online.

SUSANNA: Describe any marketing/promotion you did for this book.

MICHELLE: I have done all the marketing and promotion for The Stalking Seagulls. I started with making my own website (www.michellevattula.com). Once I was given the ISBN number and release date, I made a sell sheet. I physically went to our localΒ  bookstores and shops in other states to promote my book. I have done a podcast, interviews, blogs and media postings on instagram, twitter and facebook. Promoting your book is a constant, non-stop job. Since the book focuses on seagulls at the beach, I have researched bookstores along the most popular beach destinations and sent them a personal email with my sell sheet in hopes it would spark interest to carry my book in their store. I have contacted my hometown newspaper, The Erie Times, and they wrote a beautiful article on my bookΒ (https://amp.goerie.com/amp/5096158001). I have also contacted local schools regarding school visits, whenever those will be allowed again. My next step is to contact aviaries, local and national, to see if I can get my book in their gift shops. I am not the best in marketing plans, so I contacted my local SCORE (Service Corps of Retired Executives). This organization is a free services that help match a retired executive with your small business needs, and for me that was marketing.Β  I am continuously seeking out interviews, bloggers and reviewers for my book as well. It can be a daunting and never ending job.

SUSANNA: How long was it between the time you started writing seriously and the time you sold your first picture book?

MICHELLE: I have been writing for over 20 years. I am a licenced Speech-Language Pathologist and practiced for over 15 years in the gereatric population. In 2015 I was diagnosed with breast cancer and my life was put on hold for a year. When I was cleared and ready to go back to work, my heart was telling me something different. I told my husband that I wanted to follow my dream and become a children’s book writer and he told me that’s what I should do. So, I became serious about my writing and immersed myself into the publishing world in 2015. I signed my contract for The Stalking Seagulls 2 years later in 2017.Β 

SUSANNA: What is the most important/helpful thing you learned on your way to publication? (Or what is your most helpful piece of advice for up and coming writers?)

MICHELLE: First, One thing I would tell any new writer, make sure you find a critique group that you feel comfortable with and trust their opinions. Having a critique group or critique partnerΒ  is crucialΒ  to help your book in the right direction. Second, write what you know or feel. Lastly, expect a hard road with rejections and critiques you might not like, but cherish the little triumphs, the wonderful people you meet along the way and never give up on your dreams, they will come true with hard work, perseverance and patience.

SUSANNA: What great advice! Anything else you’d like to share about your book’s journey from inspiration to publication?Β 

MICHELLE: The publishing world can be an unexpected one. My book was to be released, initially, in 2019, but was pushed back for a long time (COVID didn’t help) It took almost 3 years to get it released. There were some issues from the illustration aspect. It was frustrating, but certainly worth the wait. Don’t be afraid to ask questions to your agent or editor. This is your book and the last thing you want is to lose sleep because you didn’t ask a question that is important to you. Even though you get a book deal, a release date and you have prepared everything you possibly could have, things still go wrong. My friends went to the local Barnes & Noble to buy my book and when they found it, all the pages were blank. I couldn’t believe it, there was my book on the shelves of B&N and they didn’t have any pictures!!! Thankfully the problem was remedied, but what a way to bring my head out of the clouds.

SUSANNA: Thank you so much for taking the time to join us and share your experience with us, Michelle! We so appreciate the opportunity to learn from you and wish you all the best with this and future titles!

Readers, if you have questions for Michelle, please post them in the comments below and if she has time I’m sure she’ll respond!

Author Michelle Vattula

www.michellevattula.com
Twitter @Mmvattula
Instagram michelleciampavattula

You may purchase Michelle’s book at:
(all links below are book-specific)

Indiebound
Amazon
Barnes&Noble

We can help our debut authors successfully launch their careers by:

– purchasing their books

– recommending their books to friends and family

– recommending their books to our children’s teachers and librarians

– recommending their books to our local libraries and bookstores

– suggesting them as visiting authors at our children’s schools and our local libraries

– sharing their books on social media

– reviewing their books on Goodreads, Amazon, Barnes&Noble, and other sites where people go to learn about books.

Thank you all for stopping by to read today!  Have a lovely, inspiration-filled Tuesday!  Maybe today is the day you’ll write your debut picture book 😊

Missed any previous Tuesday Debuts?  Check them out!

Christy Mihaly – Hey! Hey! Hay! A Tale of Bales And The Machines That Make Them

Jessie Oliveros – The Remember Balloons

Beth Anderson – An Inconvenient Alphabet: Ben Franklin And Noah Webster’s Spelling Revolution

Hannah Holt – The Diamond And The Boy

Laura Renauld – Porcupine’s Pie

Annie Romano – Before You Sleep: A Bedtime Book Of Gratitude

Melissa Stoller – Scarlet’s Magic Paintbrush

Sherry Howard – Rock And Roll Woods

Kate Narita – 100 Bugs! A Counting Book

Vivian Kirkfield – Pippa’s Passover Plate

Laura Roettiger – Aliana Reaches For The Moon

Matthew Lasley – Pedro’s Pan: A Gold Rush Story

Natalee Creech – When Day Is Done

Margaret Chiu Greanias – Maximillian Villainous

Wendy Greenley – Lola Shapes The Sky

Danielle Dufayet – You Are Your Strong

B.J. Lee – There Was An Old Gator Who Swallowed A Moth

Cathy Ballou Mealey – When A Tree Grows

Pippa Chorley – Counting Sheep

Sandra Sutter – The Real Farmer In The Dell

June Smalls – Odd Animals ABC

Jill Mangel Weisfeld – Riley The Retriever Wants A New Job (self pub)

Kathleen Cornell Berman – The Birth Of Cool: How Jazz Great Miles Davis Found His Sound

Eleanor Ann Peterson – Jurassic Rat

Sarah Hoppe – Who Will? Will You?

Marla LeSage – Pirate Year Round

Stacey Corrigan – The Pencil Eater

Shannon Stocker – Can U Save The Day?

Nadine Poper – Randall And Randall

Christine Evans – Evelyn The Adventurous Entomologist

Karen Kiefer – Drawing God (religious market)

Susan Richmond – Bird Count

Dawn Young – The Night Baafore Christmas

Heather Gale – Ho’onani: Hula Warrior

Ciara O’Neal – Flamingo Hugs Aren’t For Everyone (self pub)

Theresa Kiser – A Little Catholic’s Book Of Liturgical Colors (religious market)

Lindsey Hobson – Blossom’s Wish (self pub)

Kirsten Larson – Wood, Wire, Wings: Emma Lilian Todd Invents An Airplane

Valerie Bolling – Let’s Dance!

Janet Johnson – Help Wanted: Must Love Books

Susi Schaefer – Cat Ladies

Heather Kinser – Small Matters: The Hidden Power of the Unseen

Kelly Carey – How Long Is Forever?

Mary Wagley Copp – Wherever I Go

Nell Cross Beckerman – Down Under The Pier

Claire Noland – Evie’s Field Day: More Than One Way To Win

Sharon Giltrow – Bedtime, Daddy!

Gabi Snyder – Two Dogs On A Trike

Sarah Kurpiel – Lone Wolf

Vicky Fang – Invent-a-Pet

Lisa Katzenberger – National Regular Average Ordinary Day

Pam Webb – Someday We Will

Abi Cushman – Soaked!

Teresa Krager – Before Your Birth Day

Lindsay H. Metcalf – Beatrix Potter, Scientist

Nancy Roe Pimm – Fly, Girl, Fly! Shaesta Waiz Soars Around The World

Jolene GutiΓ©rrez – Mac And Cheese And The Personal Space Invader

Julie Rowan-Zoch – Louis (picture book illustration debut!)

Janie Emaus – Latkes For Santa

Amy Mucha – A Girl’s Bill Of Rights

Hope Lim – I Am A Bird

Melanie Ellsworth – Hip,Hip…Beret!

Rebecca Kraft Rector – Squish Squash Squished

Gnome Road Publishing (publishing house debut)

Sue Heavenrich – 13 Ways To Eat A Fly

Julie Rowan-Zoch – I’m A Hare So There (author/illustrator debut)

Nancy Derey Riley – Curiosity’s Discovery (author/illustrator self-published debut)

Moni Ritchie Hadley – The Star Festival

Sita Singh – Birds Of A Feather

Ann Magee – Branches Of Hope: The 9/11 Survivor Tree

Amanda Davis – 30,000 Stitches: The Inspiring Story of the National 9/11 Flag (nonfiction)

Jennifer Buchet – Little Medusa’s Hair Do-lemma

Perfect Picture Book Friday – The Hike

It’s Perfect Picture Book Friday!

And that means the weekend is nearly here!!

And that means it’s a perfect time for today’s Perfect Picture Book and a hike!!! (Something I’m always up for 😊)

Title: The Hike

Written & Illustrated By: Alison Farrell

Publisher: Chronicle Books, October 2019, informational fiction

Suitable For Ages: publisher says 3-5, but there’s a lot of information that would appeal to older kids

Themes/Topics: nature, hiking, cooperation, group activities

text and illustration copyright Alison Farrell 2019, Chronicle Books

Opening: “We are going on a hike.”

text and illustration copyright Alison Farrell 2019, Chronicle Books

Brief Synopsis: Three friends and their dog set off on a hike, noticing a lot about nature and having adventures along the way.

text and illustration copyright Alison Farrell 2019, Chronicle Books

Links To Resources: The whole book is a resource – Wren’s notes throughout, and several pages at the end of the story devoted only to her notes and pictures – so there are a lot of resources to be found right there. Take a nature walk. Make your own nature notebook/sketchbook and write and draw the things you see. Go for a hike with your family. How To Make A Nature Journal/Notebook; Video: How To Make A Leaf Collage

text and illustration copyright Alison Farrell 2019, Chronicle Books

Why I Like This Book: I find this book so appealing! The story text is quite simple (hence the 3-5 age range.) But the art is full of birds, animals, plants, and all kinds of other things found in nature that you might see on a hike – tons of little details for young readers to look at and learn about. One of the children in the story, Wren, keeps a sketchbook and draws little pictures and jots down interesting facts. The kids have to follow the trail, using a map (and I love that it’s an actual map and not GPS on a phone!) The kids look like they’re having so much fun outdoors together, doing something real, physically active, and educational as well as entertaining. By the time they get home, the stars are coming out and the art includes phases of the moon and constellations. It’s really just all around delightful!

text and illustration copyright Alison Farrell 2019, Chronicle Books

(from the back matter)

text and illustration copyright Alison Farrell 2019, Chronicle Books

I hope you enjoy it as much as I do 😊

For the complete list of books with resources, please visit Perfect Picture Books.

PPBF folks, please add your titles and post-specific blog links (and any other info you feel like filling out 😊) to the form below so we can all come see what fabulous picture books you’ve chosen to share this week!

Have a wonderful weekend, everyone! 😊 Go for a hike! 😊

Tuesday Debut – Presenting Jennifer Buchet!

Hey there, everyone!

Welcome to Tuesday Debut!

Each week, I really love getting to showcase a brand new author and her/his first-ever picture book. It’s such a huge accomplishment to get published, and it’s a real treat to get to share in the celebration! But I especially love getting to introduce a debut author who has been a devoted follower of this blog, taken the time to help other writers on Would You Read It Wednesdays, participated in multiple writing contests here, and taken my class – in short, someone I have seen working hard on her craft and whom I now have the pleasure of introducing as a newly published picture book author when all that hard work has paid off! So without further ado, please welcome Jenny Buchet as she shares her journey to publication with LITTLE MEDUDA’S HAIR DO-LEMMA!

Title: Little Medusa’s Hair Do-Lemma
Author: Jennifer Buchet
Illustrator: Cassie Chancy
Published By: Clear Fork Publishing, 2021
Fiction, Age Range: 4-8

Synopsis: Little Medusa is the first Gorgon who doesn’t enjoy having her best serpentine friend wriggle through her hair. She finds herself torn between following family customs and keeping herself and her best serpentine friend happy. In fact, Little Medusa begins doubting if she even wants to scare anyone to stone with a stare!

SUSANNA: Welcome, Jenny! Thank you so much for joining us today! Where did the idea for this book come from?

JENNY: Little Medusa’s Hair Do-Lemma origins are woven betwixt 3Ls.Β  The library, the laundry room, and my daughter’s long (tangled) locks!

After seeing a reptile show at my library, I was intrigued with snakes. Smitten, but not enough to purchase one, I began writing a funny snake story. A month later in the laundry room, I was sorting clothes and revising sentences. Deep in thought about girls and snakes, my own little girl skipped in with very tangled hair. I found myself facing a real-life Little Medusa!  

Oh.

Oh!!

Little Medusa….snakes….hair…scaring things to stone with a stare… I put aside my original tale (and the socks!) and dove into the mythology of Medusa.

SUSANNA: How long did it take you to write this book?

JENNY: The first draft came quickly yet the revisions took months! The story went through several iterations, from swapping Little Medusa’s biggest challenge to revealing how she solves the issue by herself. Β Not to mention that making one of the world’s best known super-villains into something kid-friendly takes hard work!

Thanks to my critique partners continued feedback, I pinpointed the strongest version that not only had heart, but also humor and a unique twist. Two years and ~60 drafts later, I felt submission-ready.

Jenny’s writing buddy, Luna, being a goof-dog



SUSANNA: When did you know your manuscript was ready for submission?

JENNY: I knew Little Medusa was ready for submission because I couldn’t write it any better. I’d done my writing homework and then some. Pacing and page turns? Check. Rising incidents? Check. Humor? Yup. Feeling for the characters? Check. Strong ending? Checkity-check.

But before I submitted, I knew I had to write that golden query letter and pitch. Thanks to your Would You Read It Wednesdays, I received invaluable feedback on my pitch!

SUSANNA: When and how did you submit?

JENNY: I subbed Little Medusa to agents for almost a year. After several wonderful β€œchampagne rejections” from agents, where I was close but not close enough, I researched several independent publishers.

SUSANNA: When did you get “the call”?Β  (Best moment ever! 😊)

JENNY: Within a month after submitting to those independent publishers, I received my first β€œyes.”The long dry spell was finally over!

SUSANNA: How did you celebrate signing your contract?

JENNY: I’m pretty sure I screamed with delight at the offer and enjoyed a lovely bottle of bubbly with family and friends! I’m not sure I ever came down from Cloud 9, but I did make sure to check and verify all contract minutia. Once all signatures were in, we had another bottle of bubblyβ€”or maybe two!

Then it was back to work. (Yup, you think your story is perfect when you start submitting, but trust me, your stories will be tweaked and tweaked again before final printing!)

SUSANNA: Can you tell us a little about the editorial process?

JENNY: An editor’s role is to make your story stronger; more kid-friendly and /or marketable. Although I thought my work was pretty perfect, my editor felt it needed a bit more β€œheart.” Rather enigmatic, no?! So we talked and shared ideas, and I revised a bit more, crafting an even better tale.

SUSANNA: What was your experience of the illustration process like?

JENNY: The overall experience was rather collaborative. It took almost a year between signing and acquiring an illustrator, which was a lot longer than I ever imagined. Plus, I was super nervous that I might not like the illustrator’s ideas and I had no idea if I could, or should, say anything.

Fortunately, Cassie Chancy’s work is simply beautiful! From the first round of pencil sketches, I knew I was blessed with an extraordinary illustrator! I stepped back and gave Cassie room to work, answering questions whenever she had them.

During the proofing rounds, I shared my thoughts and any edits with both Cassie and our art director. I’m not a design expert, but I have worked in print before, so if I had an idea, I respectively shared with the team. I’m so happy that everyone worked so well together and we were all open to give and take.

Sneak peek at the interior illustration
text copyright Jennifer Buchet 2021,
illustration copyright Cassie Chancy 2021
Clear Fork Publishing


SUSANNA: Describe any marketing/promotion you did for this book.

JENNY: As with many independent publishing companies, the brunt of the marketing falls to the author. Plus, I’m launching in the (hopefully) tale end of a pandemic, which is challenging. So I have to be creative. Although I’m not able to do in-store events or book fairs during the initial launch, I have other marketing ideas extending through the fall. For instance, I’m visiting with several bloggers such as yourself, planning a summer contest & giveaway, and relying on a wonderful network of fellow authors to help provide reviews to Goodreads & Amazon.

SUSANNA: How long was it between the time you started writing seriously and the time you sold your first picture book?

JENNY: I thought I’d have my first book published two years ago; I had no idea it could take so long! It’s a bit embarrassing to admit that I’ve been a part of three different debut groups but on the plus side, I’ve made lots of wonderful new friends and I’m blessed with their support to this day.

SUSANNA: What is the most important/helpful thing you learned on your way to publication? (Or what is your most helpful piece of advice for up and coming writers?)

JENNY: These tips truly resonated for me when I started out:

Tip 1: Invest your time and money into kidlit writing classes. You are worth it! I learned so much in one magical month with Making Picture Book Magic!

Tip 2: Join a group of other kidlit writers. You’ll need their support, whether it’s an editorial eye or a boost after yet another rejection. Kidlit peeps understand other writers!

Tip 3: Read a ton of picture books and…. take it to the next level by typing out that story. Study the page turns. Note the path of the arc. Read it aloud.

SUSANNA: Anything else you’d like to share about your book’s journey from inspiration to publication?

JENNY: Wishing on stars and casting dandelion dreams is fine, as long as you have the work to back you up. Because it’s all about getting the β€œwrite” story in front of the right person at the right time.

And if anyone has any questions, please comment below, or shoot me an email. I’m always happy to chat kidlit!


SUSANNA: Jenny, thank you so much for joining us today and taking the time to share your experience. We so appreciate it! And I know I speak for everyone when I wish you the very best of luck with this and future titles!

Author Jennifer Buchet (who loves visiting local farms 😊)

Jennifer Buchet is an award-winning author, pre-kindergarten educator and self-proclaimed foodie. Her kid lit career officially started in 2011, writing for Cricket Media. Today, she is a feature contributor for Faces magazine while also creating new picture books and chapter books, many which feature mouth-watering meals and even a few cute, twisty serpents.

LITTLE MEDUSA’S HAIR DO-LEMMA (Clear Fork Publishing) launches May 2021.

You can swap tales & recipes with Jennifer here:

Readers, if you have questions for Jenny, please post them in the comments below and if she has time I’m sure she’ll respond!

You may purchase Jenny’s book at:
(all links below are book-specific)

Indiebound
Amazon
Barnes&Noble

We can help our debut authors successfully launch their careers by:

– purchasing their books

– recommending their books to friends and family

– recommending their books to our children’s teachers and librarians

– recommending their books to our local libraries and bookstores

– suggesting them as visiting authors at our children’s schools and our local libraries

– sharing their books on social media

– reviewing their books on Goodreads, Amazon, Barnes&Noble, and other sites where people go to learn about books.

Thank you all for stopping by to read today!  Have a lovely, inspiration-filled Tuesday!  Maybe today is the day you’ll write your debut picture book 😊

Missed any previous Tuesday Debuts?  Check them out!

Christy Mihaly – Hey! Hey! Hay! A Tale of Bales And The Machines That Make Them

Jessie Oliveros – The Remember Balloons

Beth Anderson – An Inconvenient Alphabet: Ben Franklin And Noah Webster’s Spelling Revolution

Hannah Holt – The Diamond And The Boy

Laura Renauld – Porcupine’s Pie

Annie Romano – Before You Sleep: A Bedtime Book Of Gratitude

Melissa Stoller – Scarlet’s Magic Paintbrush

Sherry Howard – Rock And Roll Woods

Kate Narita – 100 Bugs! A Counting Book

Vivian Kirkfield – Pippa’s Passover Plate

Laura Roettiger – Aliana Reaches For The Moon

Matthew Lasley – Pedro’s Pan: A Gold Rush Story

Natalee Creech – When Day Is Done

Margaret Chiu Greanias – Maximillian Villainous

Wendy Greenley – Lola Shapes The Sky

Danielle Dufayet – You Are Your Strong

B.J. Lee – There Was An Old Gator Who Swallowed A Moth

Cathy Ballou Mealey – When A Tree Grows

Pippa Chorley – Counting Sheep

Sandra Sutter – The Real Farmer In The Dell

June Smalls – Odd Animals ABC

Jill Mangel Weisfeld – Riley The Retriever Wants A New Job (self pub)

Kathleen Cornell Berman – The Birth Of Cool: How Jazz Great Miles Davis Found His Sound

Eleanor Ann Peterson – Jurassic Rat

Sarah Hoppe – Who Will? Will You?

Marla LeSage – Pirate Year Round

Stacey Corrigan – The Pencil Eater

Shannon Stocker – Can U Save The Day?

Nadine Poper – Randall And Randall

Christine Evans – Evelyn The Adventurous Entomologist

Karen Kiefer – Drawing God (religious market)

Susan Richmond – Bird Count

Dawn Young – The Night Baafore Christmas

Heather Gale – Ho’onani: Hula Warrior

Ciara O’Neal – Flamingo Hugs Aren’t For Everyone (self pub)

Theresa Kiser – A Little Catholic’s Book Of Liturgical Colors (religious market)

Lindsey Hobson – Blossom’s Wish (self pub)

Kirsten Larson – Wood, Wire, Wings: Emma Lilian Todd Invents An Airplane

Valerie Bolling – Let’s Dance!

Janet Johnson – Help Wanted: Must Love Books

Susi Schaefer – Cat Ladies

Heather Kinser – Small Matters: The Hidden Power of the Unseen

Kelly Carey – How Long Is Forever?

Mary Wagley Copp – Wherever I Go

Nell Cross Beckerman – Down Under The Pier

Claire Noland – Evie’s Field Day: More Than One Way To Win

Sharon Giltrow – Bedtime, Daddy!

Gabi Snyder – Two Dogs On A Trike

Sarah Kurpiel – Lone Wolf

Vicky Fang – Invent-a-Pet

Lisa Katzenberger – National Regular Average Ordinary Day

Pam Webb – Someday We Will

Abi Cushman – Soaked!

Teresa Krager – Before Your Birth Day

Lindsay H. Metcalf – Beatrix Potter, Scientist

Nancy Roe Pimm – Fly, Girl, Fly! Shaesta Waiz Soars Around The World

Jolene GutiΓ©rrez – Mac And Cheese And The Personal Space Invader

Julie Rowan-Zoch – Louis (picture book illustration debut!)

Janie Emaus – Latkes For Santa

Amy Mucha – A Girl’s Bill Of Rights

Hope Lim – I Am A Bird

Melanie Ellsworth – Hip,Hip…Beret!

Rebecca Kraft Rector – Squish Squash Squished

Gnome Road Publishing (publishing house debut)

Sue Heavenrich – 13 Ways To Eat A Fly

Julie Rowan-Zoch – I’m A Hare So There (author/illustrator debut)

Nancy Derey Riley – Curiosity’s Discovery (author/illustrator self-published debut)

Moni Ritchie Hadley – The Star Festival

Sita Singh – Birds Of A Feather

Ann Magee – Branches Of Hope: The 9/11 Survivor Tree

Amanda Davis – 30,000 Stitches: The Inspiring Story of the National 9/11 Flag

Perfect Picture Book Friday – Randy, The Badly Drawn Horse

Howdy, friends!

It’s time for the weekly Perfect Picture Book round-up!

Today I have a wonderful book that manages to combine a meaningful theme with great humor. I hope you will love it!

Title: Randy, The Badly Drawn Horse

Written & Illustrated By: T. L. McBeth

Publisher: Henry Holt & Co, August 2020, fiction

Suitable For Ages: 4-8

Themes/Topics: metafiction, unconditional love, humor, expectations

Opening: “‘Mom! Look!
I drew a beautiful horse!’

‘He is beautiful! Great job, dear!’

I am a beautiful horse! Everyone loves me.”

text and illustration copyright T. L. McBeth 2020, Henry Holt

Brief Synopsis: Randy knows he’s a beautiful horse―everyone says so. From his flowing mane to his long, elegant legs, to his perfect smile that lights up the sky! But while on a grand adventure, he catches sight of himself and suddenly he’s not so sure…

text and illustration copyright T. L. McBeth 2020, Henry Holt

Links To Resources: 7 Imagination Activities For Kids; 10 Hands-On Activities To Teach Kids About Love; draw a picture of something you love and make up an adventure

text and illustration copyright T. L. McBeth 2020, Henry Holt

Why I Like This Book: I love the creativity and imagination of the child drawing Randy and then sending him on an adventure, and the humor of Randy’s responses to having to deal with the situations he’s put in (cleaning up the mess when the child makes him a great chef, pulling himself out of the crevasse (which is actually the spine of the book), dragging his thirsty self along when he ends up in the desert. His whole vision of himself is based on the child’s initial description of him as beautiful and the mom’s agreement, so when he sees his reflection he is taken aback, suddenly unsure of himself. But unconditional love wins out and Randy understands that to his child creator (and therefore to himself) he truly is beautiful. This is a delightful book that will have kids laughing out loud, but also empathizing with Randy’s moment of self-doubt. . . because we’ve all been there.

text and illustration copyright T. L. McBeth 2020, Henry Holt

I hope you enjoy it as much as I do 😊

For the complete list of books with resources, please visit Perfect Picture Books.

PPBF folks, please add your titles and post-specific blog links (and any other info you feel like filling out 😊) to the form below so we can all come see what fabulous picture books you’ve chosen to share this week!

Have a wonderful weekend, everyone! 😊

Tuesday Debut – Presenting Amanda Davis!

It’s Tuesday, my friends, and you know what that means!

Time to meet another amazing Tuesday Debut-ess!

It’s funny how things work out! Last week we met Ann Magee and learned about her journey to publication with BRANCHES OF HOPE: THE 9/11 SURVIVOR TREE (which actually releases today!) and today, I’m thrilled to introduce you to Amanda Davis who also has a 9/11-related book: 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG. How wonderful that two writers have made their debuts with books that honor the upcoming 20th Remembrance of 9/11.

Please join me in welcoming Amanda!

Title: 30,000 STITCHES
Author: Amanda Davis
Illustrator: Sally Wern Comport
Publisher: WorthyKids/Hachette Book Group
Date of Publication: May 4, 2021
Nonfiction
Ages 5-8+

Synopsis: 30,000 Stitches tells the true story of the American flag that flew over Ground Zero in the days after 9/11, becoming torn and tattered and later traveled across all 50 states to be fullyΒ restoredΒ before returning to New York as a symbol of unity and hope.

SUSANNA: Welcome, Amanda, and thank you so much for joining us today! We are so looking forward to hearing about your journey to publication with this inspiring story! Where did the idea for this book come from?

AMANDA: I first learned about the story back in 2011 when I facilitated an art lesson around the story of the flag with my art students for the tenth remembrance of 9/11. While browsing through some magazines, I came across a blurb about a torn and tattered American flag that flew over Ground Zero in the days after 9/11 and later traveled across all fifty states to be fully restored touching many hearts and many hands along the way. I knew I found my lesson. That year, students learned about the flag, and we created our own patchwork flag in remembrance. From the first moment I read and taught about the true story of the flag in 2011, I was intrigued and knew it was a special story. It stuck with me and lingered in my head, but needed time to flourish and grow. After visiting the National September 11 Memorial & Museum in 2014, and being overcome with emotion at the artifacts and the stories, it was another reminder of the importance of telling this story. Once I decided to write a children’s book on the topic of the National 9/11 Flag, I enacted my three β€˜r’’s: a lot of research, countless revisions, and creating a refrain that helped me tie the narrative together.

SUSANNA: How long did it take you to write this book?

AMANDA: It took about three years from writing the story to having it released into the world. Before even putting pen to paper, I spent a lot of time researching. I knew if I was going to write about this topic, I had (and wanted to) get it right. Β I have a background in journalism, so it was a delight getting to research and interview primary sources for the story. From the Ground Zero Superintendent to Flag Tour Staff, the people who I spoke to about the flag were incredible. I am honored to have spoken with such selfless, kind, and generous people whose dedication to helping America heal after 9/11 was inspiring. To this day, they continue to give back and be of service to others, which is truly exceptional. I feel so honored and humbled that I’m able to tell the story of the flag and make it accessible to children so they can be inspired by the themes of strength, unity, hope, and healing, that are woven throughout the story.

SUSANNA: Did you go through many revisions?

AMANDA: Yes! Countless revisions. I remember at one point I even had a version of the story that was told in the first person point of view of the flag. It took many rounds of critiques with my critique groups and several critiques from editors and published authors to polish it up and get it into shape for querying agents and editors.

SUSANNA: When did you know your manuscript was ready for submission?

AMANDA: I don’t think you ever know when a manuscript is ready or if it ever truly is ready but at some point, if you want it published, you need to step back, take a breath, and let it go. It’s easy to get stuck in eternal revisions but your story is never going to be perfect and then once an agent or editor signs with you, they are going to have feedback of their own. For me, I felt 30,000 STITCHES was where I needed it to be because I was getting a lot of positive feedback from those same critique groups and even the paid critiques that I received. I felt confident in the story as well so that validated those feelings for me, and I decided it was time to send it out into the world.

Amanda’s art/writing studio



SUSANNA: When and how did you submit?

AMANDA: I submitted the story to WorthyKids/Hachette Book Group on my own, unagented, through a snail mail slush pile submission. I continued to query the story to agents and other publishers that I had open submissions to from conferences, etc. I finally signed with agent Melissa Richeson (who is now at Storm Literary Agency) for 30,000 STITCHES. Melissa and I signed on solely for 30,000 STITCHES. At the time, she was not representing illustrators so she didn’t feel comfortable representing my whole body of work, which included some illustrated manuscripts. We went back and forth a few times with edits and then we sent the story out on submission to editors. Seven months later, I heard back from WorthyKids via email that they were interested in the story and asked me if it was still available. I replied with an enthusiastic YES, and connected them to Melissa. They wanted a version that was somewhere in the middle (word count wise) of what I sent through snail mail (700-word version) and what Melissa had followed up with (a 200-word version). Thankfully I had a version that was somewhere in the middle (around 500 words) and sent this along to them. This met their criteria, and the rest is history! Lesson is….keep all your versions and organize them so they’re easy to find in case you need them! Β Β Β 

SUSANNA: How did you celebrate signing your contract?

AMANDA: Celebrations are something I can be better at. After (digitally) signing the contract, I cheers’ed with my partner, and printed it out as a keepsake. It really is important to celebrate each moment along the way, and I can take my own advice in this area. The other thing to note was that the actual signing of the contract came a few months after we had all verbally agreed to the deal. I had already begun working with my editor. It all still felt a little surreal, and it wasn’t until I got the physical book in my hands a couple of weeks ago that I realized this was real! I did a much better job celebrating the launch of the book on release day with cake, macaroons, and reflecting on my journey to publication. It’s been a long road but 30,000 STITCHES is finally out in the world! Β 

Book Launch Celebrations



SUSANNA: Was the contract what you expected in terms of advance, royalty percentage, publication timeline, author copies etc.?

AMANDA: I didn’t really know what to expect since it was my first time going through the process but had done my research and talked to published friends about what was standard. I’m also a member of the Author’s Guild and tapped into their resources for insights. They have a model contract you can reference and legal teams that review contracts. I of course, also leaned heavily on the expertise of my agent, Melissa. It was a pretty standard contract for a debut author with an advance between 3K-5K and royalties between 3-6%. I think we ended up negotiating for a few more author copies, too. It was extremely helpful to have Melissa on my team to navigate the whole process! Her knowledge and calm demeanor were much appreciated!

SUSANNA: Can you tell us a little about the editorial process?

AMANDA: There wasn’t too much editing that happened to the main text after it was acquired. My editor recently shared with me that she felt the story was about 90% there when it landed on her desk. We did go back and forth numerous times to edit the back matter but the whole process was extremely collaborative.

SUSANNA: What was your experience of the illustration process like?

AMANDA: My editor was extremely knowledgeable and detail-oriented. As mentioned above, the process was both collaborative and informative. It truly felt like teamwork. Since the beginning, I’ve been nervous about the weight of this topic and about getting the facts and details of the story correct in both the text and the art. My editor was great with easing these concerns and answering all of my questions along the way.Β  Although I never directly spoke to the illustrator, Sally Wern Comport, I was consulted throughout the process. I saw sketches and numerous revisions in between. I gave input on the art, which was routed through the art director and onto Sally. Sally’s art expands upon the text and adds additional layers of depth to the story. Overall it was a very enjoyable process that I learned and grew from. I couldn’t be happier with the result!

text copyright Amanda Davis 2021, illustration copyright Sally Wern Comport 2021, WorthyKids



SUSANNA: Did you get to see advance reviews from Kirkus, SLJ, etc? What was that like?

AMANDA: Not yet…

SUSANNA: How long did it take from offer to having the first copy in your hand?

AMANDA: From officially signing the contract to publication, about a year.

SUSANNA: What kind of marketing and promotion has your publisher done for this book?

AMANDA: My marketing and promotion team has helped with outreach, organizing giveaways, reserving advertisements in educator and librarian publications, developing supplemental teacher’s guides and activities for a variety of ages, and I think there should be a trailer for the book releasing soon, too. They’ve done an awesome job helping me understand the timeline of tasks, target markets, and are always open to me sharing my own ideas along the way.Β  Β Β 

SUSANNA: Describe any marketing/promotion you did for this book.

AMANDA: I have done a virtual blog tour with other creators in the kidlit community, virtual event tour with bookstores throughout the launch week/month, I’ve created swag, activity sheets, and book plates, and I’ve done a lot of social media boosting and posting with graphics I’ve created for the book. I’ve also spread the news of the book through my newsletter/mailing list and reached out to schools, libraries museums, and friends and family to share. Currently, I’m looking for opportunities to speak at conferences and present with my debut picture book group 21 For the Books. With the 20th remembrance of 9/11 approaching, I’m hoping to connect with more people who have had personal experiences with the flag to see if they would be open to sharing their stories to help honor and remember.Β 

SUSANNA: How long was it between the time you started writing seriously and the time you sold your first picture book?

AMANDA: NINE years!! Patience pays off 😊

Amanda and her buddy Cora on a hike



SUSANNA: What is the most important/helpful thing you learned on your way to publication? (Or what is your most helpful piece of advice for up and coming writers?)

AMANDA: There is no right or wrong way to get published. Each person’s story is different. Sometimes it’s a short, smooth journey and sometimes it’s long and bumpy. Try not to compare. Instead, keep going.Β With every pass (which has been many), I got into the habit of sending another query out. This industry has taught me not to take anything personally. I want to work with an editor or an agent who is going to love my work wholeheartedly.Β The truth is, not everyone is going to. And that’s okay. Art is subjective. With that in mind, there is strength in solidarity. This can be a very isolating business if we let it, so remember to reach out for help and to connect. The children’s book industry is one of the most welcoming communities I’ve been a part of. There is so much talent and wisdom. Connect with people. Ask questions. Never stop learning from one another. We are all on this creative journey together.

SUSANNA: Thank you so much for taking the time to participate in this series and paying it forward to other writers, Amanda! We so appreciate you sharing your time and expertise, and wish you all the best with this and future titles!

Author Amanda Davis (photo credit Angela Wood Photography)

Amanda Davis is a teacher, artist, writer, and innovator who uses her words and pictures to light up the world with kindness. After losing her father at the age of twelve, Amanda turned to art and writing as an outlet. It became her voice. A way to cope. A way to escape. And a way to tell her story. She was thus inspired to teach art and pursue her passion for writing and illustrating children’s books. Through her work, Amanda empowers younger generations to tell their own stories and offers children and adults an entryway into a world of discovery. A world that can help them make sense of themselves, others, and the community around them. A world where they can navigate, imagine, and feel inspiredβ€”over and over again.Β Amanda is the recipient of the 2020 Ann Whitford Paulβ€”Writer’s Digest Most Promising Picture Book Manuscript Grant and teaches art at a public high school in Massachusetts where she was selected as 2020 Secondary Art Educator of the Year. Amanda is the author of 30,000 STITCHES: THE INSPIRING STORY OF THE NATIONAL 9/11 FLAG and has poetry and illustrations featured in The Writers’ Loft Anthology, FRIENDS AND ANEMONES: OCEAN POEMS FOR CHILDREN.Β When she’s not busy creating, you can find her sipping tea, petting dogs, and exploring the natural wonders of The Bay State with her partner and her rescue pup, Cora. You can learn more about Amanda atΒ www.amandadavisart.comΒ and on TwitterΒ @amandadavisartΒ and InstagramΒ @amandadavis_art.

Readers, if you have questions for Amanda, please post them in the comments below and if she has time I’m sure she’ll respond!

You may purchase Amanda’s book at:
(all links below are book-specific)

Indiebound
Amazon
Barnes&Noble

We can help our debut authors successfully launch their careers by:

– purchasing their books

– recommending their books to friends and family

– recommending their books to our children’s teachers and librarians

– recommending their books to our local libraries and bookstores

– suggesting them as visiting authors at our children’s schools and our local libraries

– sharing their books on social media

– reviewing their books on Goodreads, Amazon, Barnes&Noble, and other sites where people go to learn about books.

Thank you all for stopping by to read today!  Have a lovely, inspiration-filled Tuesday!  Maybe today is the day you’ll write your debut picture book 😊

Missed any previous Tuesday Debuts?  Check them out!

Christy Mihaly – Hey! Hey! Hay! A Tale of Bales And The Machines That Make Them

Jessie Oliveros – The Remember Balloons

Beth Anderson – An Inconvenient Alphabet: Ben Franklin And Noah Webster’s Spelling Revolution

Hannah Holt – The Diamond And The Boy

Laura Renauld – Porcupine’s Pie

Annie Romano – Before You Sleep: A Bedtime Book Of Gratitude

Melissa Stoller – Scarlet’s Magic Paintbrush

Sherry Howard – Rock And Roll Woods

Kate Narita – 100 Bugs! A Counting Book

Vivian Kirkfield – Pippa’s Passover Plate

Laura Roettiger – Aliana Reaches For The Moon

Matthew Lasley – Pedro’s Pan: A Gold Rush Story

Natalee Creech – When Day Is Done

Margaret Chiu Greanias – Maximillian Villainous

Wendy Greenley – Lola Shapes The Sky

Danielle Dufayet – You Are Your Strong

B.J. Lee – There Was An Old Gator Who Swallowed A Moth

Cathy Ballou Mealey – When A Tree Grows

Pippa Chorley – Counting Sheep

Sandra Sutter – The Real Farmer In The Dell

June Smalls – Odd Animals ABC

Jill Mangel Weisfeld – Riley The Retriever Wants A New Job (self pub)

Kathleen Cornell Berman – The Birth Of Cool: How Jazz Great Miles Davis Found His Sound

Eleanor Ann Peterson – Jurassic Rat

Sarah Hoppe – Who Will? Will You?

Marla LeSage – Pirate Year Round

Stacey Corrigan – The Pencil Eater

Shannon Stocker – Can U Save The Day?

Nadine Poper – Randall And Randall

Christine Evans – Evelyn The Adventurous Entomologist

Karen Kiefer – Drawing God (religious market)

Susan Richmond – Bird Count

Dawn Young – The Night Baafore Christmas

Heather Gale – Ho’onani: Hula Warrior

Ciara O’Neal – Flamingo Hugs Aren’t For Everyone (self pub)

Theresa Kiser – A Little Catholic’s Book Of Liturgical Colors (religious market)

Lindsey Hobson – Blossom’s Wish (self pub)

Kirsten Larson – Wood, Wire, Wings: Emma Lilian Todd Invents An Airplane

Valerie Bolling – Let’s Dance!

Janet Johnson – Help Wanted: Must Love Books

Susi Schaefer – Cat Ladies

Heather Kinser – Small Matters: The Hidden Power of the Unseen

Kelly Carey – How Long Is Forever?

Mary Wagley Copp – Wherever I Go

Nell Cross Beckerman – Down Under The Pier

Claire Noland – Evie’s Field Day: More Than One Way To Win

Sharon Giltrow – Bedtime, Daddy!

Gabi Snyder – Two Dogs On A Trike

Sarah Kurpiel – Lone Wolf

Vicky Fang – Invent-a-Pet

Lisa Katzenberger – National Regular Average Ordinary Day

Pam Webb – Someday We Will

Abi Cushman – Soaked!

Teresa Krager – Before Your Birth Day

Lindsay H. Metcalf – Beatrix Potter, Scientist

Nancy Roe Pimm – Fly, Girl, Fly! Shaesta Waiz Soars Around The World

Jolene GutiΓ©rrez – Mac And Cheese And The Personal Space Invader

Julie Rowan-Zoch – Louis (picture book illustration debut!)

Janie Emaus – Latkes For Santa

Amy Mucha – A Girl’s Bill Of Rights

Hope Lim – I Am A Bird

Melanie Ellsworth – Hip,Hip…Beret!

Rebecca Kraft Rector – Squish Squash Squished

Gnome Road Publishing (publishing house debut)

Sue Heavenrich – 13 Ways To Eat A Fly

Julie Rowan-Zoch – I’m A Hare So There (author/illustrator debut)

Nancy Derey Riley – Curiosity’s Discovery (author/illustrator self-published debut)

Moni Ritchie Hadley – The Star Festival

Sita Singh – Birds Of A Feather

Ann Magee – Branches Of Hope: The 9/11 Survivor Tree

Perfect Picture Book Friday – Dragon Night

Welcome to Perfect Picture Book Friday, Everyone!

Wait ’til you see the gorgeous book I have to share with you today!  I dare you not to love it! πŸ™‚

dragon night

Title: Dragon Night

Written & Illustrated By: J. R. Krause

G.P. Putnam’s Sons Books For Young Readers, January 22 2019, fiction

Suitable For Ages: 3-7

Themes/Topics: friendship, kindness, childhood fears (nighttime), word play

Opening: “Georgie is afraid of the night.
It’s too dark with the lights off.
Too quiet with everyone asleep.
And being alone makes everything worse.”

screen shot 2019-01-24 at 4.23.29 pm
text and illustration copyright J.R.Krause 2019

Brief Synopsis: Georgie is afraid of the night.  The dragon is afraid of the knight.  The dragon knows just how to help Georgie overcome his fear, and the two set off on a unforgettable adventure. But when the morning comes, Georgie feels better about the night, but the dragon is still afraid of the knight. How can Georgie help his friend?

Links To Resources: Make Your Own Night Light; write your own story for the dragon the way Georgie does – what items would you include? what setting? Make Dragon Egg Sugar Cookies! 😊

Why I Like This Book: Lots of kids are afraid of the dark and the night, so this charming story is sure to be relatable and I think any child will find it comforting.  It’s a lovely story for bedtime.

screen shot 2019-01-24 at 4.24.16 pm
text and illustration copyright J.R.Krause 2019

The combination of text and illustration hits the exact magical note that makes a picture book truly perfect. Both Georgie and the Dragon are appealing characters (I hope no one misses that his name is Georgie 😊 ), and the story is one of kindness, empathy, and understanding.

screen shot 2019-01-24 at 4.24.43 pm
How endearing is this? πŸ™‚                                                                                                                              (text and illustration copyright J.R.Krause 2019)

My favorite part, aside from the lovely relationship that develops between the two, and getting to see the knight from the dragon’s point of view, is the fact that Georgie’s solution involves creative writing – what a great model for young readers! 😊

I hope you enjoy it as much as I do 😊

For the complete list of books with resources, please visit Perfect Picture Books.

PPBF folks, please add your titles and post-specific links (and any other info you feel like filling out 😊 ) to the form below so we can all come see what fabulous picture books you’ve chosen to share this week!

Have a wonderful weekend, everyone!!! 😊

Tuesday Debut – Presenting Ann Magee!

Hurray!

After a little hiatus in which we didn’t have any Tuesday Debut-ers, we’re back today with a beautiful, inspiring book by the lovely and talented Ann Magee! Her book actually comes out next week, so you’re getting a sneak preview and you can pre-order your copy from one of the links below 😊

BRANCHES OF HOPE: THE 9/11 SURVIVOR TREE
by Ann Magee
illustrated by Nicole Wong
Charlesbridge Publishing
May 18, 2021
Text is nonfiction, illustrations are of fictional family, ages 4-8.

Intertwined storiesβ€”one in words and one in picturesβ€”show how the Survivor Tree’s strength echoed the hope of a nation after harrowing events in New York City in 2001.

SUSANNA: Welcome, Ann! We are so thrilled to have you here with us today to tell us about your journey to publication with this very special book! Where did the idea for this book come from?

ANN: My children and I visited the 9/11 Memorial Museum in 2016 where I read a booklet about the story of the Survivor Tree in the gift shop. I immediately thought it would make a lovely picture bookβ€”a hopeful story born from a tragic event in history. It’s a story I wish I had known when my children were young and learning about the events of 9/11.

SUSANNA: How long did it take you to write this book?

ANN: It took about six months to write the book after several months of research. (I was working part-time then). A lot of my β€œwriting” happens in my head first. I’m very visual, which is definitely helpful in writing picture books.

SUSANNA: Did you go through many revisions?

ANN: When I draft a picture book manuscript, I write the beginning and the end first, like bookends, so I know the shape of the story. I outlined the story and wrote about 15 drafts. I was writing the true story of the tree’s journey, and in my mind, I visualized the story of a little girl growing up alongside the tree’s recovery, much like my own little girl was doing at the time.

Ann’s writing buddies, Gretchen and Ripley 😊

SUSANNA: When did you know your manuscript was ready for submission?

ANN: I shared this manuscript with several critique partners along the way as well as getting a paid critique from an editor at a SCBWI event. I was confident in my vision for this story, so I took the advice that matched that vision and discarded others’ (like the editor who advised I should add a fictional character to the text).

SUSANNA: When and how did you submit?

ANN: I am unagented. I submitted this manuscript to Yolanda Scott at Charlesbridge on the last possible day for submissions (end of December 2017) after an online-type of conference over the summer 2017.

SUSANNA: When did you get “the call”?Β  (Best moment ever! 😊)

ANN: In June 2018, I got an email from Karen Boss at Charlesbridge asking if the manuscript was still available. I screamed, then responded, β€œYes, yes it is.” She offered for it in July. At this time, Carole Boston Weatherford was exploring a role as literary agent and had offered to represent another of my manuscripts earlier that year. I asked if she would represent this one for me as well as I had no experience negotiating contracts, etc. and she said she would.

SUSANNA: How did you celebrate signing your contract?

ANN: My husband and I went out to a nice dinner to celebrate my signing my first book contract!

SUSANNA: Was the contract what you expected in terms of advance, royalty percentage, publication timeline, author copies etc.?

ANN: This is my first book deal and Charlesbridge is a smaller house, so I expected the advance would be on the lower end of 2K-3K. Royaltyβ€”5% on hardcover, 3% on paperback, 20 author copies, and Newbery/Caldecott stipulations were also included in the contract.

SUSANNA: Can you tell us a little about the editorial process?

ANN: I felt very comfortable from the beginning of our book-making journey that this important story was in caring, loving hands at Charlesbridge.

We went through three rounds of revisions with a specific focus each time. The first round focused on β€˜big picture’ ideasβ€”clarifying the text storyline and the wordless storyline (in the illustrations), looking at the pagination or pacing of the story, and creating a strong ending that tied with the 20th anniversary.

The second round of revisions included more work on the ending and changing the title since another book had just been announced with the title Survivor Tree, which had been my title, too. (I was a bit upset about this at first, but I’m glad now because the new title Branches of Hope encompasses the book’s message so much better.)
There were a few minor tweaks for the last round. We also discussed choices for illustrators and what style goes with our vision for the β€˜feel’ of the story.

SUSANNA: What was your experience of the illustration process like?

ANN: The illustration process went very smoothly. Luckily, the team at Charlesbridge, the illustrator Nicole Wong, and I had similar visions for this project. I was informed at each step along the wayβ€”I saw the sketches, received digital files throughout the process. When I had questions or concerns about the art, they were valued and discussed. I received color proof pages in the mail for me to check for errors before it went to print.

text copyright Ann Magee 2021, illustration copyright Nicole Wong 2021, Charlesbridge

In terms of art notes, I included just a few with my manuscript upon submission to inform the illustrator of a specific setting for some scenes since the story is a true story. For example, at the end Tears rained down, down, down, the Illos. Note reads: reflection pools.

text copyright Ann Magee 2021, illustration copyright Nicole Wong 2021, Charlesbridge
(this one is Ann’s favorite – isn’t it wonderful?!)

As we developed the wordless parallel story for the illustrations, more Illustration notes were needed so Nicole could know what the storyline was, but she had the space to make each scene her own. For example, Nicole knew that the family should be shown having a picnic near the Twin Towers in the front pages of the book before the story begins but illustrating the pears on the picnic blanket was all herβ€”and I love it!

text copyright Ann Magee 2021, illustration copyright Nicole Wong 2021, Charlesbridge

SUSANNA: Did you get to see advance reviews from Kirkus, SLJ, etc? What was that like?

ANN: I did not see the advance review from PW, but my editor and marketing director did give me the good news of our Kirkus Star a week or two before it went public. I was able to read the review when they emailed me the good news. Karen emailed me the SJL review at the end of April. We are very happy with the book’s reviews so far!

SUSANNA: How long did it take from offer to having the first copy in your hand?

ANN: It took 2 Β½ years to finally hold the first copy in my hands, but not much was done for the first year as Charlesbridge wasn’t ready to work on the project yet. Β The initial print run is 6,000 copies.

SUSANNA: What kind of marketing and promotion has your publisher done for this book?

ANN: At my request, my two-person marketing team at Charlesbridge (and the design department) created a postcard and bookmark for me to print. They have also arranged several bookstore readings and other possible events that will take place nearer to September. They plan to include the book in Charlesbridge’s virtual exhibits, book buzzes and chats. They will reach out to newspapers who are bound to do stories nearer to the anniversary date.

SUSANNA: Describe any marketing/promotion you did for this book.

ANN: I’ve reached out to several local bookstores and will be doing a book launch at Words Matter Bookstore in Pitman NJ on the weekend after my release date. I’ll do a reading and a craft related to the book.

Also, Tamara Girardi has included BRANCHES OF HOPE in her 12 Months of Books Challenge.

In the upcoming months, I’ll be featured on Kathy Teaman’s blog and Kidlit 411’s blog.

SUSANNA: How long was it between the time you started writing seriously and the time you sold your first picture book?

ANN: I started writing seriously in January 2013 when I joined Julie Hedlund’s 12 x 12 Writing Challenge. I spent that first year just immersing myself in learning, taking classes, going to conferences, etc. I sold my first book 5 Β½ years later.

SUSANNA: I remember having you in my class in early 2014 😊 What is the most important/helpful thing you learned on your way to publication? (Or what is your most helpful piece of advice for up and coming writers?)

ANN: I can’t stress enough how important it is to surround yourself with likeminded people, people who are also traveling the same path. Sharing advice or traversing bumps in the road together is so important in an endeavor that feels very solitary most of the time. I’m so grateful for my critique partners!

Also, I think as a writer, you need to care about the story you’re tellingβ€”it has to REALLY matter to you in order for that passion to shine through in the manuscript.

Author Ann Magee

Website: annmagee.net
Twitter: @ann_ammwrite
Instagram: ammwrite

SUSANNA: Thank you so much, Ann, for taking the time to participate in this series and paying it forward to other writers! We all so appreciate you sharing your experience and wish you the best of luck with this and future titles!

ANN: Thank you so much, Susanna, for having me on your blog and for sharing my journey with my debut book. It means so much!

Readers, if you have questions for Ann, please post them in the comments below and if she has time I’m sure she’ll respond!

You may purchase Ann’s book at:
(all links below are book-specific)

Indiebound
Amazon
Barnes&Noble

We can help our debut authors successfully launch their careers by:

– purchasing their books

– recommending their books to friends and family

– recommending their books to our children’s teachers and librarians

– recommending their books to our local libraries and bookstores

– suggesting them as visiting authors at our children’s schools and our local libraries

– sharing their books on social media

– reviewing their books on Goodreads, Amazon, Barnes&Noble, and other sites where people go to learn about books.

Thank you all for stopping by to read today!  Have a lovely, inspiration-filled Tuesday!  Maybe today is the day you’ll write your debut picture book 😊

Missed any previous Tuesday Debuts?  Check them out!

Christy Mihaly – Hey! Hey! Hay! A Tale of Bales And The Machines That Make Them

Jessie Oliveros – The Remember Balloons

Beth Anderson – An Inconvenient Alphabet: Ben Franklin And Noah Webster’s Spelling Revolution

Hannah Holt – The Diamond And The Boy

Laura Renauld – Porcupine’s Pie

Annie Romano – Before You Sleep: A Bedtime Book Of Gratitude

Melissa Stoller – Scarlet’s Magic Paintbrush

Sherry Howard – Rock And Roll Woods

Kate Narita – 100 Bugs! A Counting Book

Vivian Kirkfield – Pippa’s Passover Plate

Laura Roettiger – Aliana Reaches For The Moon

Matthew Lasley – Pedro’s Pan: A Gold Rush Story

Natalee Creech – When Day Is Done

Margaret Chiu Greanias – Maximillian Villainous

Wendy Greenley – Lola Shapes The Sky

Danielle Dufayet – You Are Your Strong

B.J. Lee – There Was An Old Gator Who Swallowed A Moth

Cathy Ballou Mealey – When A Tree Grows

Pippa Chorley – Counting Sheep

Sandra Sutter – The Real Farmer In The Dell

June Smalls – Odd Animals ABC

Jill Mangel Weisfeld – Riley The Retriever Wants A New Job (self pub)

Kathleen Cornell Berman – The Birth Of Cool: How Jazz Great Miles Davis Found His Sound

Eleanor Ann Peterson – Jurassic Rat

Sarah Hoppe – Who Will? Will You?

Marla LeSage – Pirate Year Round

Stacey Corrigan – The Pencil Eater

Shannon Stocker – Can U Save The Day?

Nadine Poper – Randall And Randall

Christine Evans – Evelyn The Adventurous Entomologist

Karen Kiefer – Drawing God (religious market)

Susan Richmond – Bird Count

Dawn Young – The Night Baafore Christmas

Heather Gale – Ho’onani: Hula Warrior

Ciara O’Neal – Flamingo Hugs Aren’t For Everyone (self pub)

Theresa Kiser – A Little Catholic’s Book Of Liturgical Colors (religious market)

Lindsey Hobson – Blossom’s Wish (self pub)

Kirsten Larson – Wood, Wire, Wings: Emma Lilian Todd Invents An Airplane

Valerie Bolling – Let’s Dance!

Janet Johnson – Help Wanted: Must Love Books

Susi Schaefer – Cat Ladies

Heather Kinser – Small Matters: The Hidden Power of the Unseen

Kelly Carey – How Long Is Forever?

Mary Wagley Copp – Wherever I Go

Nell Cross Beckerman – Down Under The Pier

Claire Noland – Evie’s Field Day: More Than One Way To Win

Sharon Giltrow – Bedtime, Daddy!

Gabi Snyder – Two Dogs On A Trike

Sarah Kurpiel – Lone Wolf

Vicky Fang – Invent-a-Pet

Lisa Katzenberger – National Regular Average Ordinary Day

Pam Webb – Someday We Will

Abi Cushman – Soaked!

Teresa Krager – Before Your Birth Day

Lindsay H. Metcalf – Beatrix Potter, Scientist

Nancy Roe Pimm – Fly, Girl, Fly! Shaesta Waiz Soars Around The World

Jolene GutiΓ©rrez – Mac And Cheese And The Personal Space Invader

Julie Rowan-Zoch – Louis (picture book illustration debut!)

Janie Emaus – Latkes For Santa

Amy Mucha – A Girl’s Bill Of Rights

Hope Lim – I Am A Bird

Melanie Ellsworth – Hip,Hip…Beret!

Rebecca Kraft Rector – Squish Squash Squished

Gnome Road Publishing (publishing house debut)

Sue Heavenrich – 13 Ways To Eat A Fly

Julie Rowan-Zoch – I’m A Hare So There (author/illustrator debut)

Nancy Derey Riley – Curiosity’s Discovery (author/illustrator self-published debut)

Moni Ritchie Hadley – The Star Festival

Sita Singh – Birds Of A Feather

Perfect Picture Book Friday – A Flood Of Kindness

Hurray! It’s Perfect Picture Book Friday again!

I don’t know about you, but there are so many great books out lately that it’s hard to pick just one each week!

But I had no trouble picking this one. Such a beautiful story, and so well written!

Have a look!

Title: A Flood of Kindness

Written By: Ellen Leventhal

Illustrated By: Blythe Russo

Publisher: WorthyKids, April 13, 2021, fiction

Suitable For Ages: 4-8

Themes/Topics: hardship, kindness, resilience

Opening: “The night the river jumped its banks, everything changed.”

text copyright Ellen Leventhal 2021, illustration copyright Blythe Russo 2021, WorthyKids

Brief Synopsis: When Charlotte’s home is made uninhabitable by flood waters, she must go to a shelter and rely on the kindness of others for food, clothing, and shelter. It is uncomfortable, scary, and unfamiliar, and Charlotte is assailed by a flood of emotions – fear, anger, sadness, and loss. Eventually, the kindness shown to her by others allows Charlotte to pass kindness on.

text copyright Ellen Leventhal 2021, illustration copyright Blythe Russo 2021, WorthyKids

Links To Resources: Kindness Lessons and Activities; 28 Kindness Activities for Preschoolers;

text copyright Ellen Leventhal 2021, illustration copyright Blythe Russo 2021, WorthyKids

Why I Like This Book: As writers, we all believe that every child should have the opportunity to see him/herself in a book, to know that whatever they may be experiencing, others have experienced it too and they’re not alone. Although this story specifically relates to a flood, it’s a story that any child who has ever experienced displacement or loss will feel understood and seen by. The text is powerful in its spareness, using just the right words to tell the story so the reader can experience the emotions along with Charlotte. And the ending is poignant, sweet and hopeful, and shows that kindness multiplies. A wonderful book to show kids the importance of paying it forward.

text copyright Ellen Leventhal 2021, illustration copyright Blythe Russo 2021, WorthyKids

I hope you enjoy it as much as I do 😊

For the complete list of books with resources, please visit Perfect Picture Books.

PPBF folks, please add your titles and post-specific blog links (and any other info you feel like filling out 😊) to the form below so we can all come see what fabulous picture books you’ve chosen to share this week!

Have a wonderful weekend, everyone! 😊

Perfect Picture Book Friday – Sloth And Squirrel In A Pickle

Woo hoo! It’s Perfect Picture Book Friday!

And what could be more perfect on a Perfect Picture Book Friday than the announcement that, although the voting time isn’t quite up yet, it appears the prevailing opinion is that we SHOULD run the Mix ‘n’ Match Mini Writing Challenge again this year! Who knows what Perfect Picture Books that might lead to?!

So I guess I’d better get my thinking cap on and start cogitating on possible challenge prompts! And in the spirit of teamwork, embodied in today’s Perfect Picture Book, anyone who has a great idea for prizes and/or wants to donate one should feel free to email me (you can use the handy-dandy website contact form) and earn my everlasting gratitude 😊 as well of that of the participants who will end up benefiting!

Now, let’s have a look at this delightful book!

Title: Sloth And Squirrel In A Pickle

Written By: Cathy Ballou Mealey

Illustrated By: Kelly Collier

Publisher: Kids Can Press, May 4, 2021, fiction

Suitable For Ages: 3-7

Themes/Topics: teamwork, perseverance, initiative, friendship

text copyright Cathy Ballou Mealey 2021, illustration copyright Kelly Collier 2021, Kids Can Press

Opening: “‘Sloth, I want a bike,” said Squirrel. “I want a bike just like that. We could go FAST!’
Sloth nodded s-l-o-w-l-y.
‘Let’s go to the store!’ said Squirrel.”

Brief Synopsis: Squirrel wants a bike, but it turns out they cost more than he thought. To earn money, he and Sloth get a job at a pickle packing factory. But that turns out not to be as easy as he thought. When they end their first (and only) day of work at the factory, Sloth uses his money to buy them treats. But that doesn’t work out as well as he thought. Until Squirrel recognizes Sloth’s accidental genius and they finally get their bike. Which turns into something neither of them thought… 😊

text copyright Cathy Ballou Mealey 2021, illustration copyright Kelly Collier 2021, Kids Can Press

Links To Resources: think of something you want – how might you and a friend work together to earn money to buy it? draw a picture or write a story of the item you want and what you’d do to earn it; some games require teamwork – try having a three-legged race or building a marshmallow tower; work together to complete a scavenger hunt – here are 8 Scavenger Hunt Ideas for Kids

Why I Like This Book: The friendship between this unlikely pair of buddies shines out from the first lines of the story. They are a team! They see each others’ good qualities. When they make mistakes, there is no blame – they help each other out. When Sloth, in an act of kindness, unknowingly comes up with an idea that will solve their problem, Squirrel recognizes the possibilities and unselfishly gives him the credit. And when they get what they set out to get, Sloth surprises everyone by by showing he and Squirrel have more in common than it might have at first appeared. This hilarious story will have young readers laughing at Sloth and Squirrel’s antics, and discovering with delight all the little details in the fun and lively (and pickle-juice hued 😊) illustrations. An all-around entertaining story that celebrates friendship, teamwork, and taking the initiative to make things happen!

text copyright Cathy Ballou Mealey 2021, illustration copyright Kelly Collier 2021, Kids Can Press

I hope you enjoy it as much as I do 😊

For the complete list of books with resources, please visit Perfect Picture Books.

PPBF folks, please add your titles and post-specific blog links (and any other info you feel like filling out 😊) to the form below so we can all come see what fabulous picture books you’ve chosen to share this week!

Have a wonderful weekend, everyone! 😊

Perfect Picture Book Friday – The Mess That We Made

Welcome to the Day-After-Earth-Day edition of Perfect Picture Book Friday!

To celebrate Earth Day, I have an absolutely wonderful book to share – one I think you’ll all enjoy and appreciate! (It is one of those wish-I’d-written-this! books 😊)

Title: The Mess That We Made

Written By: Michelle Lord

Illustrated By: Julia Blattman

Publisher: Flashlight Press, January 2020, nonfiction

Suitable For Ages: 5-7

Themes/Topics: environmental issues – importance of awareness and change

Opening: “THIS is the mess that we made.

These are the fish that swim in the mess that we made.

This is the seal
that eats the fish
that swim in the mess that we made.”

text copyright Michelle Lord 2020, illustration copyright Julia Blattman 2020, Flashlight Press

Brief Synopsis: [From the publisher] “The Mess That We Made explores the environmental impact of trash and plastic on the ocean and marine life, and it inspires kids to do their part to combat pollution.”

Links To Resources: The Mess That We Made Word Search; book back matter Includes facts about the Great Pacific Garbage Patch, ocean pollution, and Calls to Action for kids and grown‑ups to share.

Why I Like This Book: In the cumulative tale tradition of This Is The House That Jack Built, this rhythmic, sometimes rhyming story shows kids in an age-appropriate way how human behavior is affecting the ocean ecosystem. The vibrant art shows what is happening to the ocean water and the creatures who live there without being so explicit that it would be upsetting. As the story progresses, the illustrations show more and more garbage in the water, building to a full page spread with the very simple text: “Look at the mess that we made.”

text copyright Michelle Lord 2020, illustration copyright Julia Blattman 2020, Flashlight Press

This spread invites readers to pause and really look at and think about what we, as humans, are doing to the world. But the story does not end on that distressing note. Instead, it turns a corner and begins to show all the things we can do to make things better, until it ends on a positive note:

text copyright Michelle Lord 2020, illustration copyright Julia Blattman 2020, Flashlight Press

The book has an important message, handled deftly, so that young readers understand the necessity of change and feel empowered to make it. The back matter includes additional interesting and educational material. A wonderful choice for every library!

In case you’d like to see more, here is the book trailer:

I hope you enjoy it as much as I do 😊

For the complete list of books with resources, please visit Perfect Picture Books.

PPBF folks, please add your titles and post-specific blog links (and any other info you feel like filling out 😊) to the form below so we can all come see what fabulous picture books you’ve chosen to share this week!

Have a wonderful weekend, everyone! 😊