Tuesday Debut – Presenting Natalee Creech!

It’s Tuesday!

And you know what that means!

Time to meet a brand new picture book author and get a glimpse of her beautiful book!

One small note before we begin:

The finalists for the Valentiny Writing Contest were posted yesterday! If you haven’t had a chance to read the top twelve and place your vote, please go over when you have sec and do so.  We need lots of readers and voters! If you know anyone who would enjoy reading and voting, please spread the word – parents, teachers, classrooms, libraries – anywhere there are readers of kid lit! 🙂

Now then! Welcome, Natalee! And thank you so much for joining us today to share your publication experience! Let’s have a look at your gorgeous book!

WHEN DAY IS DONE
Written by Natalee Creech
Illustrated by Robert Dunn
Beaming Books, Feb. 12, 2019
Fiction, ages 3-5

whendayisdonelg

When Day Is Done is a soothing bedtime book with child-friendly poetry, perfect for calming down after a busy day.

 

SUSANNA: Where did the idea for this book come from?

NATALEE: One day when I was writing, the line “We sleep when day is done” popped into my head. I liked it and decided to see how I could build upon that.

 

 

SUSANNA: How long did it take you to write this book?

NATALEE: After the first line, I completed the first verse right away and worked on parts of a few others. I “finished” it over a couple of months but revisited it over the course of a year making tweaks.

 

SUSANNA: Did you go through many revisions?

NATALEE: Looking back I found only four complete drafts of When Day Is Done, but I know there were many small-scale changes that I made without creating an entirely new draft.

Some things I do when revising, particularly poetry:

  • Write on paper first, then move to the computer. Go back to paper if I’m stuck.
  • Have my children read it to me so I can see where they stumble.
  • Read it aloud.
  • Work out problem stanzas while exercising or taking a shower.
  • Keep rejected lines of poetry in a table at the end of the document. Sometimes I second-guess myself or make other changes in the verse which then make the first version of the line a better fit.

I tend to work through these steps, though they overlap.

  1. Write something.
  2. Improve what I say. (content)
  3. Improve how I say it. (execution) The overall sound of the words is crucial with poetry, so this is where most of the reading aloud and playing with word choice comes in – adding alliteration, assonance etc.

 

SUSANNA: When did you know your manuscript was ready for submission?

NATALEE: I knew it was ready when I stopped making any real changes and was just fiddling – trying something and then going back to my original word choice.

 

 

SUSANNA: When and how did you submit?

NATALEE: I am fortunate to have an agent, whom I found through a Twitter pitch called #Faithpitch. WHEN DAY IS DONE was one of the manuscripts I sent her when she asked to see more of my work.  We were actually in the process of submitting the original manuscript I queried her with when a publisher asked to see some companion manuscripts I had written. My agent sent those and included WHEN DAY IS DONE to showcase a different side of my writing. The publisher continued to consider the original manuscript (eventually passing) but in the meantime they quickly made an offer on WHEN DAY IS DONE.

 

SUSANNA: When did you get “the call”?  (Best moment ever! 🙂 )

NATALEE: I got a call about a week later while I was out eating lunch prior to an orthodontist appointment with my son. I felt like sharing the news with the whole orthodontist’s office, but I think I just called my husband instead!

 

SUSANNA: How did you celebrate signing your contract?

NATALEE: I don’t remember doing anything special!

 

SUSANNA: Was the contract what you expected in terms of advance, royalty percentage, publication timeline, author copies etc.?

NATALEE: Yes. The advance was typical. The contract was for world rights and included escalating royalties and a generous number of author copies. I was happy to have an agent handling everything for me! I signed the contract in fall of 2017 and the publication timeline was spring of 2019.

 

SUSANNA:  How was the editorial process?

NATALEE: I wasn’t asked to make any changes or edits to WHEN DAY IS DONE.

In contrast, my second book, NOTHING, which releases in April, underwent considerable changes.

Nothing_FinalFrontJacket2[4] (1)

I spoke with the editor before signing a contract and she asked me how I felt about making some revisions. Of course I said I was open to them. Initially she emailed me some notes which I used to revise, however, I overcorrected! We then decided a phone call might be easier, clarified things over the phone, and I revised again. Later the art director asked to add back in a verse we had removed, and the editor and I agreed. The final version is much stronger and more kid-friendly than what I originally submitted and I’m so glad the editor saw the potential and helped me make those changes. This spread shows the verse that got added back in.

spread submarine nothing

From Nothing, written by Natalee Creech, illustrated by Joseph Cowman. Published by WorthyKids, an imprint of Hachette Book Group. All rights reserved.

From Nothing, written by Natalee Creech, illustrated by Joseph Cowman. Published by WorthyKids, an imprint of Hachette Book Group. All rights reserved.

 

SUSANNA: Can you tell us about your experience of the illustration process?

NATALEE: With the two books the process was similar, but the timeline was much faster with NOTHING. My agent added language to both contracts that allowed some input on my side with final decisions to be made by the publisher.

  • I did not provide any art notes for either book.
  • The second editor asked about my illustration preferences during our initial phone call and I told her I could picture a style similar to Peter Reynolds’ but didn’t have anything particular in mind for illustrations.
  • Both publishers asked my thoughts about the illustrator they had selected, and in both cases I loved their choice.
  • The second publisher shared rough sketches and a couple of full color spreads very early in the process – within a month or two of signing the contract.
  • Both publishers asked for notes/input before finalizing the illustrations.

 

spread birds WDID

From When Day Is Done, written by Natalee Creech, illustrated by Robert Dunn. Published by Beaming Books. All rights reserved.

 

SUSANNA: Did you get to see advance reviews from Kirkus, SLJ, etc?

Unfortunately, not yet!

 

SUSANNA: How long did it take from offer to having the first copy in your hand?

NATALEE: WHEN DAY IS DONE: I signed the contract in September of 2017 and it was released February 12, 2019 – about 17 months.

NOTHING: I signed the contract in April of 2018 and it will be released April 23, 2019. – about 1 year.

 

 

SUSANNA: If your book has been out for at least one statement cycle, has it earned out yet?

NATALEE: WHEN DAY IS DONE has just been out a few weeks, so although I hope it’s doing well, I doubt it’s anywhere near earning out yet!

 

SUSANNA: What kind of marketing and promotion has your publisher done for this book?

NATALEE: Shortly after signing the contract the publisher sent me an author questionnaire to complete with a long and short author bio, interview questions I’d like to be asked, reviewers or websites I’d like the book to be sent to, a short summary of the book and various other questions. They used the information from my answers on the book itself, on online sites, for sell sheets etc. Later they provided me with an Author Publicity Packet that detailed steps they would take and suggested steps for me to take. On their side, it listed many things such as SEO, social media, press kits & press releases, book fairs, etc.

 

SUSANNA: Describe any marketing/promotion you did for this book.

NATALEE: I made a book trailer, am printing bookmarks and have been doing various interviews on blogs. I’ve had to forego marketing that involves mailing swag or books because it’s prohibitively expensive from South Korea. Joining a debut author group has been a tremendous help in countless ways. I would highly recommend it for any debut author.

 

SUSANNA: How long was it between the time you started writing seriously and the time you sold your first picture book?

NATALEE: I would consider the time I started writing seriously to be the date I joined the SCBWI in February of 2015. Paying for that membership was me declaring to myself and my family that I wanted to write books, and also an admission that I needed help to do it. From that time until I signed my first contract was about 2.5 years. However, children’s books and writing have always been a part of my life. I was the teacher who had a children’s book for everything, and in fact, when I was in elementary school my dream was to be a librarian! I worked as a public librarian for several years until we moved back to South Korea. I think these things gave me a head start, otherwise, I’m sure the journey would have been much longer!

Grade 4

From grade 4. Keeping it real, folks – I’m pretty sure my mom cut my hair! (Love you, Mom!)

About Me booklet grade 4 librarian

 

SUSANNA: Anything else you’d like to share about your book’s journey from inspiration to publication?

NATALEE: This is not so much about a book’s journey as about a writer’s journey. When you are taking steps toward publication you have no idea when you will make “real progress.” (Meaning find an agent or get published, to most of us.) I find it helpful to keep in mind that any effort you are making – to learn, to write, to make connections, is bringing you closer to your goal. Even things that initially look like setbacks could be catalysts pushing you closer to publication. Look for what you can learn in any situation!

 

SUSANNA: Natalee, thank you so much for taking the time to participate in this series and paying it forward to other writers!

NATALEE: Thank you so much for having me, Susanna! This series has been very helpful for many people, including myself.

Natalee Creech author-2-2

Author Natalee Creech

My website is nataleecreech.com. You can find me on Twitter at @nataleecreechand Facebook at @nataleecreechauthor.

Readers, if you have questions for Natalee, please post them in the comments below and if she has time I’m sure she’ll respond!

You may purchase Natalee’s book at:
(all links below are book-specific)

Indiebound
Amazon
Barnes&Noble

We can help our debut authors successfully launch their careers by:

– purchasing their books

– recommending their books to friends and family

– recommending their books to our children’s teachers and librarians

– recommending their books to our local libraries and bookstores

– sharing their books on social media

– reviewing their books on Goodreads, Amazon, Barnes&Noble, and other sites where people go to learn about books.

Thank you all for stopping by to read today!  Have a lovely, inspiration-filled Tuesday!  Maybe today is the day you’ll write your debut picture book 🙂

 

Missed any previous Tuesday Debuts?  Check them out!

Christy Mihaly – Hey! Hey! Hay! A Tale of Bales And The Machines That Make Them

Jessie Oliveros – The Remember Balloons

Beth Anderson – An Inconvenient Alphabet: Ben Franklin And Noah Webster’s Spelling Revolution

Hannah Holt – The Diamond And The Boy

Laura Renauld – Porcupine’s Pie

Annie Romano – Before You Sleep: A Bedtime Book Of Gratitude

Melissa Stoller – Scarlet’s Magic Paintbrush

Sherry Howard – Rock And Roll Woods

Kate Narita – 100 Bugs! A Counting Book

Vivian Kirkfield – Pippa’s Passover Plate

Laura Roettiger – Aliana Reaches For The Moon

Matthew Lasley – Pedro’s Pan: A Gold Rush Story

Perfect Picture Book Friday – The Star In The Christmas Play

Boy!  What with the Halloweensie Contest and Thanksgiving, it’s been awhile since we had a Perfect Picture Book Friday!  And I guess this will be the last one before the holidays, since the Holiday Contest will be running by this time next week!

So what better to share today than a new holiday book?  This is a sweet one I think you and your kids will enjoy!

Star In Xmas Play

Title: The Star In The Christmas Play

Written By: Lynne Marie

Illustrated By: Lorna Hussey

Beaming Books,  October 2018, fiction

Suitable For Ages: 3-8

Themes/Topics: being yourself, holidays (Christmas), finding your place

Opening: “‘I wish I were any animal but a giraffe,’ said Raffi.  Instead of running toward savanna school like usual, he dragged his hooves.

Brief Synopsis: Raffi desperately wants a part in the school Christmas play, but he’s too big to be Baby Jesus, too tall to be Joseph, too heavy to be an angel.  It seems there’s no place for him at all.  But his mother’s loving words to him give him an idea and in the end he finds there’s a perfect place for everyone.

Links To Resources: 30 Easy Ornaments To Make With Kids; 30 Homemade Ornaments For Kids; 10 Star Crafts For Kids

Why I Like This Book: This is a sweet story that many kids will relate to.  We’ve all had moments where we don’t feel comfortable in our own skin, where we wish we were different so we’d have an easier time fitting in.  Raffi the giraffe struggles with being too big, too tall, too heavy to take part in the school Christmas play.  But he’s in a very nurturing environment among both adults and children who try to understand and help.   In the end he comes up with his own solution which is just right and he finds a way to accept himself as the others have accepted him all along.  A lovely message for any time of year, but especially nice at Christmas.

I hope you enjoy it as much as I do 🙂

For the complete list of books with resources, please visit Perfect Picture Books.

PPBF folks, please add your titles and post-specific links (and any other info you feel like filling out 🙂 ) to the form below so we can all come see what fabulous picture books you’ve chosen to share this week!

Have a wonderful weekend, everyone!!! 🙂

(Oh, and I’ll give you a heads up now that I have a special extra post, last-minute scheduled for Monday for a couple of writer/illustrator friends, so please plan to stop by!)

 

Tuesday Debut – Presenting Laura Renauld!

 

Welcome to another thrilling edition of Tuesday Debut!

I hope you’re enjoying these interviews as much as I am!  I love getting to see our authors’ unique stories as well as getting to see the areas where their experiences overlap.  Fiction and nonfiction. Large publishing houses and small.  Art notes or back matter for some, none for others.  A terrific array of different marketing and promotion ideas they’ve come up with.  But everyone draws strength and inspiration from their work, lives, and families.  Everyone discovers that even published authors have to vacuum and do the dishes 🙂 And no one seems quite sure exactly how they know when a manuscript is ready to submit, or to have gone into signing a contract with much idea of what the norm is.  Thankfully, by sharing their experiences here, these generous authors are helping all of us to be better prepared for what lies ahead, as well as showing us some tools that worked for them that may help us get there!

So without further ado, I’m delighted to introduce today’s debut author, Laura Renauld, and her book, PORCUPINE’S PIE!

PORCUPINE’S PIE
by Laura Renauld
illustrated by Jennie Poh
Beaming Books
October 9, 2018
Fiction
4-8

thumbnail_PorcupinesPie_COV copy

Synopsis:

Porcupine can’t wait to share Fall Feast with her woodland friends, so when everyone she greets is unable to bake their specialty due to a missing ingredient, Porcupine generously offers staples from her pantry. When Porcupine discovers that she, too, is missing a key ingredient, the friends all work together to create a new Fall Feast tradition.

 

SUSANNA: Thank you so much for joining us today, Laura!  I know I speak for everyone when I say we can’t wait to hear about your journey to publication!  Where did the idea for this book come from?

LAURA: I have been an enthusiastic participant in Tara Lazar’s Picture Book Idea Month (now Storystorm) since 2011. I highly recommend this to writers at any point in their career. During the month of January, Tara offers daily guest posts that are intended to stimulate new ideas, with the goal of collecting 30 ideas in 30 days. Check it out here!

I was inspired by Tammi Sauer’s post during PiBoIdMo 2014, which challenged writers to frame a story as a How-To Book. My brainstorming that day included this jot in my notebook: “How to make porcupine pie (or a pie for a porcupine)”. Even though it did not evolve into a How-To Book, that was the humble beginning of PORCUPINE’S PIE!

 

SUSANNA: How long did it take you to write this book?

LAURA: This story took shape rather quickly. Four days after my initial idea, I brainstormed plots using a basic template that helped me think through the main character’s problem, obstacles, and solution. I came up with two possible angles and I drafted one of them that same day.

 

SUSANNA: Did you go through many revisions?

LAURA: As I look back at my timeline, I can’t believe that I did this, but I revised it twice and then sent it off to Rate Your Story only three days later! (I do not move that quickly with my manuscripts anymore! I write them, I let them sit, I revise them, I bring them to my critique groups, I revise some more. Repeat, repeat, repeat!) I got a good rating, though. 3: Good story! Get a critique or two and polish before submitting. This gave me confidence that I was on the right track, so I kept revising. Something in the judge’s comments caused me to shift the plot in a significant way. And that is the version that clicked.

 

SUSANNA: When did you know your manuscript was ready for submission?

LAURA: I still have a really hard time knowing when a manuscript is ready to submit! Sometimes, if I’ve gotten positive feedback from writing partners and I feel it’s the best it can be, I just go for it.

 

 

SUSANNA: When and how did you submit?

LAURA: At the time, I was unagented so I was open to a variety of submission opportunities. I submitted PORCUPINE’S PIE for the first time in February 2015 to an editor who spoke at the Fall 2014 SCBWI conference I attended. And then… crickets. I never did receive a response.

I set the manuscript aside for several months before sharing it with my critique group. I revised a couple more times in 2015 and then I didn’t touch it again until submitting it to the first annual Sparkhouse Family (now Beaming Books) Picture Book Contest in November 2016. And I won! I’d like to give a shout-out to Sub It Club, which posts an awesome contest calendar. That is where I heard about this opportunity.

Fun Fact: I tweaked my fall-themed story so that I could enter a pared-down version of it in Susanna’s 2016 Valentine-y contest!

 

SUSANNA: And all this time I thought the picture book came from the Valentiny Contest entry!  I guess it was the other way around!

 

SUSANNA: When did you get “the call”?  (Best moment ever! 🙂 )

LAURA: Just over a month after I submitted my story to the contest, I received the email from Sparkhouse Family that I had won and they would like to publish my book!

 

SUSANNA: That must have been so amazing!  How did you celebrate signing your contract?  (If you care to share 🙂 )

LAURA: With lots of hugs and phone calls. 🙂

thumbnail_IMG_9578 2

A family trip to the Eric Carle Museum of Picture Book Art this summer. Laura’s boys (on the edges) and her niece and nephew are her inspirations!

 

SUSANNA: Was the contract what you expected in terms of advance, royalty percentage, publication timeline, author copies etc.?

 
LAURA: I didn’t know what to expect with the contract. I relied heavily on SCBWI’s THE BOOK to negotiate a few contractual changes.

 

 

SUSANNA: Are you able to share any of the contract details?  It is clear from all our Tuesday Debut Authors’ answers to this question that most of us had no idea what to expect, so any light you can shed on specifics will be welcome so that when our readers get to their first contracts they will have some idea what to expect!

 

LAURA: Beaming Books is a small publisher. They hold an annual writing contest to generate interest and excitement for their house and brand. This is a clever way to encourage submissions during a certain period of time and to entice writers with prize money. Porcupine’s Pie won the first annual contest which offered a $5000 prize. It turned out that the prize money was actually my advance. And really, the biggest prize I was hoping for was to have my story published. The royalty ranges from 5%-7% as the number of copies sold increases. One thing that I did not know going into a book contract was that the listed royalty is split between author and illustrator. So if you are an author/illustrator, you’ll get the full 10% standard royalty. But if you are just an author, like me, you’ll receive 5% and your illustrator will receive 5%.

SUSANNA: Did you receive author copies?

LAURA: Yes, I received 10.

SUSANNA: Do you know what your initial hard cover print run is?

LAURA: The initial print run is 3,000 copies.

 

SUSANNA: Thank you so much for being willing to provide such detail, Laura!  I know readers will be grateful for it!

 

SUSANNA: Tell us about the editorial process…

 
LAURA: Only minor revisions were made during the editorial process, mainly to align the text and the illustrations. For example, I originally had Porcupine wearing a shawl, but the illustration of a shawl full of quills looked awkward, so boots were suggested instead. And Porcupine looks good in her little blue boots!

 

SUSANNA: Tell us about your experience of the illustration process…

 

LAURA: I was pleasantly surprised when my editor asked me for styles of art that I like. I just happen to keep a Pinterest board of Illustrators I Admire, so I was able to share my tastes easily. When my editor informed me that Jennie Poh would be doing the illustrations, I was thrilled. I saw sketches of the woodland characters and was given a chance to comment. Then the cover was revealed, along with an internal spread in Fall 2017. Finally, I got to see a digital proof in May of this year. After a few more back-and-forths, the final digital proof arrived.

Jennie’s art is warm and whimsical. I love the color palette Jennie chose and Porcupine’s cozy den feels so inviting. The characters were friends in my text, but Jennie’s illustrations made those relationships believable.

thumbnail_PorcupinesPie_INT

interior spread from PORCUPINE’S PIE

SUSANNA: Did you get to see advance reviews from Kirkus, SLJ, etc?

LAURA: Foreword Reviews published a review of Porcupine’s Pie in their Sept./Oct. issue. It was a bit surreal!

 

SUSANNA: How long did it take from offer to having the first copy in your hand?

LAURA: 21 months. Fun fact: That’s about how long an elephant mama carries her baby before it is born!

 

SUSANNA: What kind of marketing and promotion has your publisher done for this book?

LAURA: My publisher purchased ad space in Foreword Reviews in the form of an author interview to complement the review in the same issue. They also plan to promote my book on the Beaming Books blog.

 

SUSANNA: Describe any marketing/promotion you did for this book.

LAURA: Before my book launched, I promoted it with a ‘Preorder Campaign’ where those who preordered would get a signed bookplate and be entered to win a pie-making kit. I also planned a launch party with children’s activities and a blog tour, stopping at various kidlit and mommy blogs. I decided not to invest in a book trailer, but I did have bookmarks and stickers printed. I also canvassed the neighborhood with launch party invitations!

 

SUSANNA: How long was it between the time you started writing seriously and the time you sold your first picture book?

 
LAURA: I started writing a bit and taking some kidlit workshops about ten years before PORCUPINE’S PIE won the Beaming Books Picture Book Contest. But it wasn’t until I joined SCBWI in 2011 and made writing a priority during the few hours my kids were in preschool that I really began to improve my craft. It was energizing to see my own progress and humbling to realize I should never have submitted to agents when I did! From my conversations with other writers, five to ten years to land a book contract is not unusual.

 

SUSANNA: Anything else you’d like to share about your book’s journey from inspiration to publication?

 
LAURA: If you have an idea for back matter that was not submitted with the original manuscript, pitch it to the editor! PORCUPINE’S PIE is a story with food at its core so it made sense to add a recipe at the end. I made a lot of trial pies, had friends and family taste test them, then created my recipe. And my editor ate it up! 🙂

 

Laura Renauld

 

Find Laura on the web at laurarenauld.comand on social media:

Twitter – @laura_renauld

Facebook – @kidlitlaura

Instagram – @laurarenauld

 

Thank you so much for a wonderful and very informative interview, Laura!  On behalf of all our readers, I appreciate you including Storystorm and Sub It Club, the specific details of your contract, author copies and print run, and your excellent advice about back matter.  So helpful!

Readers, you may purchase Laura’s book at:

Indiebound
Amazon
Barnes&Noble

We can help our debut authors successfully launch their careers by:

– purchasing their books

– recommending their books to friends and family

– recommending their books to our children’s teachers and librarians

– recommending their books to our local libraries and bookstores

– sharing their books on social media

– reviewing their books on Goodreads, Amazon, Barnes&Noble, and other sites where people go to learn about books.

Thank you all for stopping by to read today!  Have a lovely, inspiration-filled Tuesday!  Maybe today is the day you’ll write your debut picture book 🙂

 

Missed any previous Tuesday Debuts?  Check them out!

Christy Mihaly – Hey! Hey! Hay! A Tale of Bales And The Machines That Make Them

Jessie Oliveros – The Remember Balloons

Beth Anderson – An Inconvenient Alphabet: Ben Franklin And Noah Webster’s Spelling Revolution

Hannah Holt – The Diamond And The Boy