Tuesday Debut – Presenting John Bray!

Hello, my friends! Welcome to Tuesday Debut!

In this world of supply chain delays, many a book is arriving at its publication date… only for there to be NO BOOKS! Such is the case with today’s debut. So frustrating for author, illustrator, and publisher! Especially with a debut! But no reason not to jump right over to your favorite bookstore and pre-order a copy. The latest update promises they’ll be in stock in a week or two. There are links to the book at Amazon, and Barnes & Noble (Indiebound not available) at the bottom of this interview so you can be sure to get your copy the moment it’s available. 😊

But now, I am thrilled to introduce you to John Bray, debut picture book author of THE END!

The End
Written By: John Bray
Illustrated By: Josh Cleland
Starry Forest Books, August 30, 2022
Fiction, Ages 3-7 (and adults, too!)

Perfect for fans of B.J. Novak’s The Book With No Pictures, this picture book is bound to entertain young readers who love to ask questions, read funny stories, build blanket forts, and complicate the passage of time. With vibrant illustrations by artist Josh Cleland, The End is just the beginning of a re-read!

SUSANNA: Welcome, John! Thank you so much for joining us today! We are all very excited to learn about your journey to publication with THE END. Where did the idea for this book come from?

JOHN: My main inspiration was Semisonic’s late 90s “Closing Time” (written by Semisonic frontman, Dan Wilson). Specifically, this line: “Every new beginning comes from some other beginning’s end.” I know it’s a Seneca quote, but reading philosophy is certainly how I picked up on it as a teenager.

My life went through a host of big endings and beginnings in 2015 and that lyric was in my head the whole time. So, I owe a lot to Wilson’s excellent songwriting. The idea was mostly fully formed from the start. My final manuscript remains closely tied to my original draft. In fact, the beginning and the end are almost verbatim.

SUSANNA: How long did it take you to write this book?

JOHN: When I sat to draft it, everything came out on the page in just a couple hours. But the total process, including revising and revising and revising, took a couple years. I was fitting it in around client projects (and probably procrastinating far too much) but kept coming back to it with fresh eyes until it reached its final form.

SUSANNA: Did you go through many revisions?

JOHN: Yes, I revise multiple times. The End saw more revisions than I can count, but probably about 3 major revisions before I decided it was ready for submission. The first draft, for example, was about 3 times longer than its final form, so a couple revisions were me ruthlessly cutting to reveal the core of the story. That’s been a constant practice for me. I tend to overwrite, so learning to cut is important.

SUSANNA: When did you know your manuscript was ready for submission?

JOHN: When it was 90% ready and a good friend said, “ship it.” I’ve come to accept that I’ll never think they’re truly ready, but when I think they’re almost ready and they’re grammatically polished, they’re probably ready to go. Sometimes you just need to believe in your effort or you’ll be revising forever.

SUSANNA: When and how did you submit?

JOHN: I’m currently un-agented and seeking representation and, while querying, I pitched The End for #PitMad on Twitter. Unfortunately, #PitMad ended about a year after my book made its way to Starry Forest Books, but I think there are similar initiatives in place. I tweeted my pitch in September of 2020, Allison Hunter Hill (my editor at the time) “liked” it, and I sent her the manuscript. So, The End is a #PitMad success story.

SUSANNA: How long after you found out about your book going to acquisitions (if you did) or after you submitted were you told it was a “yes”?

JOHN: From me first sending in my manuscript to receiving a publishing contract was about four months. That included a set of heavy revisions (one last rewrite to edit middle) and a lot of waiting because publishing is a busy world.

SUSANNA: When did you get “the call”, which these days is more likely to be “the email”?  (Best moment ever! 😊)

JOHN: Yes, it was an email (I probably would have let a call go to voicemail), and it came in two days before Christmas 2020. I looked at the email in my inbox for a few hours before I even let myself open it. I think I still have a screenshot of the unread email saved on my phone. It had been about 6 weeks since I sent the revisions and, as December drew on and holidays approached, I told myself I probably wouldn’t hear until the new year, if at all. Then there it was, landing in my email on a Wednesday afternoon.

SUSANNA: How long was it between getting your offer and getting your contract to sign?

JOHN: I can’t remember exactly, but I remember this being a quick process. A week or two maybe?

SUSANNA: How did you celebrate signing your contract?

JOHN: In all honesty, I didn’t really. Historically, I haven’t been great about celebrating accomplishments because I’m always looking on to the next thing. I’m getting better at that. Slowly.

SUSANNA: Was the contract what you expected in terms of advance, royalty percentage, publication timeline, author copies etc.?

JOHN: Yes and no. But I only say that because I didn’t entirely know what to expect. The advance was lower than many of the highly publicized advanced you hear all about, of course, but it felt fair. Royalties were very new to me but, with a bit of research and a second set of eyes from a friend who worked in publishing (sales), they seemed fair as well. However, I think it’s always okay to negotiate, and that’s exactly what I did. As a result, the advance and author copies increased along with some of the royalties. Author copies were important to me because I’m very actively marketing The End and author copies are helpful with outreach.

SUSANNA: Can you tell us a little about the editorial process?

JOHN: The process was straightforward. The biggest revision came because of feedback from my wonderful editor. That revision involved completely rewriting the middle 6-8 pages or so. That’s not what she asked for, but after spending time trying to rework the existing writing without any real progress, I deleted everything on those pages and started fresh. That’s what I should have done to begin with. I think having the old writing in front of me hindered my ability to see new ideas and help them take shape.

After that edit, the remaining revisions were small in scale (punctuation, word usage, and sentence placement on a given spread) but always up for discussion. And very, very detailed. Allison was great about talking through things. We even have an email thread that explored the etymology of the word “boredom.”

SUSANNA: What was your experience of the illustration process like?

JOHN: It was a great experience. My input was welcome when discussing the overall feel for the book as we thought about potential illustrators, and I was looped in throughout the process after Josh Cleland came on board. I saw early sketches and spreads and passed feedback to Josh through my editor. However, it’s worth mentioning that most of the feedback was very minor. It was a bit of a nerve-wracking process knowing that my manuscript — a story that has lived only in my head for so long — would be read and visualized by someone I’d not met or spoken with, but Josh did a phenomenal job bringing The End to life.

text copyright John Bray 2022, illustration copyright Josh Cleland 2022, Starry Forest Books
text copyright John Bray 2022, illustration copyright Josh Cleland 2022, Starry Forest Books

SUSANNA: Did you get to see advance reviews from Kirkus, SLJ, etc?

JOHN: Yes! Kirkus gave a starred review!

SUSANNA: Congratulations! That is a real accomplishment! How long did it take from offer to having the first copy in your hand?

JOHN: From offer to first F&G was about 18 months. But I also had the opportunity to see a final, hardcover copy when I attended the American Library Association Annual Conference in Washington D.C. in June 2022. I spent a lot of time flipping through the pages, admiring the colors, etc. It’s beautiful.

SUSANNA: What kind of marketing and promotion has your publisher done for this book?

JOHN: Starry Forest Books arranged for me to attend ALA for a book signing, sent copies for reviews, and continues to do a lot of outreach to influencers (social media and otherwise). They’ve also created bookmarks, assembled classrooms packs, made countless social graphics, and designed activity sheets. It’s been a real team effort, constantly tossing ideas back and forth with Kirsten Drew and Amy Dixon (in marketing at Starry Forest Books). They’ve both been incredibly helpful, and they’re always interested in hearing and supporting my many ideas for possible marketing opportunities.

SUSANNA: Describe any marketing/promotion you did for this book.

JOHN: A good friend of mine, Sue Campbell at Pages & Platforms, helped steer many of my own efforts and has helped some of my ideas take shape, as well. On my end, I continue to engage in outreach to bloggers, podcasters, social media influencers, and others to try and spread the word and get The End into as many hands as possible. I’ve created stickers and an activity book, have reading events planned locally, and am working with librarians and teachers in more far-flung places to schedule events (virtual and in-person). A local bakery (Tiny Kitchen, also owned by a friend of mine; launching a book takes a community!) will also be making custom cookies for some of my upcoming events.

SUSANNA: Wow! So many great ideas! How long was it between the time you started writing seriously and the time you sold your first picture book?

JOHN: A good 10 years. Part of that is because I wasn’t actively trying to sell for the first several, but it was still a long, long road. I have a big pile of rejections.

SUSANNA: What is the most important/helpful thing you learned on your way to publication? (Or what is your most helpful piece of advice for up and coming writers?)

JOHN: Sit, write, repeat and remember one thing: Rejection does not mean you’ve done something wrong; it means you’re in the game. It’s part of the process. The only guaranteed way to avoid it is by not putting yourself out there. Knowing that might not soften the blow of a rejection, but it does help you move forward. A stack of rejections means you’re putting in the work.

SUSANNA: Anything else you’d like to share about your book’s journey from inspiration to publication?

JOHN: Everyone will approach The End differently. That’s the nature of books. It might be the best part about them. But I think it’s worth nothing that The End wasn’t written to teach kids about endings and beginnings. It wasn’t meant to be a lesson. It was meant to be an exploration of the concept, maybe a conversation starter, but, above all else, a fun story to read aloud.

Author John Bray

Website: johnbraybooks.com
Newsletter (with a free book — a creative collaboration with a friend of mine from several year ago — at sign-up!): johnbraybooks.com/newsletter
Twitter: @jhnrbry
Instagram: @jhnrbry

SUSANNA: Thank you so much for taking the time to participate in this series and paying it forward to other writers, John! We all so appreciate this opportunity to learn from you and wish you all the best with this and future titles!

Readers, if you have questions for John, please post them in the comments below and if he has time I’m sure he’ll respond!

You may purchase John’s book at:
(all links below are book-specific)

Indiebound (no link available)

We can help our debut authors successfully launch their careers by:

– purchasing their books

– recommending their books to friends and family

– recommending their books to our children’s teachers and librarians

– recommending their books to our local libraries and bookstores

– suggesting them as visiting authors at our children’s schools and our local libraries

– sharing their books on social media

– reviewing their books on Goodreads, Amazon, Barnes&Noble, and other sites where people go to learn about books.

Thank you all for stopping by to read today!  Have a lovely, inspiration-filled Tuesday!  Maybe today is the day you’ll write your debut picture book 😊

Missed any previous Tuesday Debuts?  Check them out!

Christy Mihaly – Hey! Hey! Hay! A Tale of Bales And The Machines That Make Them

Jessie Oliveros – The Remember Balloons

Beth Anderson – An Inconvenient Alphabet: Ben Franklin And Noah Webster’s Spelling Revolution

Hannah Holt – The Diamond And The Boy

Laura Renauld – Porcupine’s Pie

Annie Romano – Before You Sleep: A Bedtime Book Of Gratitude

Melissa Stoller – Scarlet’s Magic Paintbrush

Sherry Howard – Rock And Roll Woods

Kate Narita – 100 Bugs! A Counting Book

Vivian Kirkfield – Pippa’s Passover Plate

Laura Roettiger – Aliana Reaches For The Moon

Matthew Lasley – Pedro’s Pan: A Gold Rush Story

Natalee Creech – When Day Is Done

Margaret Chiu Greanias – Maximillian Villainous

Wendy Greenley – Lola Shapes The Sky

Danielle Dufayet – You Are Your Strong

B.J. Lee – There Was An Old Gator Who Swallowed A Moth

Cathy Ballou Mealey – When A Tree Grows

Pippa Chorley – Counting Sheep

Sandra Sutter – The Real Farmer In The Dell

June Smalls – Odd Animals ABC

Jill Mangel Weisfeld – Riley The Retriever Wants A New Job (self pub)

Kathleen Cornell Berman – The Birth Of Cool: How Jazz Great Miles Davis Found His Sound

Eleanor Ann Peterson – Jurassic Rat

Sarah Hoppe – Who Will? Will You?

Marla LeSage – Pirate Year Round

Stacey Corrigan – The Pencil Eater

Shannon Stocker – Can U Save The Day?

Nadine Poper – Randall And Randall

Christine Evans – Evelyn The Adventurous Entomologist

Karen Kiefer – Drawing God (religious market)

Susan Richmond – Bird Count

Dawn Young – The Night Baafore Christmas

Heather Gale – Ho’onani: Hula Warrior

Ciara O’Neal – Flamingo Hugs Aren’t For Everyone (self pub)

Theresa Kiser – A Little Catholic’s Book Of Liturgical Colors (religious market)

Lindsey Hobson – Blossom’s Wish (self pub)

Kirsten Larson – Wood, Wire, Wings: Emma Lilian Todd Invents An Airplane

Valerie Bolling – Let’s Dance!

Janet Johnson – Help Wanted: Must Love Books

Susi Schaefer – Cat Ladies

Heather Kinser – Small Matters: The Hidden Power of the Unseen

Kelly Carey – How Long Is Forever?

Mary Wagley Copp – Wherever I Go

Nell Cross Beckerman – Down Under The Pier

Claire Noland – Evie’s Field Day: More Than One Way To Win

Sharon Giltrow – Bedtime, Daddy!

Gabi Snyder – Two Dogs On A Trike

Sarah Kurpiel – Lone Wolf

Vicky Fang – Invent-a-Pet

Lisa Katzenberger – National Regular Average Ordinary Day

Pam Webb – Someday We Will

Abi Cushman – Soaked!

Teresa Krager – Before Your Birth Day

Lindsay H. Metcalf – Beatrix Potter, Scientist

Nancy Roe Pimm – Fly, Girl, Fly! Shaesta Waiz Soars Around The World

Jolene Gutiérrez – Mac And Cheese And The Personal Space Invader

Julie Rowan-Zoch – Louis (picture book illustration debut!)

Janie Emaus – Latkes For Santa

Amy Mucha – A Girl’s Bill Of Rights

Hope Lim – I Am A Bird

Melanie Ellsworth – Hip,Hip…Beret!

Rebecca Kraft Rector – Squish Squash Squished

Gnome Road Publishing (publishing house debut)

Sue Heavenrich – 13 Ways To Eat A Fly

Julie Rowan-Zoch – I’m A Hare So There (author/illustrator debut)

Nancy Derey Riley – Curiosity’s Discovery (author/illustrator self-published debut)

Moni Ritchie Hadley – The Star Festival

Sita Singh – Birds Of A Feather

Ann Magee – Branches Of Hope: The 9/11 Survivor Tree

Amanda Davis – 30,000 Stitches: The Inspiring Story of the National 9/11 Flag (nonfiction)

Jennifer Buchet – Little Medusa’s Hair Do-lemma

Michelle Vattula – The Stalking Seagulls

Christine Van Zandt – A Brief History Of Underpants (nonfiction)

Candice Marley Conner – Sassafras And Her Teeny Tiny Tail

Ashley Belote – Frankenslime

Becky Scharnhorst – My School Stinks!

Darshana Khiani – How To Wear A Sari

Ana Siqueira – Bella’s Recipe For Success

Kate Allen Fox – Pando: A Living Wonder Of Trees (nonfiction)

Jenna Waldman – Sharkbot Shalom

Karen A. Wyle – You Can’t Kiss A Bubble

Rebecca Mullin – One Tomato (board book)

Cynthia Argentine – Night Becomes Day: Changes In Nature (illustrated with photographs)

Karen Greenwald – Vote For Susanna: The First Woman Mayor (nonfiction)

Anne Appert – Blob (author/illustrator)

Patti Richards – Mrs. Noah

Dianna Wilson-Sirkovsky – James’ Reading Rescue

Karen Condit – Turtle On The Track (hybrid publishing)

Renee LaTulippe – The Crab Ballet (picture book poem)

Amy Duchene – Pool Party (collaboration/co-writing)

Kimberly Wilson – A Penny’s Worth

Candace Spizzirri – Fishing With Grandpa And Skye

Carrie Tillotson – Counting To Bananas

Patrice Gopo – All The Places We Call Home

Rebecca Gardyn Levington – Brainstorm!

Perfect Picture Book Friday Special! – Starry Forest Books – A Perfect Picture Book Publisher PLUS A Fantastic Opportunity Giveaway!!!

Break out the fancy coffee mugs and some celebratory chocolate cake for breakfast, my friends! We have a very special edition of Perfect Picture Books today!

In lieu of a book, I have an interview with a publisher who is actively looking to acquire picture books. This is a unique opportunity to get an inside look at a publisher you might not have known about, along with insight into what they’re looking for. In addition, one lucky winner will get to have a 20-minute Zoom call with Robert Agis, President of Starry Forest Books, where you can talk to him about anything in publishing! This is an amazing opportunity to get some insider info on all the things you’ve been wondering about in the publishing world. And don’t forget to practice your pitches, because he’ll definitely ask to hear about what you write and what you’re working on! This giveaway starts today and runs through Wednesday, June 15th! (Details and entry info at the bottom of this post!)

(Also, the Perfect Picture Book List for this week will be down at the bottom as usual, too. I may not be sharing an actual book today, but everyone else is!)

I want to thank Amy Dixon, Editor at Starry Forest books, for taking the time to join us today and give us this wonderful glimpse into an up-and-coming publisher! Thank you, Amy! In addition, she was able to get some responses from the other two acquiring editors, so you get to hear from all three!

First, some general info about Starry Forest Books!

Tell us a little bit about Starry Forest Books and how it came to be.

In 2016, Robert Agis, then an editor at Union Square & Co., collaborated with Barnes & Noble buyers to develop new series and title ideas. Starry Forest Books was a boutique publisher commissioned with actualizing these ideas for Sterling and Barnes & Noble. With creative direction from Robert Agis, Starry Forest developed several series including Baby’s Big World and Classic Stories which immediately proved successful. 

Inspired by Starry Forest’s potential, and with the vision to create distinctive children’s books and media, Robert took over Starry Forest in 2019. He negotiated worldwide distribution through Ingram, started a foreign rights business that includes growing sales in China, Russia, Spain, and elsewhere, and expanded the Starry Forest creative team and support roles to a team of ten. From three modest series sold through one retailer in 2019, the company has expanded to worldwide sales with more than 120 titles published or in development. 

Looking at your website, we can see you’ve done a lot of board book series and classics in the past. What does the trajectory of Starry Forest look like moving forward?

Our vision statement is “Make Something Beautiful” and we plan to continue pursuing that vision with the 20-30 titles we’ll publish each year. This includes the development and growth of our existing brands, like our Baby’s Classics and Gamer Baby series, as well as stand-alone picture books. We will also be expanding into categories such as chapter books and eventually, middle grade fiction! We’re thrilled that our first two stand-alone picture books will be entering the world in August, and we’ll be sharing more about them below!

For the next few questions, we asked the Starry Forest Editorial Team to chime in and give some inside scoop! They are Allison Hunter Hill, Anna Lazowski, and Amy Dixon—ALL both published authors and acquiring editors at Starry Forest Books.

You are here on Perfect Picture Book Friday! We’d love to hear what you look for when evaluating a picture book manuscript.

Anna Lazowski:

A fresh concept, or unique take on something familiar will always make a manuscript stand out. So many manuscripts start out strong but falter partway through. I love it when I get pulled in by the opening lines and the author is able to hold me there as the narrative unfolds. I also look for authors who know how to use emotion to connect with the reader, and understand that half of their story will, ultimately, be told by illustrations. 

Can you tell us about a Perfect Picture Book on your list? What drew you to this story?

Allison Hunter-Hill:

Being an editor is a little like being a parent– I can’t pick a favorite book-child! But I can tell you what I look for in picture books and what drew me to this one. Perfect Picture Books have a “spark” in them that sets them apart. It could be dialogue that makes you giggle and begs to be read out loud like “Not A Book About Bunnies” by Amanda Henke (coming in 2023!). Or a clever text that turns your world upside-down like “The End” by John Bray. Or maybe it’s an old tale that suddenly feels new again, like Valerie Tripp’s lushly re-imagined Greek myths, “Goddesses and Gardens.”

What drew me to Judy Roth’s “Cadence and Kittenfish” was the character of Cadence, herself– a bright, spunky little mermaid who does dance class with dolphins, Tai Chi with the lighthouse keeper, and wants a kitten SO BADLY that she can’t see what’s right under her adorable nose. Judy writes with such a unique, lyrical understanding. Her words are always fresh, surprising, and just begging to be read out loud! As a former librarian, I’m always on the lookout for a great storytime pick!

Illustrations play such a big role in creating a Perfect Picture Book, and there is so much talent to choose from! What did you love about this illustrator, and what made her right for this project?

Allison Hunter-Hill:

Jaclyn Sinquett is such a dream! I had three big requirements in mind when I started looking through illustrator portfolios: enchanting underwater scenes (no flat blues, please!), charming, lifelike girl characters, and the most absolutely irresistible kittens.

I knew Jaclyn was perfect for Cadence when I saw her art for “Sincerely, Emerson” by Emerson Webber. I could just tell that Jaclyn remembered what it was like to be an 8 or 9-year-old little girl– wistful, optimistic, and real. Top that off with her warm, painterly style and delicate detail work, and I was confident she would knock it out of the park. And she did!

The word that comes to mind when I think of Jaclyn is “generous.” Whatever you give her, she multiplies and gives back in abundance. I asked for a rough idea on a color scheme and she pitched a palette based on seaside blown glass and salt-water taffy. I sent her a boring copyright page and she draped it in delicate doodles of sea fronds. I mentioned it would be neat to see Cadence’s room, and what came back was something out of an enchanted mermaid dream: driftwood and coral bunkbeds with sea sponge pillows, a found-anchor nightstand, a delicate seashell tea set, and a literal Saltwater Guitar. 

Follow Jaclyn Sinquett @jsinquett on Instagram for close-ups, art process videos and more!

To me, a Perfect Picture Book illustrator is one who loves the story just as much as you do. Remember being a kid and finding a friend who would 1000% commit to pretending that the floor was molten lava? Or that your lego castle was under seige by giant Barbies? Or that you were both majestic horses with elaborate names like “Moonfire” or “Chestnut Lighting” or “Princess Starhorn”? (Someone please say yes. I’m begging you.) Finding a perfect illustrator is like finding that friend. They aren’t just willing to immerse themselves in a new world with you… they really want to play, too!

What kind of experience can an author or illustrator expect to have with Starry Forest Books?

Amy Dixon:

As a creator myself, I can say that I’ve been quite impressed by the sincere desire that the Starry Forest Team has to connect authentically with creators. Often, when there is interest in a manuscript, we have a Zoom call with creators, agents, editors, and our president, to meet and chat about the story. These have been some of the most enjoyable conversations, because they are about so much more than just a sale. We get to learn about the creators; where they are from, and what inspired them to write this story. We get to hear about what other projects they are working on. We become invested in the creator’s journey and get to explore the potential for us to be part of their growth, both with the existing project, and their overall craft.  And we get to see if there’s chemistry—we have a positive culture at Starry Forest and want that positivity to extend to the creators, and then pour out from our books to the consumer too. The hope is that everyone who crosses paths with Starry Forest Books is better for it. There is absolutely no doubt in my mind that a creator that chooses to work with Starry Forest will feel seen, heard, and valued. The passion that our company has to “Make Something Beautiful” is not just about producing a gorgeous book, but also about creating a beautiful experience for the writers and artists we work with.  

Do you have a wish list you can share with us? What types of stories are you looking to publish next? 

Amy Dixon: 

Right now, I am EAGERLY reading submissions! Hint, hint, it’s a great time to submit to me! My team will tell you that I am really loving creative non-fiction right now—teach me something without making me feel like you’re teaching me something! I adore stories about real events that inspire me to be a better human, especially ones featuring kick-ass women. I also would love to see more manuscripts that make me laugh, and where the illustrations tell a whole part of the story that isn’t in the text.  You can see more about the things I love and our submission guidelines on my manuscript wish list.

Anna Lazowski:

I absolutely love reading submissions, because when you find a gem in your inbox, it’s a truly incredible feeling. I’m always looking for a diversity of voices and experiences, and stories that help us understand each other. I love things that are a bit quirky, am a big fan of a well-placed surprise, and have a soft spot for creative use of language. You can find out more about what I’m looking for and check out our submission guidelines on my manuscript wish list

Where can we find you online? 

Website: www.starryforestbooks.com

Twitter: @starryforestbks

Instagram: @starryforestbks


We are giving away a 20-minute Zoom call with Robert Agis, President of Starry Forest Books, where you can talk to him about anything in publishing! This is an amazing opportunity to get some insider info on all the things you’ve been wondering about in the publishing world. And don’t forget to practice your pitches, because he’ll definitely ask to hear about what you write and what you’re working on! This giveaway starts today and runs through Wednesday, June 15th!

Enter the Starry Forest Books Giveaway Here!
Use the link to follow @starryforestbks on Twitter and Instagram, retweet the “Giveaway Time” tweet, and tag a fellow Picture Book Enthusiast by commenting on the “Giveaway Time” Instagram post. (You can find links to these posts at linktr.ee/starryforestbks)

Thank you again, Amy, for all this wonderful information and for taking the time to visit with us today! We all so appreciate it!

And now back to our regularly scheduled programming. . . 😊

For the complete list of books with resources, please visit Perfect Picture Books.

PPBF folks, please add your titles and post-specific blog links (and any other info you feel like filling out 😊) to the form below so we can all come see what fabulous picture books you’ve chosen to share this week!

Have a wonderful weekend, everyone! 😊